{"id":3442,"date":"2023-03-26T14:01:58","date_gmt":"2023-03-26T12:01:58","guid":{"rendered":"https:\/\/www.cerstveovocie.sk\/?p=3442"},"modified":"2023-05-09T09:04:12","modified_gmt":"2023-05-09T07:04:12","slug":"skuma-makku-hodnotu-v-dizajne-a-vztah-cloveka-predmetu-a-prostredia","status":"publish","type":"post","link":"https:\/\/d.r1.wbsprt.com\/cerstveovocie.sk\/skuma-makku-hodnotu-v-dizajne-a-vztah-cloveka-predmetu-a-prostredia\/","title":{"rendered":"Sk\u00fama m\u00e4kk\u00fa hodnotu v\u00a0dizajne a\u00a0vz\u0165ah \u010dloveka, predmetu a prostredia"},"content":{"rendered":"\n

U\u017e od detstva vedela, \u017ee chce robi\u0165 nie\u010do tvoriv\u00e9. Ke\u010f bola prv\u00e1\u010dka na z\u00e1kladnej \u0161kole v\u0161imla si, \u017ee jej mamina vedela ve\u013emi pekne kresli\u0165. Mal\u00e1 Petra za\u010dala vyzveda\u0165 a p\u00fdta\u0165 sa, \u017ee kde sa toto nau\u010dila. Mama toti\u017eto \u0161tudovala umeleck\u00fd odbor na strednej \u0161kole a vtedy Petra zistila, \u017ee existuje \u0161kola, na ktorej sa d\u00e1 \u0161tudova\u0165 umenie. V tom momente sa rozhodla, kam bud\u00fa smerova\u0165 jej \u010fal\u0161ie kroky. Petra rada chodila na bien\u00e1le ilustr\u00e1ci\u00ed, rada si kreslila a prekres\u013eovala obr\u00e1zky z kn\u00edh a ke\u010f\u017ee sa jej mama venovala textiln\u00fdm technik\u00e1m, Petra bola veden\u00e1 aj k pr\u00e1ci s materi\u00e1lom. Aj ke\u010f kreslenie ju n\u00e1ramne bavilo, ch\u00fdbal jej tu kontakt s materi\u00e1lom a pr\u00e1ca priestorom. Preto pri v\u00fdbere strednej \u0161koly uprednostnila odbor textil, ktor\u00fd jej pri\u0161iel viac prirodzen\u00fd. Po\u010das \u0161t\u00fadia prich\u00e1dzala viac do kontaktu s dizajnom. Nav\u0161tevovala prieskumy, kde vn\u00edmala, \u017ee dizajn je to \u010do by ju zauj\u00edmalo viac. Navy\u0161e, e\u0161te pred strednou a vysokou \u0161kolou chodila na r\u00f4zne \u201ehobby\u201c kurzy, kde nav\u0161t\u00edvila drot\u00e1rsku dielnu, rezb\u00e1rsku dielnu, absolvovala kurz vitr\u00e1\u017ee a smaltovania alebo letn\u00fa akad\u00e9miu \u0161perku. Pr\u00e1ca s materi\u00e1lom ju ve\u013emi bavila. Detstvo s farbi\u010dkami, tvoriv\u00e9 rodinn\u00e9 z\u00e1zemie, umeleck\u00e1 \u0161kola a r\u00f4zne remeseln\u00e9 kurzy boli siln\u00fdm z\u00e1kladom dizajn\u00e9rky Petry Ryb\u00e1nskej.<\/p>\n\n\n\n

Petra Ryb\u00e1nska je textiln\u00e1 a produktov\u00e1 dizajn\u00e9rka. Aktu\u00e1lne pokra\u010duje v \u0161t\u00fadiu na doktorandskom stupni v ateli\u00e9ri Experiment\u00e1lnehol dizajnu na Katedre dizajnu Vysokej \u0161koly v\u00fdtvarn\u00fdch umen\u00ed v Bratislave  pod veden\u00edm doc. Mgr. art. Sylvie Jokelovej, v r\u00e1mci ktor\u00e9ho sa okrem in\u00e9ho venuje prehodnoteniu klasick\u00e9ho vn\u00edmania dizajn\u00e9rskej pr\u00e1ce. <\/p>\n\n\n\n

Bakal\u00e1rsky a magistersk\u00fd titul ziskala v Ateli\u00e9ri Industrial design, kde po skon\u010den\u00ed \u0161t\u00fadia p\u00f4sobila vy\u0161e dvoch rokov aj ako asistentka. Po\u010das \u0161t\u00fadia Petra absolvovala zahrani\u010dn\u00fa st\u00e1\u017e na Peter Behrens School of Arts v D\u00fcsseldorfe na Katedre \u00fa\u017eitkov\u00e9ho umenia so zameran\u00edm na \u0161perk a intern\u00fa st\u00e1\u017e v ateli\u00e9ri Keramiky na katedre \u00fa\u017eitkov\u00e9ho umenia na V\u0160VU v Bratislave. Pr\u00edle\u017eitostne p\u00f4sob\u00ed ako lektorka umeleck\u00fdch remesiel v \u00da\u013dUV-e a na \u0160kole dizajnu vyu\u010duje striedavo navrhovanie a po\u010d\u00edta\u010dov\u00fa vizualiz\u00e1ciu.<\/p>\n\n\n\n

Dizajn vn\u00edma predov\u0161etk\u00fdm ako sp\u00f4sob uva\u017eovania kladie d\u00f4raz na kontext, pozoruje a sk\u00fama spr\u00e1vanie \u010dloveka a neust\u00e1le aktualizuje pr\u00edstup k navrhovaniu. Dlhodobo sa venuje remesl\u00e1m a pr\u00e1ci s r\u00f4znymi materi\u00e1lmi a technol\u00f3giami a rada experimentuje s ich kombinovan\u00edm a prel\u00ednan\u00edm. Materi\u00e1lnu podobu dizajnu vn\u00edma ako prostriedok a m\u00e9dium na zdielanie t\u00fdchto postrehov. Jej tvorbu si predstav\u00edme na niektor\u00fdch vybran\u00fdch projektoch.<\/p>\n\n\n\n

ChildUp vznikol v spolupr\u00e1ci s firmou TULI. Sed\u00e1k v spojen\u00ed so stoli\u010dkou vytv\u00e1ra vysok\u00e9 sedenie pre deti od 3 \u2013 7 rokov. V\u010faka n\u00e1plni zo zdravotne nez\u00e1vadn\u00fdch polystyr\u00e9nov\u00fdch guli\u010diek sa ergonomicky prisp\u00f4sobuje anat\u00f3mii a napom\u00e1ha spr\u00e1vnemu dr\u017eaniu tela die\u0165a\u0165a pri seden\u00ed za jed\u00e1lensk\u00fdm stolom ale najm\u00e4 pom\u00e1ha lep\u0161ej socializ\u00e1cii \u010fie\u0165a\u0165a v rodine. V\u00fdhodou sed\u00e1ku je jeho jednoduch\u00e1 manipul\u00e1cia. Pomocou p\u00e1sov zo such\u00fdch zipsov sa d\u00e1 \u013eahko pren\u00e1\u0161a\u0165 a pripn\u00fa\u0165 takmer na ka\u017ed\u00fa stoli\u010dku. Pou\u017eit\u00e1 je technol\u00f3gia priemyseln\u00e9ho \u0161itia, a t\u00fdm je mo\u017en\u00e9 sed\u00e1k vyr\u00e1ba\u0165 s\u00e9riovo. (2014, pedag\u00f3g: Ferdinand Chrenka | Vysok\u00e1 \u0161kola v\u00fdtvarn\u00fdch umen\u00ed) <\/p>\n\n\n\n

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ChildUp podsed\u00e1k pre deti, 2014 (foto Adam \u0160akov\u00fd)<\/em><\/figcaption><\/figure>\n\n\n\n

FLIN je samozavla\u017eovc\u00ed kvetin\u00e1\u010d s pridanou hodnotou spo\u010d\u00edvaj\u00facou v spojen\u00ed dvoch funkci\u00ed v jednom produkte. Rezervo\u00e1r vody, sa po oto\u010den\u00ed zmen\u00ed na zakore\u0148ova\u010d. T\u00fdmto princ\u00edpom produkt reaguje na aktu\u00e1lny trend cirkul\u00e1rnej ekonomiky. Zefekt\u00edv\u0148uje manipul\u00e1ciu u\u017e\u00edvate\u013eovi, je v\u00fdhodn\u00fd pre producenta, ktor\u00fd zni\u017euje n\u00e1klady na v\u00fdrobu a v neposlednom rade vznik\u00e1 trval\u00e1 udr\u017eate\u013enos\u0165 eliminovan\u00edm mno\u017estva jednorazov\u00fdch plastov\u00fdch n\u00e1dob. S\u00fa\u010das\u0165ou kvetin\u00e1\u010da je aj pres\u00e1dzac\u00ed syst\u00e9m, ktor\u00fd vysunie sadenice a umo\u017en\u00ed ich r\u00fdchlo a \u010disto presadi\u0165. Zavla\u017eovanie zabezpe\u010duj\u00fa p\u00e1sy pas\u00edvnym prenosom vody z n\u00e1doby do n\u00e1doby pri oboch funkci\u00e1ch. Mestsk\u00fd vzh\u013ead dop\u013a\u0148a minimalistick\u00fd dizajn so zapusten\u00fdm hladinomerom a esteticko-funk\u010dn\u00fdm prvkom v podobe textiln\u00e9ho u\u0161ka nazna\u010duj\u00faceho sp\u00f4sob manipul\u00e1cie. Kvetin\u00e1\u010d je z\u00e1rove\u0148 \u0161t\u00fadiou mestsk\u00e9ho u\u017e\u00edvate\u013ea a jeho potrieb v kontexte pestovania v meste (2018, pedag\u00f3g: Ferdinand Chrenka | Vysok\u00e1 \u0161kola v\u00fdtvarn\u00fdch umen\u00ed)<\/p>\n\n\n\n

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FLIN Samozavla\u017eovac\u00ed kvetin\u00e1\u010d, 2018 (foto Lea Lovi\u0161kov\u00e1)<\/em><\/figcaption><\/figure>\n\n\n\n

Sk\u00fasenosti s pedagogickou \u010dinnos\u0165ou a pr\u00e1ca s \u013eudmi ju ovplyvnila nato\u013eko, \u017ee za\u010dala prehodnocova\u0165 a spochyb\u0148ova\u0165 klasick\u00e9 pr\u00edstupy k navrhovaniu, ktor\u00e9 ved\u00fa k celkovej objektiviz\u00e1cii \u010dloveka a v kone\u010dnom d\u00f4sledku tvoria dizajn pre \u010dloveka bez \u010dloveka. Pr\u00e1ve na tento moment reaguje projekt \u201eI am not object\u201c, ktor\u00fd je s\u00fa\u010das\u0165ou dizerta\u010dnej pr\u00e1ce Soft value. Objektiviz\u00e1cia je pojem, ktor\u00fd v spolo\u010dnosti \u010dasto prehliadame, banalizujeme a v\u0161\u00edmame si ju a\u017e v jej extr\u00e9mnych podob\u00e1ch ako sexizmus, rasizmus, ageizmus, adultizmus a pod. \u010castokr\u00e1t sme objektivizovan\u00fd alebo objektivizujeme, seba nevyn\u00edmaj\u00fac. Je to fenom\u00e9n, ktor\u00fd je slepo akceptovan\u00fd a pova\u017eujem ho za p\u00f4vodcu hlb\u0161\u00edch probl\u00e9mov v spolo\u010dnosti. \u013dudskos\u0165 je na\u0161ou podstatou no k slovu sa dostane a\u017e v krajn\u00fdch situ\u00e1ci\u00e1ch, ke\u010f o \u0148u prich\u00e1dzame no vtedy sa u\u017e len sna\u017e\u00edme zlepi\u0165 \u010do ostalo. Jej sila spo\u010d\u00edva v jej krehkosti.<\/p>\n\n\n\n

Projekt \u201eI am not object\u201c je snahou o prebudenie toho \u013eudsk\u00e9ho v n\u00e1s, vn\u00fatorn\u00e9 pre\u017e\u00edvanie \u2013 hodnoty, kognit\u00edvne schopnosti, \u010di imagin\u00e1cia, v\u010faka ktor\u00fdm sme schopn\u00ed tvori\u0165 a vyv\u00edja\u0165 sa. Ak tieto prostriedky nepou\u017e\u00edvame st\u00e1vame sa iba objektami \u010dakaj\u00facimi na pou\u017eitie. Dizajn takmer v\u017edy pracuje direkt\u00edvne. Ur\u010duje u\u017e\u00edvate\u013ea, jeho n\u00e1ladu, em\u00f3cie a sp\u00f4sob interakcie s predmetmi. Jeho z\u00e1merom je line\u00e1rny progres. Ak\u00e9 by to bolo predmety pou\u017e\u00edva\u0165 autenticky a ich funkciu h\u013eada\u0165 po\u010das ich \u017eivotnosti? Vpl\u00fdvali by na na\u0161e podvedomie a aktivovali by v n\u00e1s z\u00e1ujem o vlastn\u00fa vn\u00fatorn\u00fa hodnotu alebo by sa stali iba \u010fal\u0161\u00edm kr\u00e1tkym rozpt\u00fdlen\u00edm pre na\u0161e zmysly? Sme e\u0161te schopn\u00ed samostatne uva\u017eova\u0165 bez spoliehania sa na technol\u00f3gie? Aj to s\u00fa ot\u00e1zky poukaz\u00fajce na tenk\u00fa hranicu, ktor\u00e1 by mohla znamena\u0165 lep\u0161\u00ed \u017eivot. (Bratislava Design Week 2022)<\/p>\n\n\n\n

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I am not object, Zoya galery, v r\u00e1mci BADW, 2022<\/em><\/figcaption><\/figure>\n\n\n\n

V dne\u0161n\u00fdch d\u0148och  Petra pracuje na n\u00e1vrhu okuliarov. Projekt, ktor\u00fd je pre \u0148u ve\u013emi osobn\u00fdm, ke\u010f\u017ee nezvolila klasick\u00fd pr\u00edstup a pri navrhovan\u00ed nerozm\u00fd\u0161\u013eala pre koho navrhuje, ale viac sa zamerala na nedirekt\u00edvnos\u0165. V\u00fdsledkom je experiment s kon\u0161trukciou.<\/p>\n\n\n\n

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U\u017e od detstva vedela, \u017ee chce robi\u0165 nie\u010do tvoriv\u00e9. Ke\u010f bola prv\u00e1\u010dka na z\u00e1kladnej \u0161kole v\u0161imla si, \u017ee jej mamina vedela ve\u013emi pekne kresli\u0165. Mal\u00e1 Petra za\u010dala vyzveda\u0165 a p\u00fdta\u0165 sa, \u017ee kde sa toto nau\u010dila. Mama toti\u017eto \u0161tudovala umeleck\u00fd odbor na strednej \u0161kole a vtedy Petra zistila, \u017ee existuje \u0161kola, na ktorej sa d\u00e1 \u0161tudova\u0165 […]<\/p>\n","protected":false},"author":3,"featured_media":3446,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[30,31],"tags":[7,5,34,6,26,25,130],"class_list":["post-3442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cerstve-ovocie","category-novinky","tag-cerstve-ovocie_fm","tag-dizajn","tag-efemko","tag-keramika","tag-produktovy-dizajn","tag-sperk","tag-textilny-dizajn"],"yoast_head":"\nSk\u00fama m\u00e4kk\u00fa hodnotu v\u00a0dizajne a\u00a0vz\u0165ah \u010dloveka, predmetu a prostredia - \u010cerstv\u00e9 Ovocie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cerstveovocie.sk\/skuma-makku-hodnotu-v-dizajne-a-vztah-cloveka-predmetu-a-prostredia\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sk\u00fama m\u00e4kk\u00fa hodnotu v\u00a0dizajne a\u00a0vz\u0165ah \u010dloveka, predmetu a prostredia - \u010cerstv\u00e9 Ovocie\" \/>\n<meta property=\"og:description\" content=\"U\u017e od detstva vedela, \u017ee chce robi\u0165 nie\u010do tvoriv\u00e9. 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