{"id":10686,"date":"2026-08-02T20:00:00","date_gmt":"2026-08-02T18:00:00","guid":{"rendered":"https:\/\/www.cerstveovocie.sk\/?p=10686"},"modified":"2026-07-31T16:11:38","modified_gmt":"2026-07-31T14:11:38","slug":"traja-tvorcovia-jeden-spolocny-experiment","status":"publish","type":"post","link":"https:\/\/d.r1.wbsprt.com\/cerstveovocie.sk\/traja-tvorcovia-jeden-spolocny-experiment\/","title":{"rendered":"Traja tvorcovia, jeden spolo\u010dn\u00fd experiment"},"content":{"rendered":"\n

Studio 413 vzniklo ako n\u00e1pad troch kamar\u00e1tov, ktor\u00ed spolu zdie\u013eali budovu jednej fakulty, \u0161kolsk\u00e9 zadania a zjavne aj dostatok tvoriv\u00e9ho nepokoja na to, aby si popri tom zalo\u017eili vlastn\u00fd projekt. Dnes je z neho otvoren\u00e1 platforma, ktor\u00e1 sa odmieta necha\u0165 zatvori\u0165 do jednej discipl\u00edny, jednej techniky \u010di jednej rozumnej odpovede na ot\u00e1zku: \u201eA \u010do vlastne rob\u00edte?\u201c<\/em> S\u00e1ra Kram\u00e1rov\u00e1, Adam Mr\u00e1z a D\u00e1vid Dubrov\u010d\u00e1k navrhuj\u00fa \u0161perky, odevy, objekty, v\u00fdstavy aj komunitn\u00e9 eventy, no sami tvrdia, \u017ee ich nedefinuje m\u00e9dium, ale sp\u00f4sob prem\u00fd\u0161\u013eania. Experimentuj\u00fa, sk\u00fa\u0161aj\u00fa, pochybuj\u00fa, h\u00e1daj\u00fa sa, uzmieruj\u00fa sa pri zmrzline a z ka\u017ed\u00e9ho projektu sa sna\u017eia vytvori\u0165 viac ne\u017e len v\u00fdsledn\u00fd produkt. V rozhovore rozpr\u00e1vaj\u00fa o tom, ako vzniklo studio 413, pre\u010do sa pova\u017euj\u00fa sk\u00f4r za tvorcov ne\u017e dizajn\u00e9rov, ako sa z troch rozdielnych osobnost\u00ed st\u00e1va jeden tvoriv\u00fd organizmus a pre\u010do je pre nich najd\u00f4le\u017eitej\u0161\u00edm dielom komunita \u013eud\u00ed, ktor\u00e1 okolo ich tvorby postupne vznik\u00e1.<\/p>\n\n\n\n

Na prv\u00fd poh\u013ead m\u00f4\u017ee studio 413 p\u00f4sobi\u0165 ako mlad\u00fd dizajn\u00e9rsky brand. Sami jeho zakladatelia v\u0161ak toto ozna\u010denie pou\u017e\u00edvaj\u00fa len ve\u013emi opatrne. Ove\u013ea rad\u0161ej hovoria o tvorbe. Nie preto, \u017ee by sa chceli vyhn\u00fa\u0165 slovu dizajn, ale preto, \u017ee ich spolo\u010dn\u00fd projekt od za\u010diatku vznikal ako priestor, ktor\u00fd nem\u00e1 by\u0165 zviazan\u00fd jedn\u00fdm odborom, jednou technikou ani jedn\u00fdm typom v\u00fdstupov. Dnes pod n\u00e1zvom 413 vznikaj\u00fa \u0161perky, odevy, objekty, v\u00fdstavy, experimenty aj komunitn\u00e9 eventy, no na za\u010diatku nest\u00e1la amb\u00edcia zalo\u017ei\u0165 zna\u010dku. St\u00e1la tam trojica kamar\u00e1tov, ktor\u00ed mali pocit, \u017ee ich tvoriv\u00e9 mo\u017enosti s\u00fa v\u00e4\u010d\u0161ie ne\u017e r\u00e1mec jedn\u00e9ho \u0161kolsk\u00e9ho zadania.<\/p>\n\n\n\n

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studio 413*<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*5 k\u00faskov m\u0148a \u2013 prv\u00e1 vernis\u00e1\u017e a prv\u00fd verejn\u00fd event. Vernis\u00e1\u017e sa odohr\u00e1vala v priestoroch Kotolne FAD STU. S\u00fa\u010das\u0165ou vernis\u00e1\u017ee boli ko\u017euchy z kolekcie „Cornalia“, prv\u00e9 prototypy piercingov na oble\u010denie a samozrejme s\u00e9ria piatich obrazov odr\u00e1\u017eaj\u00facich vn\u00fatorn\u00e9 procesy a kreat\u00edvne vyu\u017eitie dostupn\u00fdch prostriedkov (sticky notes, fixa, no\u017enice) za kasou v n\u00fakupnom centre, kde autor pracoval.<\/p>\n\n\n\n

S\u00e1ra Kram\u00e1rov\u00e1<\/a>, Adam Mr\u00e1z<\/a> a D\u00e1vid Dubrov\u010d\u00e1k<\/a> sa spoznali hne\u010f po\u010das prv\u00fdch dn\u00ed \u0161t\u00fadia dizajnu na Fakulte architekt\u00fary a dizajnu STU v Bratislave<\/a>. \u201eOd prv\u00e9ho t\u00fd\u017ed\u0148a workshopu sme sa nejako dali dokopy. Nie vz\u0165ahovo, ale kamar\u00e1tsky samozrejme,\u201c<\/em> smeje sa Adam. Dizajn\u00e9rov na \u0161kole nebolo ve\u013ea, prirodzene vytvorili jednu partiu a u\u017e od prv\u00e9ho ro\u010dn\u00edka spolu tr\u00e1vili v\u00e4\u010d\u0161inu \u010dasu. Spolo\u010dn\u00e9 \u0161t\u00fadium ich s\u00edce nau\u010dilo prem\u00fd\u0161\u013ea\u0165 ako dizajn\u00e9rov, no z\u00e1rove\u0148 ka\u017ed\u00e9ho z nich formovalo trochu in\u00fdm smerom. S\u00e1ra sa postupne za\u010dala pohybova\u0165 medzi m\u00f3dou, produktov\u00fdm dizajnom, postprodukciou a vizu\u00e1lnou komunik\u00e1ciou. Adam si budoval cit pre grafiku, estetiku a technologick\u00e9 rie\u0161enia. D\u00e1vid sa \u010doraz viac zauj\u00edmal o objekt, \u0161perk a tvorbu vo v\u0161eobecnosti. \u201eJa by som povedal v\u0161eobecnej\u0161ie, \u017ee sa venujeme tvorbe. Dizajn je n\u00e1\u0161 z\u00e1kladn\u00fd odbor, ale je to tak\u00e9\u2026 v\u0161eli\u010do.\u201c<\/em> Pr\u00e1ve t\u00e1to r\u00f4znorodos\u0165 sa nesk\u00f4r uk\u00e1zala ako najv\u00e4\u010d\u0161ia v\u00fdhoda. K\u00fdm mnoh\u00ed mlad\u00ed autori si po\u010das \u0161koly h\u013eadaj\u00fa vlastn\u00fa discipl\u00ednu, oni postupne zis\u0165ovali, \u017ee ich najviac bav\u00ed prep\u00e1ja\u0165 r\u00f4zne m\u00e9di\u00e1. D\u00f4le\u017eit\u00fdm momentom sa stal Erasmus, po\u010das ktor\u00e9ho boli v\u0161etci traja v inom k\u00fate Eur\u00f3py. S\u00e1ra \u0161tudovala vo Var\u0161ave, D\u00e1vid vo Wismare a Adam zostal na Slovensku. Paradoxne pr\u00e1ve fyzick\u00e1 vzdialenos\u0165 ich priviedla k spolo\u010dn\u00e9mu projektu. \u201eD\u00e1vid bol z\u00fafal\u00fd,\u201c<\/em> spom\u00edna s \u00fasmevom S\u00e1ra. \u201eBol ve\u013emi obmedzovan\u00fd t\u00fdm, \u010do ako dizajn\u00e9r m\u00f4\u017ee robi\u0165. Chcel robi\u0165 ve\u013ea in\u00fdch vec\u00ed a jedn\u00e9ho d\u0148a n\u00e1m nap\u00edsal, \u010di by sme nechceli vytvori\u0165 nie\u010do spolo\u010dn\u00e9.\u201c<\/em> D\u00e1vid si na samotn\u00fd moment u\u017e dnes takmer nespom\u00edna. \u201eJa iba viem, \u017ee som s t\u00fdm asi pri\u0161iel. Ale v\u00f4bec neviem ako presne.\u201c<\/em><\/p>\n\n\n\n

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Adam Mr\u00e1z<\/em><\/a><\/figcaption><\/figure>\n\n\n\n
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D\u00e1vid Dubrov\u010d\u00e1k<\/em><\/a><\/figcaption><\/figure>\n\n\n\n
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S\u00e1ra Kram\u00e1rov\u00e1<\/em><\/a><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Prv\u00fdm spolo\u010dn\u00fdm projektom pritom nebol produkt, ale samotn\u00e1 identita. N\u00e1zov, logo a predstava, \u010do vlastne chc\u00fa spolu vytvori\u0165. A pr\u00e1ve tento proces sa uk\u00e1zal by\u0165 mo\u017eno naj\u0165a\u017e\u0161ou sk\u00fa\u0161kou ich bud\u00facej spolupr\u00e1ce. Polro\u010dn\u00e1 komunik\u00e1cia na dia\u013eku priniesla mno\u017estvo nedorozumen\u00ed, rozdielnych n\u00e1zorov aj tvrdohlavosti. \u201ePrv\u00fd spolo\u010dn\u00fd projekt bolo na\u0161e meno a logo. To bolo najhor\u0161ie. T\u00fd\u017edne komunik\u00e1cie na dia\u013eku, komunika\u010dn\u00e9 \u0161umy\u2026 My sme si pod\u013ea m\u0148a ten za\u010diatok celkom odm\u00e1kali aj na vz\u0165ahovej \u00farovni.\u201c<\/em> Ka\u017ed\u00fd z nich mal in\u00fa estetiku, in\u00fd sp\u00f4sob uva\u017eovania aj in\u00fa predstavu o vizu\u00e1lnej identite. A pr\u00e1ve vtedy si za\u010dali uvedomova\u0165, \u017ee ak chc\u00fa fungova\u0165 ako kolekt\u00edv, bud\u00fa sa musie\u0165 nau\u010di\u0165 nielen tvori\u0165, ale predov\u0161etk\u00fdm spolu komunikova\u0165. Aj samotn\u00fd n\u00e1zov 413 vznikol sp\u00f4sobom, ktor\u00fd ich dnes dokonale vystihuje. Nem\u00e1 premyslen\u00fa symboliku ani ve\u013ek\u00e9 filozofick\u00e9 pozadie. Adam p\u00f4vodne chcel vytvori\u0165 \u010d\u00edslo z inici\u00e1lok ich mien pod\u013ea poradia v abecede. Len\u017ee niekde po\u010das v\u00fdpo\u010dtu sa pom\u00fdlil. \u201eM\u00e1m dyskalk\u00faliu,\u201c<\/em> prizn\u00e1va so smiechom. \u201eNeviem, kde sa vzala t\u00e1 trojka.\u201c<\/em> Chyba sa u\u017e nikdy neopravila. Naopak. \u010c\u00edslo sa v\u0161etk\u00fdm zap\u00e1\u010dilo nato\u013eko, \u017ee zostalo. Nesk\u00f4r si dokonca omylom nechali vytla\u010di\u0165 s\u00e9riu n\u00e1lepiek s \u00faplne in\u00fdm \u010d\u00edslom 431. \u201eNa\u0161i najv\u00e4\u010d\u0161\u00ed fan\u00fa\u0161ikovia ich dodnes maj\u00fa na telef\u00f3noch,\u201c<\/em> smeje sa S\u00e1ra. Takmer ka\u017ed\u00e1 \u010das\u0165 vzniku \u0161t\u00fadia tak sprev\u00e1dza podobn\u00fd paradox \u2013 z komunika\u010dn\u00fdch omylov, improviz\u00e1cie a n\u00e1hod sa postupne stala prirodzen\u00e1 s\u00fa\u010das\u0165 ich identity.<\/p>\n\n\n\n

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Rasta Fyah Bun*<\/em><\/figcaption><\/figure>\n\n\n\n
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Rasta Fyah Bun*<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*Prv\u00fd experiment, z\u00e1rove\u0148 prv\u00fd verejn\u00fd projekt. Studio 413 podp\u00e1lilo D\u00e1vidovi hlavu!<\/p>\n\n\n\n

Prv\u00e9 mesiace fungovania preto neboli o budovan\u00ed zna\u010dky v tradi\u010dnom zmysle slova. Sk\u00f4r o h\u013eadan\u00ed spolo\u010dn\u00e9ho jazyka. Ka\u017ed\u00fd z nich si do nov\u00e9ho projektu prin\u00e1\u0161al vlastn\u00e9 sk\u00fasenosti, vlastn\u00e9 z\u00e1ujmy aj vlastn\u00fa predstavu o tom, \u010do v\u0161etko m\u00f4\u017ee dizajn znamena\u0165. A hoci sa ich cesty za\u010dali na jednej \u0161kole, u\u017e vtedy bolo zrejm\u00e9, \u017ee studio 413 nebude miestom, kde sa bud\u00fa sna\u017ei\u0165 vytvori\u0165 jednotn\u00fd autorsk\u00fd rukopis. Ove\u013ea viac ich l\u00e1kalo vytvori\u0165 priestor, v ktorom m\u00f4\u017eu zosta\u0165 ka\u017ed\u00fd s\u00e1m sebou a napriek tomu tvori\u0165 spolo\u010dne. Presne odtia\u013e toti\u017e vznikla my\u0161lienka, ktor\u00e1 ich sprev\u00e1dza dodnes \u2013 \u017ee m\u00e9dium je len n\u00e1stroj a skuto\u010dn\u00fdm za\u010diatkom ka\u017edej pr\u00e1ce je n\u00e1pad.<\/p>\n\n\n\n

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Da\u0165 Ruku Zubatej*<\/em><\/figcaption><\/figure>\n\n\n\n
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Da\u0165 Ruku Zubatej*<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*Kolekcia sa zaober\u00e1 autorov\u00fdm pod\u013eadom na smr\u0165 – berie ju ako nie\u010do nevyhnutn\u00e9, nie\u010do u\u017e nie a\u017e tak stra\u0161ideln\u00e9, nie\u010do, s \u010d\u00edm je nutn\u00e9 sa zmieri\u0165 na to, aby si mohol naplno \u017ei\u0165. Autor kolekcie: D\u00e1vid<\/p>\n\n\n\n

Ak by ste sa pok\u00fasili zaradi\u0165 studio 413 do jednej discipl\u00edny, pravdepodobne by ste ve\u013emi r\u00fdchlo narazili na probl\u00e9m. Raz vytv\u00e1raj\u00fa \u0161perky, inokedy strihaj\u00fa vzory do vintage ko\u017euchov, pripravuj\u00fa v\u00fdstavy, navrhuj\u00fa objekty, organizuj\u00fa komunitn\u00e9 eventy alebo pr\u00eddu s n\u00e1padom, ako pomocou drobn\u00fdch kovov\u00fdch plie\u0161kov \u201eprepichn\u00fa\u0165\u201c oble\u010denie podobne, ako sa piercing nos\u00ed r\u00f4zne po tele. Sami v\u0161ak tvrdia, \u017ee pr\u00e1ve toto je pointa. \u201eVe\u013ea \u013eud\u00ed nevie pochopi\u0165, \u010do vlastne rob\u00edme. Ale ja som s t\u00fdm \u00faplne v pohode, lebo to je cel\u00e1 pointa toho, \u017ee je to experiment,\u201c<\/em> hovor\u00ed S\u00e1ra. \u201eNemus\u00edme sa v\u0161etci kategorizova\u0165, \u017ee ja som fotograf, produktov\u00fd dizajn\u00e9r alebo ja som ten \u010do rob\u00ed postprodukciu. \u010co keby sme proste tvorili, lebo n\u00e1s to bav\u00ed?\u201c<\/em> Slovo experiment u nich pritom nie je marketingov\u00e1 n\u00e1lepka ako p\u00f4sobi\u0165 nez\u00e1visle a cool. Je to sp\u00f4sob, ak\u00fdm prem\u00fd\u0161\u013eaj\u00fa o celej tvorbe. Na rozdiel od klasick\u00fdch dizajn\u00e9rskych \u0161t\u00fadi\u00ed si od za\u010diatku vytvorili vlastn\u00fd vn\u00fatorn\u00fd syst\u00e9m, ktor\u00fd im umo\u017e\u0148uje pohybova\u0165 sa medzi r\u00f4znymi m\u00e9diami bez toho, aby str\u00e1cali vlastn\u00fa identitu. Projekty preto nerozde\u013euj\u00fa pod\u013ea materi\u00e1lu alebo discipl\u00edny, ale pod\u013ea toho, ak\u00fa \u00falohu v ich tvorbe zohr\u00e1vaj\u00fa. Vznikaj\u00fa kolekcie, kolabor\u00e1cie, samostatn\u00e9 autorsk\u00e9 projekty, ale aj experimenty \u2013 priestor, kde si m\u00f4\u017eu dovoli\u0165 zlyha\u0165. \u201eTam sk\u00fa\u0161ame. Tam si dovol\u00edme robi\u0165 chyby,\u201c<\/em> vysvet\u013euje D\u00e1vid. Popri tom existuj\u00fa e\u0161te drobn\u00e9 \u201esidequesty\u201c, ako ich sami naz\u00fdvaj\u00fa \u2013 r\u00fdchle n\u00e1pady, ktor\u00e9 nechc\u00fa necha\u0165 zapadn\u00fa\u0165 prachom len preto, \u017ee s\u00fa pr\u00edli\u0161 mal\u00e9 na ve\u013ek\u00fd projekt. V\u010faka tomuto syst\u00e9mu sa nemusia rozhodova\u0165, \u010di je nie\u010do dostato\u010dne ve\u013ek\u00e9 alebo d\u00f4le\u017eit\u00e9. Ka\u017ed\u00fd n\u00e1pad si jednoducho n\u00e1jde svoje miesto.<\/p>\n\n\n\n

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Shinn Unuq*<\/em><\/figcaption><\/figure>\n\n\n\n
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Shinn Unuq*<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*Ide o c\u00ednov\u00e9 pr\u00edvesky, ktor\u00e9 v\u00fdrazn\u00fdm autorsk\u00fdm rukopisom zn\u00e1zor\u0148uj\u00fa novodob\u00fd tes\u00e1k – predmet kedysi nosen\u00fd ako talizman, \u010di znak sily. Tento \u0161t\u00fdl sme interne nazvali neo-paleo. Autor kolekcie: Adam<\/p>\n\n\n\n

Rovnako premyslene pristupuj\u00fa aj k samotnej prezent\u00e1cii. Ka\u017ed\u00fd projekt dost\u00e1va vlastn\u00fd k\u00f3d, \u0161t\u00edtok a vizu\u00e1lnu identitu, ktor\u00e1 prezr\u00e1dza, o ak\u00fd typ pr\u00e1ce ide, kto s n\u00edm pri\u0161iel alebo ak\u00e9 miesto obsad\u00ed v ich spolo\u010dnom arch\u00edve. Pri experimentoch dokonca hodnotia ich priebeh podobne ako vedeck\u00e9 pokusy \u2013 nech\u00fdba miera rizika, o\u010dak\u00e1vania ani v\u00fdsledok. T\u00e1to hravos\u0165 v\u0161ak nie je samo\u00fa\u010deln\u00e1. Je to sp\u00f4sob, ako udr\u017ea\u0165 poriadok vo svete, ktor\u00fd je z\u00e1merne otvoren\u00fd a neust\u00e1le sa rozrast\u00e1. \u201eNejde o to, \u017ee si len tak vystrel\u00edme nejak\u00fd n\u00e1pad do sveta. M\u00e1me v tom syst\u00e9m,\u201c<\/em>vysvet\u013euje S\u00e1ra. Aj preto sa pod jednou zna\u010dkou m\u00f4\u017eu prirodzene stretn\u00fa\u0165 \u0161perk, obraz, performancia aj workshop bez toho, aby si navz\u00e1jom konkurovali. Zauj\u00edmav\u00e9 pritom je, \u017ee samotn\u00fd produkt pre nich \u010dasto nie je cie\u013eom. Ove\u013ea viac ich fascinuje cesta, ktorou sa dostane medzi \u013eud\u00ed. \u201e413 je movement, ak\u00fdm id\u00fa veci z dizajnu do komunity a do sveta,\u201c<\/em> opisuje S\u00e1ra. \u201eN\u00e1m nejde ani o to, ktor\u00fa vec vytvor\u00edme alebo ako bude vyzera\u0165. N\u00e1m ide o to, aby sme sa nau\u010dili tie veci dobre odkomunikova\u0165 medzi sebou aj navonok. Aby v\u0161etko, \u010do vyjde von, d\u00e1valo zmysel.\u201c<\/em>Dizajn preto vn\u00edmaj\u00fa nielen ako navrhovanie objektov, ale aj ako vytv\u00e1ranie pr\u00edbehov, situ\u00e1ci\u00ed a z\u00e1\u017eitkov. V\u00fdstava nie je len miestom, kde sa vystav\u00ed tvorba. St\u00e1va sa stretnut\u00edm komunity. Workshop nie je len slu\u017ebou pre n\u00e1v\u0161tevn\u00edkov festivalu. Je pr\u00edle\u017eitos\u0165ou, aby si \u010dlovek odniesol domov predmet, ktor\u00fd vznikol priamo pred jeho o\u010dami.<\/p>\n\n\n\n

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Cornalia | foto @hug0slav<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Ve\u013ek\u00fa \u00falohu v tomto prem\u00fd\u0161\u013ean\u00ed zohr\u00e1va aj schopnos\u0165 zachyti\u0165 n\u00e1pad v spr\u00e1vnej chv\u00edli. S\u00e1ra opisuje ich tvoriv\u00fd proces ve\u013emi jednoducho: \u201eIdeme po ulici a zrazu niekoho z n\u00e1s napadne \u2013 viete, \u010do by bolo super? Potom sa vytiahne z\u00e1pisn\u00edk, zap\u00ed\u0161e sa to, hod\u00ed do Figmy, sprav\u00ed sa prv\u00e1 n\u00e1strelka a u\u017e to ide \u010falej.\u201c<\/em> D\u00e1vid tento moment prirovn\u00e1va ku knihe The Creative Act od Rick Rubin<\/a>, ktor\u00e1 ho v\u00fdrazne ovplyvnila. \u201eTie n\u00e1pady prich\u00e1dzaj\u00fa a odch\u00e1dzaj\u00fa. Je len na tebe, ktor\u00fa z t\u00fdch ide\u00ed zachyt\u00ed\u0161 a pretvor\u00ed\u0161 do nie\u010doho fyzick\u00e9ho. Ke\u010f to nesprav\u00ed\u0161, od\u00edde a vytvor\u00ed ju niekto in\u00fd.\u201c<\/em> Pr\u00e1ve preto ich tvorba p\u00f4sob\u00ed spont\u00e1nne, no z\u00e1rove\u0148 premyslene. Za ka\u017ed\u00fdm objektom je mno\u017estvo rozhovorov, konzult\u00e1ci\u00ed, \u00faprav a spolo\u010dn\u00e9ho prem\u00fd\u0161\u013eania, ktor\u00e9 \u010dasto nie je navonok v\u00f4bec vidie\u0165. Mo\u017eno aj preto sa v\u0161etci traja zdr\u00e1haj\u00fa ozna\u010di\u0165 sa jedn\u00fdm povolan\u00edm. Hoci vy\u0161tudovali dizajn a pohybuj\u00fa sa v jeho prostred\u00ed, \u010doraz \u010dastej\u0161ie pou\u017e\u00edvaj\u00fa jednoduch\u0161ie slovo. \u201eNajlep\u0161ia charakteristika n\u00e1s je pod\u013ea m\u0148a tvorcovia,\u201c<\/em> hovor\u00ed D\u00e1vid. \u201eAni nie umelci, ani dizajn\u00e9ri. Proste tvorcovia.\u201c<\/em> Je to pomenovanie, ktor\u00e9 ich vystihuje ove\u013ea presnej\u0161ie. Nehovor\u00ed toti\u017e o tom, ak\u00e9 m\u00e9dium pr\u00e1ve pou\u017e\u00edvaj\u00fa, ale o sp\u00f4sobe, ak\u00fdm uva\u017euj\u00fa. A pr\u00e1ve v tom sa studio 413 odli\u0161uje od v\u00e4\u010d\u0161iny mlad\u00fdch autorsk\u00fdch zna\u010diek. Nesna\u017e\u00ed sa n\u00e1js\u0165 svoju discipl\u00ednu. Ove\u013ea viac ich zauj\u00edma, kam a\u017e sa d\u00e1 z\u00e1js\u0165, ke\u010f sa \u010dlovek rozhodne \u017eiadne hranice si dopredu nenastavova\u0165.<\/p>\n\n\n\n

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Cornalia | foto @hug0slav<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Navonok m\u00f4\u017ee studio 413 p\u00f4sobi\u0165 ako kolekt\u00edv troch rovnocenn\u00fdch autorov, ktor\u00ed robia v\u0161etko spolu. V skuto\u010dnosti je ich spolupr\u00e1ca ove\u013ea komplikovanej\u0161ia \u2013 a pr\u00e1ve v tom je jej sila. Ka\u017ed\u00fd z nich m\u00e1 vlastn\u00fd rukopis, in\u00fd sp\u00f4sob prem\u00fd\u0161\u013eania aj in\u00e9 siln\u00e9 str\u00e1nky. Namiesto toho, aby sa ich sna\u017eili zjednoti\u0165, nau\u010dili sa ich vyu\u017e\u00edva\u0165 vo svoj prospech. Dnes u\u017e presne vedia, komu prirodzene patr\u00ed grafika, kto rozm\u00fd\u0161\u013ea nad identitou projektu, kto rie\u0161i komunik\u00e1ciu, produkciu \u010di technick\u00e9 detaily. Neznamen\u00e1 to v\u0161ak, \u017ee by boli uzavret\u00ed vo svojich rol\u00e1ch. Sk\u00f4r naopak. Ka\u017ed\u00fd projekt prejde rukami v\u0161etk\u00fdch troch a fin\u00e1lnu podobu z\u00edskava a\u017e s\u00e9riou spolo\u010dn\u00fdch diskusi\u00ed, pripomienok a \u00faprav. \u201eM\u00e1me trojit\u00fd feedback,\u201c<\/em>opisuje Adam. \u201eNavz\u00e1jom si d\u00e1vame sp\u00e4tn\u00fa v\u00e4zbu, aby bol na konci spokojn\u00fd ka\u017ed\u00fd z n\u00e1s. Niekedy je to kostrbat\u00e9, ale v\u017edy to nejako vyjde.\u201c<\/em>Pr\u00e1ve tieto diskusie s\u00fa miestom, kde sa z individu\u00e1lnych n\u00e1padov st\u00e1va spolo\u010dn\u00e1 tvorba. D\u00e1vid napr\u00edklad hovor\u00ed, \u017ee s\u00e1m by nikdy nechcel rie\u0161i\u0165 soci\u00e1lne siete alebo prem\u00fd\u0161\u013ea\u0165 nad t\u00fdm, ako projekty komunikova\u0165 navonok. T\u00fato \u010das\u0165 prirodzene prevzala S\u00e1ra, ktor\u00e1 popri fotografovan\u00ed, vide\u00e1ch a postprodukcii koordinuje aj v\u0161etko, \u010do sa deje po dokon\u010den\u00ed samotn\u00e9ho produktu. \u201eKe\u010f chalani spravia projekt, rob\u00edme na \u0148om v\u0161etci spolu. Ale potom pr\u00edde \u010fal\u0161ia robota \u2013 postriha\u0165 vide\u00e1, pripravi\u0165 pr\u00edspevky, komunik\u00e1ciu. A to u\u017e pokra\u010dujem v\u00e4\u010d\u0161inou sama,\u201c<\/em> vysvet\u013euje. Z\u00e1rove\u0148 v\u0161ak dod\u00e1va, \u017ee ani tu neexistuj\u00fa pevn\u00e9 hranice. Ke\u010f je pr\u00e1ce ve\u013ea, ostatn\u00ed automaticky pom\u00e1haj\u00fa. \u201eNie je to moje \u00fazemie. Som rada, ke\u010f mi s t\u00fdm chalani pom\u00f4\u017eu.\u201c<\/em><\/p>\n\n\n\n

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Dorsalia*<\/em><\/figcaption><\/figure>\n\n\n\n
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Dorsalia*<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*Kolekcia thrifted ko\u017euchov s mot\u00edvmi dorz\u00e1lneho poh\u013eadu kr\u00eddel r\u00f4znych vt\u00e1kov. Jednotliv\u00e9 vzory boli ru\u010dne vystrihovan\u00e9 no\u017enicami. Autorka kolekcie: S\u00e1ra | Autor fotografie: @prazdneruky<\/p>\n\n\n\n

Podobne funguje aj vz\u0165ah medzi Adamom a D\u00e1vidom. Obaja sa venuj\u00fa grafick\u00e9mu spracovaniu, no ka\u017ed\u00fd \u00faplne in\u00fdm sp\u00f4sobom. \u201eAdam je stra\u0161ne \u0161ialen\u00fd grafik,\u201c<\/em> smeje sa S\u00e1ra. \u201eM\u00e1 extr\u00e9mne siln\u00fa estetiku. Niekedy je potrebn\u00e9 ho trochu uprata\u0165. A to rob\u00ed D\u00e1vid.\u201c<\/em> Ten jej slov\u00e1 dop\u013a\u0148a s \u00fasmevom: \u201eJa to potom uprav\u00edm, vy\u010dist\u00edm a zarovn\u00e1m.\u201c<\/em> Ani jeden z nich to v\u0161ak nevn\u00edma ako s\u00faperenie. Pr\u00e1ve naopak. D\u00e1vid oce\u0148uje Adamovu schopnos\u0165 prich\u00e1dza\u0165 s ne\u010dakan\u00fdmi vizu\u00e1lnymi rie\u0161eniami a Adam zas prizn\u00e1va, \u017ee D\u00e1vidove sk\u00fasenosti s grafikou prin\u00e1\u0161aj\u00fa ich projektom potrebn\u00fa stabilitu. V\u00fdsledkom nie je kompromis, ale dial\u00f3g medzi dvoma odli\u0161n\u00fdmi sp\u00f4sobmi prem\u00fd\u0161\u013eania. Rovnak\u00fd princ\u00edp funguje aj pri samotn\u00fdch produktoch. Mnoh\u00e9 z nich vznikaj\u00fa ako autorsk\u00e9 projekty jedn\u00e9ho \u010dlena, no ostatn\u00ed do nich vstupuj\u00fa ako konzultanti, technick\u00e1 podpora alebo spoluautori prezent\u00e1cie. D\u00e1vid priniesol do \u0161t\u00fadia fascin\u00e1ciu \u0161perkom, ktor\u00fa si priviezol z Erasmu vo Wismare, kde si doslova vybojoval mo\u017enos\u0165 \u0161tudova\u0165 \u0161perk napriek tomu, \u017ee sa vyu\u010doval iba v nem\u010dine. Z tejto sk\u00fasenosti vznikla kolekcia Da\u0165 ruku zubatej<\/strong>, s\u00e9ria odlievan\u00fdch prste\u0148ov a pr\u00edveskov pracuj\u00facich s mot\u00edvom smrti, lebiek a pominute\u013enosti. Adam zasa nadviazal na fascin\u00e1ciu paleolitick\u00fdmi amuletmi a v projekte SHINN UNUQ<\/strong> vytvoril \u0161perky in\u0161pirovan\u00e9 zubami, ktor\u00e9 kedysi symbolizovali silu \u010di spolo\u010densk\u00e9 postavenie. Tradi\u010dn\u00e9 archetypy pritom prep\u00e1ja s nov\u00fdmi technol\u00f3giami odlievania kovov a digit\u00e1lnej v\u00fdroby. S\u00e1ra naopak priniesla do \u0161t\u00fadia projekt Dorsalia<\/strong>, kolekciu vintage ko\u017euchov, do ktor\u00fdch barber technikami vyrez\u00e1va mot\u00edvy vt\u00e1\u010d\u00edch kr\u00eddel, a nesk\u00f4r aj kolekciu Cornelia<\/strong> s mot\u00edvmi jelen\u00edch paro\u017e\u00ed. Obe vych\u00e1dzaj\u00fa z ve\u013emi osobn\u00fdch spomienok na detstvo, pr\u00edrodu a rodinn\u00e9 prostredie. \u201eKe\u010f mi nie\u010do ch\u00fdba, tak si to tvorbou nahr\u00e1dzam,\u201c<\/em> hovor\u00ed. \u201eVyrastala som v po\u013eovn\u00edckej rodine a domov, pr\u00edroda \u010di detstvo s\u00fa veci, ku ktor\u00fdm sa st\u00e1le vraciam.\u201c<\/em><\/p>\n\n\n\n

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5 k\u00faskov m\u0148a*<\/em><\/figcaption><\/figure>\n\n\n\n
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5 k\u00faskov m\u0148a*<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*S\u00e9ria piatich obrazov odr\u00e1\u017eaj\u00facich vn\u00fatorn\u00e9 procesy a kreat\u00edvne vyu\u017eitie dostupn\u00fdch prostriedkov (sticky notes, fixa, no\u017enice) za kasou v n\u00fakupnom centre, kde autor pracoval. Autor obrazov: D\u00e1vid<\/p>\n\n\n\n

Aj ke\u010f s\u00fa tieto projekty autorsky ve\u013emi osobn\u00e9, vo chv\u00edli, ke\u010f vst\u00fapia pod hlavi\u010dku 413, prest\u00e1vaj\u00fa by\u0165 v\u00fdlu\u010dne dielom jedn\u00e9ho \u010dloveka. Ostatn\u00ed zabezpe\u010dia fotografie, video, vizu\u00e1lnu identitu, produkciu, sp\u00e4tn\u00fa v\u00e4zbu \u010di samotn\u00fa prezent\u00e1ciu. S\u00e1ra bez v\u00e1hania presved\u010dila D\u00e1vida, aby z jeho piatich ve\u013ekoform\u00e1tov\u00fdch obrazov nevznikol len instagramov\u00fd pr\u00edspevok, ale plnohodnotn\u00e1 v\u00fdstava. Adam zas pri v\u00fdvoji kovov\u00fdch plie\u0161kov navrhol technologick\u00e9 rie\u0161enie, ktor\u00e9 v\u00fdrazne zjednodu\u0161ilo v\u00fdrobu a zn\u00ed\u017eilo jej cenu. \u201eTo s\u00fa veci, ktor\u00e9 by som s\u00e1m nikdy nevymyslel,\u201c<\/em> prizn\u00e1va D\u00e1vid. Tak\u00fdchto drobn\u00fdch z\u00e1sahov je v ich pr\u00e1ci mno\u017estvo a pr\u00e1ve ony sp\u00f4sobuj\u00fa, \u017ee v\u00fdsledn\u00e9 projekty p\u00f4sobia ove\u013ea komplexnej\u0161ie, ne\u017e keby vznikali osamotene. Mo\u017eno najzauj\u00edmavej\u0161ie v\u0161ak je, \u017ee za touto profesion\u00e1lnou spolupr\u00e1cou stoj\u00ed oby\u010dajn\u00e9 priate\u013estvo. Sami prizn\u00e1vaj\u00fa, \u017ee po\u010das spolo\u010dnej pr\u00e1ce za\u017eili jedny z najv\u00e4\u010d\u0161\u00edch konfliktov aj najv\u00e4\u010d\u0161\u00edch radost\u00ed vo svojom \u017eivote. \u201eM\u00e1me 43-percentn\u00fa \u0161ancu, \u017ee prejde tvoj n\u00e1zor,\u201c <\/em>vtipkuj\u00fa na adresu svojich nekone\u010dn\u00fdch diskusi\u00ed. Tvrdohlavos\u0165 v\u0161etk\u00fdch troch vraj ob\u010das vytvor\u00ed poriadne dusn\u00fa atmosf\u00e9ru. \u201eBoli brut\u00e1lne h\u00e1dky, ale potom boli aj tak\u00e9 euforick\u00e9 stavy, \u017ee dovidenia,\u201c<\/em> prizn\u00e1va S\u00e1ra. Napriek tomu za najd\u00f4le\u017eitej\u0161\u00ed moment ich spolupr\u00e1ce nepova\u017euje ani \u00faspe\u0161n\u00e9 projekty, ani v\u00fdstavy. Ove\u013ea rad\u0161ej spom\u00edna na oby\u010dajn\u00e9 spolo\u010dn\u00e9 obedy zakon\u010den\u00e9 zmrzlinou, ktor\u00e9 medzi sebou naz\u00fdvaj\u00fa \u201edo\u0165uky\u201c. \u201eNie je to a\u017e tak o tvorbe, ale o tom, \u017ee sa m\u00e1me radi ako \u013eudia,\u201c<\/em> hovor\u00ed. Pr\u00e1ve v tejto vete sa mo\u017eno skr\u00fdva podstata \u0161t\u00fadia 413. Ich projekty s\u00edce vznikaj\u00fa z n\u00e1padov, experimentov a dizajn\u00e9rskeho myslenia, no dr\u017e\u00ed ich pokope nie\u010do ove\u013ea jednoduch\u0161ie \u2013 d\u00f4vera, \u017ee ved\u013ea seba maj\u00fa \u013eud\u00ed, ktor\u00ed dok\u00e1\u017eu ka\u017ed\u00fd n\u00e1pad posun\u00fa\u0165 \u010falej, ne\u017e kam by sa dostal s\u00e1m. <\/p>\n\n\n\n

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WifeBeater*<\/em><\/figcaption><\/figure>\n\n\n\n
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WifeBeater*<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*Kolekcia si okrem in\u00e9ho u\u0165ahuje z ministerky kult\u00fary Martiny \u0160imkovi\u010dovej, ktorej tv\u00e1r bola umiestnen\u00e1 na zadn\u00fa stranu p\u00e1nskych boxeriek. I\u0161lo o s\u00f4sob ak\u00fdm sme sa chceli aj my vyjadri\u0165 svoju nespokojnos\u0165 a nes\u00fahlas s jej p\u00f4soben\u00edm vo funkcii. Autor fotografie: @hug0slav | Autori kolekcie: @413_studio<\/p>\n\n\n\n

Hoci studio 413 existuje len kr\u00e1tko, jeho \u010dlenovia u\u017e dnes rozm\u00fd\u0161\u013eaj\u00fa \u010falej ne\u017e len nad \u010fal\u0161ou kolekciou alebo nov\u00fdm produktom. Samozrejme, v hlave nosia \u010fal\u0161ie \u0161perky, objekty, experimenty aj odevy, no \u010doraz \u010dastej\u0161ie hovoria o nie\u010dom inom \u2013 o \u013eu\u010foch. O komunite, ktor\u00e1 sa okolo ich projektov prirodzene vytv\u00e1ra. O mlad\u00fdch fotografoch, modeloch, dizajn\u00e9roch, hudobn\u00edkoch \u010di tvorcoch, ktor\u00ed e\u0161te len za\u010d\u00ednaj\u00fa a h\u013eadaj\u00fa priestor, kde m\u00f4\u017eu sk\u00fa\u0161a\u0165 nov\u00e9 veci bez strachu, \u017ee v\u0161etko mus\u00ed by\u0165 od za\u010diatku dokonal\u00e9. Pr\u00e1ve v tom vidia bud\u00facnos\u0165 svojho \u0161t\u00fadia. Aj preto ich dnes ove\u013ea viac ne\u017e predaj zauj\u00edmaj\u00fa vlastn\u00e9 eventy, workshopy \u010di spolo\u010dn\u00e9 stretnutia. Dobr\u00fdm pr\u00edkladom s\u00fa ich kovov\u00e9 plie\u0161ky \u2013 drobn\u00e9 laserom rezan\u00e9 objekty, ktor\u00e9 pomocou skrutiek upev\u0148uj\u00fa na \u0161iltovky, ta\u0161ky alebo oble\u010denie. Samotn\u00fd predmet je pritom len polovica projektu. Tou druhou je moment, ke\u010f si n\u00e1v\u0161tevn\u00edk festivalu alebo vernis\u00e1\u017ee sadne k ich stolu a spolu s nimi si vytvor\u00ed vlastn\u00fd origin\u00e1lny kus. \u201eVymysleli sme to presne preto, aby si \u013eudia z na\u0161ich eventov mohli odnies\u0165 nie\u010do svoje. Nie\u010do unik\u00e1tne, \u010do im bude pripom\u00edna\u0165 n\u00e1s aj ten konkr\u00e9tny moment,\u201c<\/em>vysvet\u013euje D\u00e1vid. Ka\u017ed\u00fd \u010fal\u0161\u00ed workshop pritom prin\u00e1\u0161a nov\u00e9 technick\u00e9 rie\u0161enia, nov\u00e9 tvary aj nov\u00e9 mo\u017enosti. Projekt sa vyv\u00edja spolu s \u013eu\u010fmi, ktor\u00ed ho pou\u017e\u00edvaj\u00fa.<\/p>\n\n\n\n

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Piercingy na oble\u010denie** | foto ANGIE<\/em><\/figcaption><\/figure>\n\n\n\n
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Piercingy na oble\u010denie** | foto ANGIE<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Rovnako prirodzene vznikaj\u00fa aj ich spolupr\u00e1ce. Nie ako komer\u010dn\u00e9 partnerstv\u00e1, ale ako v\u00fdsledok kamar\u00e1tstiev a spolo\u010dn\u00e9ho nad\u0161enia. Fotograf pr\u00edde s nevyvolan\u00fdm filmom a pon\u00fakne sa, \u017ee nafot\u00ed nov\u00fd projekt. Niekto po\u017ei\u010dia priestor na v\u00fdstavu, \u010fal\u0161\u00ed pom\u00f4\u017ee s produkciou alebo modelingom. \u201eM\u00e1me ve\u013ea ob\u013e\u00faben\u00fdch mlad\u00fdch fotografov, modelov a tvorcov, ktor\u00ed tie\u017e za\u010d\u00ednaj\u00fa,\u201c<\/em> hovor\u00ed S\u00e1ra. \u201eA my im t\u00fa mo\u017enos\u0165 jednoducho d\u00e1me. Je to cel\u00e9 o spolupr\u00e1ci.\u201c<\/em> Aj preto dnes o sebe hovoria sk\u00f4r ako o komunite ne\u017e o uzavretom kolekt\u00edve troch autorov. Ich tvorba toti\u017e od za\u010diatku vznik\u00e1 z neform\u00e1lnych stretnut\u00ed, spolo\u010dn\u00fdch foten\u00ed, improvizovan\u00fdch v\u00fdletov a dlh\u00fdch rozhovorov, po\u010das ktor\u00fdch sa z n\u00e1hodn\u00e9ho n\u00e1padu m\u00f4\u017ee sta\u0165 \u010fal\u0161\u00ed projekt. To v\u0161ak neznamen\u00e1, \u017ee ich amb\u00edcie s\u00fa mal\u00e9. Po dokon\u010den\u00ed bakal\u00e1rskeho \u0161t\u00fadia pl\u00e1nuj\u00fa pokra\u010dova\u0165 naplno. Po\u010das semestra s\u00edce v\u00e4\u010d\u0161inu energie venovali \u0161kolsk\u00fdm zadaniam, no popri nich u\u017e pripravovali \u010fal\u0161ie kolekcie, experimenty aj eventy, ktor\u00e9 bud\u00fa postupne predstavova\u0165. \u201eNezastavujeme v\u00f4bec,\u201c<\/em> hovor\u00ed D\u00e1vid. \u201ePr\u00e1ve naopak. Te\u0161\u00edme sa, \u017ee kone\u010dne m\u00e1me \u010das robi\u0165 na\u0161e veci.\u201c<\/em>Pod\u013ea S\u00e1ry sa ich z\u00e1ujem postupne roz\u0161iruje na \u010fal\u0161ie produkty, vizu\u00e1lne form\u00e1ty aj nov\u00e9 typy podujat\u00ed. Adam zas ver\u00ed, \u017ee pr\u00e1ve osobn\u00e9 stretnutia bud\u00fa t\u00fdm, \u010do ich komunitu e\u0161te viac spoj\u00ed. \u201ePrich\u00e1dzaj\u00fa nov\u00e9 projekty, nov\u00e9 eventy a nov\u00e9 pr\u00edle\u017eitosti, kde m\u00f4\u017eeme t\u00fa komunitu budova\u0165.\u201c<\/em><\/p>\n\n\n\n

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Piercingy na oble\u010denie**<\/em><\/figcaption><\/figure>\n\n\n\n
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Piercingy na oble\u010denie**<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

**Piercingy na oble\u010denie \u2013 nerezov\u00e9 plie\u0161ky, ktor\u00e9 prip\u00edname na r\u00f4zne druhy oble\u010denia – naj\u010dastej\u0161ie siltovky, ta\u0161ky, goliere \u010di nohavice. Ide o vyslovene eventov\u00fa z\u00e1le\u017eitos\u0165 a teda je to nie\u010do, \u010do si \u013eudia odnes\u00fa jedine zo stretnutia s nami. Autori kolekcie: @413_studio<\/p>\n\n\n\n

Aj napriek t\u00fdmto pl\u00e1nom si v\u0161ak zachov\u00e1vaj\u00fa nadh\u013ead a humor, ktor\u00fd je pre nich typick\u00fd. Na soci\u00e1lnych sie\u0165ach si robia srandu sami zo seba, ozna\u010duj\u00fa raperov, in\u0161tit\u00facie \u010di verejne zn\u00e1me osobnosti v n\u00e1deji, \u017ee si ich mo\u017eno raz v\u0161imn\u00fa, a bez ve\u013ek\u00e9ho p\u00e1tosu prizn\u00e1vaj\u00fa, \u017ee ak by si ich ob\u013e\u00faben\u00fd interpret chcel obliec\u0165 ich ko\u017euch, pokojne by ho dostal zadarmo. Nejde pritom o lacn\u00fd marketing. Sk\u00f4r o prirodzen\u00e9 pokra\u010dovanie filozofie, s ktorou studio 413 vzniklo. Tvorba pod\u013ea nich nemus\u00ed by\u0165 odmeran\u00e1, uzavret\u00e1 ani pr\u00edli\u0161 v\u00e1\u017ena. M\u00f4\u017ee by\u0165 hrav\u00e1, experiment\u00e1lna, ob\u010das neposlu\u0161n\u00e1 a st\u00e1le poctiv\u00e1. Ke\u010f sa ich na konci rozhovoru p\u00fdtam, \u010di s\u00fa vlastne dizajn\u00e9ri, umelci alebo m\u00f3dni tvorcovia, odpove\u010f pr\u00edde prekvapivo r\u00fdchlo. \u201eNajlep\u0161ia charakteristika n\u00e1s je tvorcovia,\u201c<\/em> hovor\u00ed D\u00e1vid. Ostatn\u00ed bez v\u00e1hania prik\u00fdvnu. Nie je to len slov\u00ed\u010dko, ktor\u00e9 znie otvorenej\u0161ie. Je to presn\u00fd opis ich pr\u00edstupu. Tvorcovia, ktor\u00ed sa neboja prekra\u010dova\u0165 hranice medzi discipl\u00ednami. Tvorcovia, ktor\u00ed dok\u00e1\u017eu z oby\u010dajn\u00e9ho n\u00e1padu vytvori\u0165 spolo\u010dn\u00fd projekt. A predov\u0161etk\u00fdm tvorcovia, ktor\u00ed pochopili, \u017ee najd\u00f4le\u017eitej\u0161\u00edm dielom nemus\u00ed by\u0165 konkr\u00e9tny objekt, ale prostredie, v ktorom m\u00f4\u017eu spolu s \u010fal\u0161\u00edmi \u013eu\u010fmi st\u00e1le objavova\u0165 nie\u010do nov\u00e9. Pr\u00e1ve preto je studio 413 dnes ove\u013ea viac ne\u017e len dizajn\u00e9rske \u0161t\u00fadio. Je experimentom, ktor\u00fd sa neust\u00e1le vyv\u00edja \u2013 a zd\u00e1 sa, \u017ee jeho najzauj\u00edmavej\u0161ia kapitola e\u0161te len za\u010d\u00edna.<\/p>\n\n\n\n

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studio 413<\/em><\/figcaption><\/figure>\n\n\n\n
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studio 413<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Studio 413<\/strong> je experiment\u00e1lna tvoriv\u00e1 platforma, ktor\u00fa zalo\u017eili S\u00e1ra Kram\u00e1rov\u00e1, Adam Mr\u00e1z a D\u00e1vid Dubrov\u010d\u00e1k po\u010das \u0161t\u00fadia na Fakulte architekt\u00fary a dizajnu STU v Bratislave. Prep\u00e1jaj\u00fa produktov\u00fd dizajn, \u0161perk, m\u00f3du, objekt, vizu\u00e1lnu komunik\u00e1ciu aj komunitn\u00e9 podujatia bez toho, aby sa nechali obmedzi\u0165 jednou discipl\u00ednou. Svoju tvorbu rozv\u00edjaj\u00fa prostredn\u00edctvom experimentov, autorsk\u00fdch kolekci\u00ed, spolupr\u00e1c a vlastn\u00fdch eventov, pri\u010dom rovnako d\u00f4le\u017eit\u00fd ako samotn\u00fd v\u00fdsledok je pre nich proces, pr\u00edbeh a sp\u00f4sob, ak\u00fdm sa dost\u00e1va medzi \u013eud\u00ed. Studio 413 nevn\u00edmaj\u00fa ako zna\u010dku, ale ako otvoren\u00fd priestor pre n\u00e1pady, spolupr\u00e1cu a neust\u00e1le objavovanie nov\u00fdch mo\u017enost\u00ed tvorby.<\/p>\n\n\n\n

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INSTAGRAM<\/a><\/div>\n<\/div>\n\n\n\n
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Studio 413 vzniklo ako n\u00e1pad troch kamar\u00e1tov, ktor\u00ed spolu zdie\u013eali budovu jednej fakulty, \u0161kolsk\u00e9 zadania a zjavne aj dostatok tvoriv\u00e9ho nepokoja na to, aby si popri tom zalo\u017eili vlastn\u00fd projekt. Dnes je z neho otvoren\u00e1 platforma, ktor\u00e1 sa odmieta necha\u0165 zatvori\u0165 do jednej discipl\u00edny, jednej techniky \u010di jednej rozumnej odpovede na ot\u00e1zku: \u201eA \u010do vlastne rob\u00edte?\u201c S\u00e1ra […]<\/p>\n","protected":false},"author":3,"featured_media":10743,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[33,30,31],"tags":[7,5,34,15,24,142,26,25,51],"class_list":["post-10686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carousel","category-cerstve-ovocie","category-novinky","tag-cerstve-ovocie_fm","tag-dizajn","tag-efemko","tag-graficky-dizajn","tag-moda","tag-objekt","tag-produktovy-dizajn","tag-sperk","tag-vizualna-komunikacia"],"yoast_head":"\nTraja tvorcovia, jeden spolo\u010dn\u00fd experiment - \u010cerstv\u00e9 Ovocie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/d.r1.wbsprt.com\/cerstveovocie.sk\/traja-tvorcovia-jeden-spolocny-experiment\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Traja tvorcovia, jeden spolo\u010dn\u00fd experiment - \u010cerstv\u00e9 Ovocie\" \/>\n<meta property=\"og:description\" content=\"Studio 413 vzniklo ako n\u00e1pad troch kamar\u00e1tov, ktor\u00ed spolu zdie\u013eali budovu jednej fakulty, \u0161kolsk\u00e9 zadania a zjavne aj dostatok tvoriv\u00e9ho nepokoja na to, aby si popri tom zalo\u017eili vlastn\u00fd projekt. 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