{"id":10645,"date":"2026-07-26T22:19:14","date_gmt":"2026-07-26T20:19:14","guid":{"rendered":"https:\/\/www.cerstveovocie.sk\/?p=10645"},"modified":"2026-07-20T23:14:34","modified_gmt":"2026-07-20T21:14:34","slug":"nie-je-to-chaos-len-uz-nie-ste-cielova-skupina","status":"publish","type":"post","link":"https:\/\/d.r1.wbsprt.com\/cerstveovocie.sk\/nie-je-to-chaos-len-uz-nie-ste-cielova-skupina\/","title":{"rendered":"Nie je to chaos. Len u\u017e nie ste cie\u013eov\u00e1 skupina."},"content":{"rendered":"\n

Je dos\u0165 mo\u017en\u00e9, \u017ee si niekto z gener\u00e1cie Z pri \u010d\u00edtan\u00ed tohto profilu (ak v\u00f4bec tento dlh\u00fd text do\u010d\u00edta a\u017e dokonca) povie: \u201eTo je mil\u00e9, skoro to pochopil.\u201c<\/em> A \u00faprimne? Asi \u00e1no. Pok\u00fa\u0161a\u0165 sa toti\u017e slovami vysvetli\u0165 svet Karol\u00edny Moln\u00e1rovej aka lunalovesick je trochu ako sna\u017ei\u0165 sa op\u00edsa\u0165 meme \u010dloveku, ktor\u00fd ho nikdy nevidel. Alebo vysvetli\u0165, pre\u010do je chr\u00f3m n\u00e1bo\u017eenstvo, motocross po\u00e9zia a screenshot m\u00f4\u017ee by\u0165 maliarskou predlohou. Niekde cestou sa ur\u010dite objav\u00ed p\u00e1r dlh\u00fdch viet, zop\u00e1r m\u00fadro znej\u00facich pomenovan\u00ed a mo\u017eno aj snaha n\u00e1js\u0165 vo v\u0161etkom hlb\u0161\u00ed v\u00fdznam. Berte to ako prirodzen\u00fd obrann\u00fd mechanizmus autora naroden\u00e9ho e\u0161te pred YouTubom. Na\u0161\u0165astie Karol\u00ednina tvorba funguje aj bez prekladu. A mo\u017eno pr\u00e1ve vtedy funguje najlep\u0161ie.<\/p>\n\n\n\n

V tvorbe Karol\u00edny sa prirodzene stret\u00e1va v\u0161etko, \u010do formuje gener\u00e1ciu vyrastaj\u00facu na internete \u2013 rap, motocross, graffiti, r\u00f4zne kult\u00farne sc\u00e9ny, digit\u00e1lne obrazy aj pouli\u010dn\u00fd slang. Z tohto sveta \u010derp\u00e1 aj ako \u0161tudentka magistersk\u00e9ho \u0161t\u00fadia ma\u013eby na Vysokej \u0161kole v\u00fdtvarn\u00fdch umen\u00ed v Bratislave<\/a>, kde v Ateli\u00e9ri 3EAM<\/a> pod veden\u00edm Rastislava Sedla\u010d\u00edka<\/a> a Mateja Fabiana<\/a> postupne formuje vlastn\u00fd maliarsky jazyk. Popri \u0161kole organizuje komunitn\u00fd projekt PODVOD<\/strong><\/a>, venuje sa textiln\u00fdm experimentom aj filmu, sama sa v\u0161ak s \u00fasmevom ozna\u010duje sk\u00f4r za \u010dloveka, ktor\u00e9ho bav\u00ed sk\u00fa\u0161a\u0165 r\u00f4zne m\u00e9di\u00e1 ne\u017e zosta\u0165 pri jednej discipl\u00edne.\u00a0 \u201ePopri tom sa venujem organiz\u00e1cii undergroundov\u00e9ho eventu PODVOD a pomimo toho sa venujem textilu, textilnej tvorbe, e\u0161te nejak\u00fdm r\u00f4znym filmov\u00fdm tvorb\u00e1m, tak\u017ee som tak\u00e1\u2026 v\u0161estrann\u00e1.\u201c<\/em> Jej pr\u00edbeh sa v\u0161ak neza\u010dal v Bratislave. Vyrastala v Dunajskej Strede, kde popri gymn\u00e1ziu nav\u0161tevovala aj z\u00e1kladn\u00fa umeleck\u00fa \u0161kolu. O bud\u00facnosti dlho nemala jasn\u00fa predstavu a sama prizn\u00e1va, \u017ee neby\u0165 jednej spolu\u017eia\u010dky, mo\u017eno by dnes robila nie\u010do \u00faplne in\u00e9. Pr\u00e1ve ona ju presved\u010dila, aby odi\u0161la \u0161tudova\u0165 textiln\u00fd dizajn na \u0160kolu umeleck\u00e9ho priemyslu Josefa Vydru v Bratislave. Toto rozhodnutie dodnes pova\u017euje za jedno z najd\u00f4le\u017eitej\u0161\u00edch vo svojom \u017eivote. \u201eJa som ani nevedela, \u010do by som robila, a ona ma \u00faplne presved\u010dila, \u017ee to je \u0161kola pre m\u0148a, \u017ee tam mus\u00edm \u00eds\u0165. To bola najlep\u0161ia \u0161kola na svete. Ka\u017ed\u00e9mu odpor\u00fa\u010dam, aby tam i\u0161iel \u0161tudova\u0165.\u201c<\/em> Pr\u00e1ve tam objavila prostredie, ktor\u00e9 jej vyhovovalo \u2013 kombin\u00e1ciu remesla, slobody aj pedag\u00f3gov, ktor\u00ed podporovali experiment a neb\u00e1li sa provokova\u0165 svojich \u0161tudentov k vlastn\u00e9mu n\u00e1zoru.<\/p>\n\n\n\n

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Zlom pri\u0161iel po\u010das pand\u00e9mie. Covid preru\u0161il prirodzen\u00fd kontakt so \u0161kolsk\u00fdmi diel\u0148ami aj materi\u00e1lmi a textil, ktor\u00fd dovtedy tvoril centrum jej z\u00e1ujmu, sa zrazu stal m\u00e9diom, s ktor\u00fdm doma nedok\u00e1zala pracova\u0165. \u201eJedin\u00e9 portf\u00f3lio, ktor\u00e9 som si vedela spravi\u0165 doma plnohodnotne, bolo maliarske.\u201c<\/em> Za\u010dala preto ma\u013eova\u0165 z\u00e1bery z filmov a videoklipov, sk\u00f4r intuit\u00edvne ne\u017e s amb\u00edciou sta\u0165 sa maliarkou. Pr\u00e1ve tieto pr\u00e1ce si v\u0161imol punkov\u00fd label DEATHPROOF INCORPORATED (DPI)<\/a> z Los Angeles, ktor\u00fd ich zaradil do svojho zinu. Ne\u010dakan\u00e1 sp\u00e4tn\u00e1 v\u00e4zba jej dodala odvahu uva\u017eova\u0165 o ma\u013ebe v\u00e1\u017enej\u0161ie. \u201eOni ma stra\u0161ne vyhypili a podporili, tak som si povedala, \u017ee t\u00e1 ma\u013eba by mo\u017eno v\u00f4bec nebola tak\u00e1 nezmyseln\u00e1.\u201c<\/em> Hoci sa rozhodovala medzi dokument\u00e1rnou tvorbou a ma\u013ebou, napokon si vybrala druh\u00fa mo\u017enos\u0165. Nebolo to rozhodnutie bez pochybnost\u00ed, no postupne na\u0161la prostredie, v ktorom jej sp\u00f4sob uva\u017eovania za\u010dal d\u00e1va\u0165 zmysel. Ani na V\u0160VU<\/a> to v\u0161ak nebola bezprobl\u00e9mov\u00e1 cesta. Prv\u00e9 ro\u010dn\u00edky sprev\u00e1dzalo h\u013eadanie vlastn\u00e9ho jazyka aj pocit, \u017ee jej sp\u00f4sob pr\u00e1ce nezapad\u00e1 do predst\u00e1v o tom, ako m\u00e1 s\u00fa\u010dasn\u00e1 ma\u013eba vyzera\u0165. Jej obrazy vych\u00e1dzali z internetovej kult\u00fary, filmov\u00fdch z\u00e1berov \u010di vizu\u00e1lov alternat\u00edvnych komun\u00edt a mnoh\u00ed v nich spo\u010diatku nevideli maliarsku hodnotu. Sama prizn\u00e1va, \u017ee dlho bojovala s pocitom, \u010di to cel\u00e9 v\u00f4bec m\u00e1 zmysel. Zlom nastal a\u017e po n\u00e1stupe do expandovan\u00e9ho ateli\u00e9ru 3EAM<\/a>. \u201ePri\u0161lo mi, \u017ee je to najaktu\u00e1lnej\u0161\u00ed ateli\u00e9r na katedre. Ove\u013ea \u013eah\u0161ie sa tam komunikovali moje koncepty. Uk\u00e1zali mi, \u017ee sa daj\u00fa robi\u0165 tie moje zvl\u00e1\u0161tne chodn\u00ed\u010dky aj tak, aby to malo maliarsku hodnotu.\u201c<\/em> Pr\u00e1ve tam sa z intuit\u00edvneho zbierania obrazov a vizu\u00e1lnych podnetov za\u010dala formova\u0165 autorka, ktor\u00e1 dnes patr\u00ed k najv\u00fdraznej\u0161\u00edm hlasom nastupuj\u00facej gener\u00e1cie maliarov. Jej tvorba s\u00edce st\u00e1le vyrast\u00e1 z internetovej kult\u00fary, r\u00f4znych komun\u00edt a ka\u017edodenn\u00fdch vizu\u00e1lnych detailov, no u\u017e d\u00e1vno nie je len ich dokument\u00e1ciou. Stala sa vlastn\u00fdm jazykom, ktor\u00fdm rozpr\u00e1va o svete okolo seba.<\/p>\n\n\n\n

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Karol\u00ednina tvorba sa na prv\u00fd poh\u013ead m\u00f4\u017ee javi\u0165 ako vizu\u00e1lny chaos. Motocrossov\u00e9 motorky, monster trucky, chr\u00f3m, graffiti, rap, hardcore plag\u00e1ty, internetov\u00e9 m\u00e9my, vizu\u00e1lny aj jazykov\u00fd svet internetu \u010di kres\u0165ansk\u00e9 symboly sa v jej obrazoch stret\u00e1vaj\u00fa sp\u00f4sobom, ktor\u00fd m\u00f4\u017ee p\u00f4sobi\u0165 n\u00e1hodne. V skuto\u010dnosti v\u0161ak ide o ve\u013emi prirodzen\u00fd odraz sveta, v ktorom vyrastala ako \u201epr\u00edslu\u0161n\u00ed\u010dka\u201c gener\u00e1cie Z. Pr\u00e1ve internet, soci\u00e1lne siete a neust\u00e1le vznikaj\u00face mikrokomunity sa stali jej najv\u00e4\u010d\u0161\u00edm vizu\u00e1lnym arch\u00edvom. Sama prizn\u00e1va, \u017ee po\u010das covidu sa tento proces e\u0161te zr\u00fdchlil. \u201eKa\u017ed\u00fd mesiac prib\u00fadalo mili\u00f3n mikrocoreov a v\u0161etk\u00e9ho,\u201c<\/em> spom\u00edna na obdobie, ke\u010f sa internet stal hlavn\u00fdm miestom stret\u00e1vania subkult\u00far aj vizu\u00e1lnych trendov. K\u00fdm star\u0161ie gener\u00e1cie \u010dasto vn\u00edmaj\u00fa internet len ako m\u00e9dium, pre Karol\u00ednu predstavuje prirodzen\u00e9 prostredie, v ktorom vznikaj\u00fa nov\u00e9 symboly, nov\u00e9 jazyky aj nov\u00e9 sp\u00f4soby rozm\u00fd\u0161\u013eania o obraze. Prv\u00e9 roky na vysokej \u0161kole boli preto z\u00e1rove\u0148 stretom dvoch poh\u013eadov na ma\u013ebu. K\u00fdm ona do obrazov prin\u00e1\u0161ala estetiku internetov\u00fdch mikrosvetov, filmov\u00fdch z\u00e1berov \u010di vizu\u00e1lov, ktor\u00e9 z\u00e1merne pripom\u00ednali fotografie alebo screenshoty, \u010das\u0165 akademick\u00e9ho prostredia v nich spo\u010diatku nevedela n\u00e1js\u0165 maliarsku hodnotu. \u201e\u013dudia nech\u00e1pali tie koncepty alebo nech\u00e1pali, \u010do je pointa, ke\u010f budem ma\u013eova\u0165 nie\u010do, \u010do vyzer\u00e1 ako fotka a nem\u00e1 to \u017eiadnu maliarsku hodnotu.\u201c<\/em> Tento genera\u010dn\u00fd rozdiel v\u0161ak nebol len ot\u00e1zkou techniky. Bol predov\u0161etk\u00fdm ot\u00e1zkou vizu\u00e1lnej gramotnosti. Mnoh\u00e9 odkazy, ktor\u00e9 jej rovesn\u00edci \u010d\u00edtali intuit\u00edvne, bolo star\u0161iemu publiku potrebn\u00e9 zd\u013ahavo vysvet\u013eova\u0165. \u201eMlad\u0161ej gener\u00e1cii som to v\u00f4bec nemusela vysvet\u013eova\u0165. Oni to vedeli ve\u013emi silno od\u010d\u00edta\u0165. A\u017e tej star\u0161ej gener\u00e1cii to st\u00e1le mus\u00edm vysvet\u013eova\u0165.\u201c<\/em><\/p>\n\n\n\n

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V\u00fdrazn\u00fd posun v jej prem\u00fd\u0161\u013ean\u00ed priniesla hudba. Sama spom\u00edna moment, ke\u010f objavila tvorbu legend\u00e1rnej \u010deskej rapovej skupiny Supercrooo<\/a> a nesk\u00f4r aj anal\u00fdzy ich textov. Fascinovalo ju najm\u00e4 to, \u017ee namiesto autentick\u00fdch \u017eivotn\u00fdch pr\u00edbehov pracovali s fikciou, absurditou a vytv\u00e1ran\u00edm vlastn\u00fdch svetov. Pr\u00e1ve vtedy si uvedomila, \u017ee ani ma\u013eba nemus\u00ed by\u0165 neust\u00e1lou terapiou autora. \u201eNa za\u010diatku som sa sna\u017eila robi\u0165 z toho terapiu. Pom\u00e1halo mi to, ale dnes mi to pr\u00edde dos\u0165 cringe.\u201c<\/em> Namiesto introspekt\u00edvnych v\u00fdpoved\u00ed za\u010dala budova\u0165 obrazy okolo t\u00e9m, ktor\u00e9 ju fascinovali samy osebe. U\u017e nechcela ma\u013eova\u0165 vlastn\u00e9 pocity, ale koncepty. \u201ePovedala som si, \u017ee nemus\u00edm st\u00e1le ma\u013eova\u0165 svoje re\u00e1lne veci alebo pocity. Za\u010dala som si h\u013eada\u0165 koncepty, ktor\u00e9 ma zauj\u00edmaj\u00fa a ktor\u00e9 ma in\u0161piruj\u00fa.\u201c<\/em> T\u00fdm sa jej tvorba prirodzene presunula od osobn\u00fdch v\u00fdpoved\u00ed k svetu s\u00eddlisk, motocyklov, rapov\u00e9ho jazyka, internetov\u00fdch komun\u00edt \u010di streetov\u00fdch metafor. Aj preto sa v jej obrazoch opakovane objavuj\u00fa motorky, motocross \u010di monster trucky. Nie s\u00fa to efektn\u00e9 kulisy ani nostalgia za dev\u00e4\u0165desiatymi rokmi. S\u00fa to symboly sveta, ku ktor\u00e9mu c\u00edti zvl\u00e1\u0161tnu pr\u00ed\u0165a\u017elivos\u0165. \u201eJa som stra\u0161n\u00e1 fan\u00fa\u0161i\u010dka monster truckov a motocrossiek. Viem, \u017ee som sa mala narodi\u0165 niekde ako redneck s motorkami niekde na dedine,\u201c<\/em> hovor\u00ed s humorom. Pr\u00e1ve tento humor je pritom pre jej tvorbu k\u013e\u00fa\u010dov\u00fd. Hoci sa dot\u00fdka v\u00e1\u017enych t\u00e9m, nikdy ich nepod\u00e1va pateticky. Sk\u00f4r vyu\u017e\u00edva ir\u00f3niu, anekdotu \u010di zvl\u00e1\u0161tne vizu\u00e1lne spojenia, ktor\u00e9 div\u00e1ka prin\u00fatia zastavi\u0165 sa a prem\u00fd\u0161\u013ea\u0165. Sama hovor\u00ed, \u017ee ve\u013ea pracuje s pr\u00edsloviami, ka\u017edodenn\u00fdm jazykom ulice a rapov\u00fdm jazykom. V obrazoch tak vznikaj\u00fa nov\u00e9 v\u00fdznamy podobne, ako vznikaj\u00fa v internetov\u00fdch meme \u2013 spojen\u00edm dvoch na prv\u00fd poh\u013ead nes\u00favisiacich svetov.<\/p>\n\n\n\n

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Rovnako intuit\u00edvny je aj jej vz\u0165ah k samotn\u00e9mu maliarskemu procesu. Na rozdiel od autorov, ktor\u00ed si starostlivo pripravuj\u00fa technol\u00f3giu obrazu, Karol\u00edna sa z\u00e1merne nech\u00e1va obmedzova\u0165 materi\u00e1lom, ktor\u00fd m\u00e1 pr\u00e1ve k dispoz\u00edcii. \u201eJa ma\u013eujem s t\u00fdm, \u010do m\u00e1m. Rada sa obmedz\u00edm, lebo ke\u010f m\u00e1m v\u0161etky farby a v\u0161etky mo\u017enosti, pr\u00edde mi to menej zauj\u00edmav\u00e9.\u201c<\/em> Tento takmer punkov\u00fd pr\u00edstup s\u00favis\u00ed aj s jej fascin\u00e1ciou graffiti kult\u00farou, ktor\u00e1 ju v\u00fdrazne ovplyvnila po covide. Obdivuje jej anonymitu, spont\u00e1nnos\u0165 aj schopnos\u0165 reagova\u0165 na verejn\u00fd priestor bez zbyto\u010dn\u00fdch pravidiel. Podobne pristupuje aj k ma\u013ebe. Techniku nepova\u017euje za cie\u013e, ale za prostriedok. \u201ePre m\u0148a je to v\u0161etko tak\u00e9, \u017ee len aby to bolo na nejakej ploche a bolo to nie\u010d\u00edm. Je mi jedno \u010d\u00edm.\u201c<\/em> Ove\u013ea d\u00f4le\u017eitej\u0161ie ne\u017e dokonal\u00e9 remeslo s\u00fa pre \u0148u ne\u010dakan\u00e9 spojenia medzi obrazmi, symbolmi a kult\u00farnymi odkazmi. Pr\u00e1ve tam vznik\u00e1 jej autorsk\u00fd jazyk \u2013 nie ako v\u00fdsledok premyslenej metodiky, ale ako prirodzen\u00fd vizu\u00e1lny slovn\u00edk gener\u00e1cie, ktor\u00e1 vyr\u00e1stla medzi internetom, rapom, alternat\u00edvnymi sc\u00e9nami a nekone\u010dn\u00fdm tokom obrazov.<\/p>\n\n\n\n

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Pr\u00e1ve schopnos\u0165 prep\u00e1ja\u0165 zdanlivo nespojite\u013en\u00e9 mot\u00edvy prirodzene priviedla Karol\u00ednu aj k t\u00e9mam, ktor\u00e9 v div\u00e1kovi \u010dasto vyvol\u00e1vaj\u00fa rozporupln\u00e9 reakcie. Strieka\u010dky, drogy, chr\u00f3m, n\u00e1bo\u017eensk\u00e9 symboly \u010di motokrosov\u00e9 prilby sa v jej obrazoch neobjavuj\u00fa preto, aby \u0161okovali. \u0160ok prich\u00e1dza a\u017e vo chv\u00edli, ke\u010f si div\u00e1k uvedom\u00ed, \u017ee tieto symboly nehovoria o vzdialenom svete, ale o realite, ktor\u00fa denne m\u00ed\u0148a bez pov\u0161imnutia. Sama pritom prizn\u00e1va, \u017ee slovo provok\u00e1cia jej nikdy nebolo vlastn\u00e9. \u201eJa som to tak nikdy nevn\u00edmala. V\u017edy mi je povedan\u00e9, \u017ee to rob\u00edm, ale ja to nevid\u00edm. Pre m\u0148a je to moja realita.\u201c<\/em> Pr\u00e1ve t\u00e1to veta mo\u017eno najpresnej\u0161ie vystihuje jej tvorbu. Nie je to snaha b\u00fara\u0165 tabu za ka\u017ed\u00fa cenu, ale pomenova\u0165 svet, ktor\u00fd je \u010dasto ove\u013ea absurdnej\u0161\u00ed, ne\u017e sa zd\u00e1. Najv\u00fdraznej\u0161ie sa tento pr\u00edstup prejavil v s\u00e9rii pr\u00e1c venovan\u00fdch drogovej problematike. Hoci sa na prv\u00fd poh\u013ead m\u00f4\u017ee zda\u0165, \u017ee estetizuje prostredie klubovej kult\u00fary alebo pracuje s ikonografiou drog, opak je pravdou. Karol\u00edna otvorene hovor\u00ed, \u017ee je vo\u010di drog\u00e1m z\u00e1sadne kritick\u00e1. K tejto t\u00e9me ju priviedla osobn\u00e1 sk\u00fasenos\u0165 z pr\u00e1ce v bratislavskom klube, kde prv\u00fdkr\u00e1t videla, ak\u00e9 be\u017en\u00e9 je u\u017e\u00edvanie drog naprie\u010d celou spolo\u010dnos\u0165ou. \u201eVidela som, \u017ee tam doktori, u\u010dite\u013eky v \u0161k\u00f4lke, v\u0161etci proste fetuj\u00fa.\u201c<\/em> O to paradoxnej\u0161ie jej pripadalo, \u017ee stereotypy sa \u010dasto obracali proti nej samotnej. \u201eJa, \u010do nefetujem, sa potom stretnem so stereotypom, \u017ee v\u0161etci si myslia, \u017ee beriem tvrd\u00e9 drogy.\u201c<\/em> Tento rozpor sa stal jedn\u00fdm zo z\u00e1kladn\u00fdch impulzov jej tvorby. Nezauj\u00edma ju moralizovanie ani senz\u00e1cia. Sk\u00f4r poukazuje na to, ako selekt\u00edvne spolo\u010dnos\u0165 pristupuje k tomu, \u010do pova\u017euje za prijate\u013en\u00e9 a \u010do u\u017e za \u0161kand\u00e1l. Aj preto sa v jej obrazoch opakovane objavuje strieka\u010dka. Nie ako oslava drogy, ale ako univerz\u00e1lny vizu\u00e1lny symbol z\u00e1vislosti. \u201eJe to pod\u013ea m\u0148a naj\u010ditate\u013enej\u0161\u00ed predmet. Zrolovan\u00e1 bankovka nie je tak\u00e1 efektn\u00e1 ani odstra\u0161uj\u00faca ako strieka\u010dka.\u201c<\/em> Pr\u00e1ve tento symbol sa v\u0161ak stal predmetom nepochopenia. Pri bakal\u00e1rskom projekte, ktor\u00fd vytvorila spolu so \u0161perk\u00e1rkou Luciou Vl\u010dekovou<\/a> pod n\u00e1zvom Jazd\u00edm r\u00fdchlo, kradnem r\u00fdchlej\u0161ie<\/strong>, spojili motocrossov\u00fa estetiku so symbolikou drog a vytvorili s\u00e9riu obrazov, objektov aj \u0161perkov, ktor\u00e9 z\u00e1merne balansovali na hrane medzi \u0161portom, ritu\u00e1lom a z\u00e1vislos\u0165ou. V\u00fdsledkom bola kritika dne\u0161nej spolo\u010dnosti posadnutej r\u00fdchlos\u0165ou a v\u00fdkonom, no \u010das\u0165 publika ich pr\u00e1cu \u010d\u00edtala ako romantiz\u00e1ciu drog. \u201eDostali sme \u00fapln\u00fd zjazd, \u017ee ke\u010f nie\u010do, \u010do m\u00e1 by\u0165 antidrogov\u00e9, p\u00f4sob\u00ed kladne, tak je to propag\u00e1cia.\u201c<\/em> Paradoxne sa v\u0161ak pr\u00e1ve obraz diev\u010da\u0165a le\u017eiaceho v strieka\u010dk\u00e1ch stal prv\u00fdm predan\u00fdm dielom celej s\u00e9rie. Pre Karol\u00ednu je aj to d\u00f4kazom, \u017ee v\u00fdznam obrazu nikdy nevznik\u00e1 len na strane autora, ale aj v o\u010diach div\u00e1ka.<\/p>\n\n\n\n

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Podobn\u00fd princ\u00edp stoj\u00ed aj za jej v\u00fdstavou FARBESCHNAUFT<\/strong><\/a>, v ktorej sk\u00famala fascin\u00e1ciu chr\u00f3movou farbou. Chr\u00f3m pre \u0148u nie je len efektn\u00fdm vizu\u00e1lnym prvkom. Je symbolom t\u00fa\u017eby, posadnutosti aj zvl\u00e1\u0161tneho druhu uctievania, ktor\u00e9 sp\u00e1ja graffiti komunitu, tuningov\u00fa sc\u00e9nu, klubov\u00fa kult\u00faru aj internetov\u00e9 vizu\u00e1ly. Sama prizn\u00e1va, \u017ee po\u010das pr\u00e1ce na tejto s\u00e9rii bola chr\u00f3mom doslova posadnut\u00e1. \u201eCel\u00fd \u010das som fetovala ten lesk tej chr\u00f3movej farby.\u201c<\/em> Aj tu pritom pracuje s jazykom, ktor\u00fd si z\u00e1merne po\u017ei\u010diava slovn\u00edk z\u00e1vislost\u00ed, no pou\u017e\u00edva ho metaforicky. Zauj\u00edma ju, ako sa z oby\u010dajn\u00e9ho materi\u00e1lu m\u00f4\u017ee sta\u0165 objekt viery alebo feti\u0161. V jednom z \u00fastredn\u00fdch obrazov vytvorila ak\u00fasi sv\u00e4ty\u0148u subkult\u00far \u2013 postavu ukri\u017eovan\u00fa na kr\u00ed\u017ei poskladanom z odpadkov, reproduktorov a kovov\u00e9ho odpadu. N\u00e1bo\u017eensk\u00e1 ikonografia sa tu stret\u00e1va s estetikou ulice, pri\u010dom ani jedna z nich nie je nadraden\u00e1 tej druhej. Obe funguj\u00fa ako syst\u00e9my viery, ktor\u00e9 si spolo\u010dnos\u0165 vytv\u00e1ra. Mo\u017eno pr\u00e1ve preto jej obrazy p\u00f4sobia tak presved\u010divo. Nepon\u00fakaj\u00fa jednoduch\u00e9 odpovede ani mor\u00e1lne pou\u010denia. Karol\u00edna sk\u00f4r zbiera vizu\u00e1lne d\u00f4kazy o tom, ako dne\u0161n\u00e1 spolo\u010dnos\u0165 funguje, a sklad\u00e1 ich do nov\u00fdch, \u010dasto absurdn\u00fdch situ\u00e1ci\u00ed. Sama pritom tvrd\u00ed, \u017ee ju ove\u013ea viac ne\u017e technick\u00e1 str\u00e1nka ma\u013eby zauj\u00edmaj\u00fa koncepty a ne\u010dakan\u00e9 spojenia. \u201eNajzauj\u00edmavej\u0161ie s\u00fa asi tie spojitosti medzi random vecami.<\/em>\u201c To, \u010do na prv\u00fd poh\u013ead vyzer\u00e1 ako provok\u00e1cia, je v skuto\u010dnosti ve\u013emi presn\u00e1 soci\u00e1lna observ\u00e1cia. Jej obrazy nastavuj\u00fa zrkadlo svetu, ktor\u00fd je pln\u00fd rozporov \u2013 svetu, v ktorom je prijate\u013enej\u0161ie tv\u00e1ri\u0165 sa, \u017ee probl\u00e9m neexistuje, ne\u017e otvorene hovori\u0165 o tom, \u010do v\u0161etci vidia. A pr\u00e1ve v tejto schopnosti pomenova\u0165 nepohodln\u00e9 t\u00e9my bez moralizovania sa ukazuje jeden z najsilnej\u0161\u00edch aspektov jej autorsk\u00e9ho rukopisu.<\/p>\n\n\n\n

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Hoci Karol\u00edna o sebe hovor\u00ed predov\u0161etk\u00fdm ako o maliarke, jej tvorba sa u\u017e d\u00e1vno neodohr\u00e1va iba medzi stenami ateli\u00e9ru. Rovnako d\u00f4le\u017eit\u00e9 je pre \u0148u vytv\u00e1ranie priestoru, v ktorom sa m\u00f4\u017eu stret\u00e1va\u0165 \u013eudia s podobn\u00fdm uva\u017eovan\u00edm. Aj preto spolu so svojou najlep\u0161ou kamar\u00e1tkou Andreou \u0160tefankovou<\/a> zalo\u017eila platformu PODVOD<\/strong><\/a> \u2013 m\u00f3dnu prehliadku prep\u00e1jaj\u00facu lok\u00e1lne zna\u010dky, koncerty a komunitu mlad\u00fdch tvorcov. Nevznikla ako ambici\u00f3zny event, ale ako prirodzen\u00e1 reakcia na pocit, \u017ee z Bratislavy neust\u00e1le odch\u00e1dzaj\u00fa \u0161ikovn\u00ed \u013eudia a mnoh\u00ed rezignuj\u00fa na to, \u017ee by sa tu dalo nie\u010do vybudova\u0165. \u201eV\u0161etci sa st\u00e1le s\u0165a\u017eovali, \u017ee tu nie je siln\u00e1 kult\u00farna z\u00e1klad\u0148a. Tak sme si povedali, \u017ee s t\u00fdm sk\u00fasime nie\u010do spravi\u0165.\u201c<\/em> Za \u0161tyri ro\u010dn\u00edky sa z iniciat\u00edvy nieko\u013ek\u00fdch kamar\u00e1tov stala komunita, ktor\u00e1 d\u00e1va priestor mlad\u00fdm m\u00f3dnym zna\u010dk\u00e1m, hudobn\u00edkom aj v\u00fdtvarn\u00edkom bez potreby ve\u013ek\u00fdch rozpo\u010dtov \u010di zlo\u017eit\u00fdch kur\u00e1torsk\u00fdch konceptov. \u201eMy nie sme \u00faplne na tieto kur\u00e1torsk\u00e9 re\u010di. Rad\u0161ej vid\u00edme v\u00fdsledky. Ke\u010f je nie\u010do dobr\u00e9, tak je to dobr\u00e9.\u201c<\/em> Podobne ako vo vlastnej tvorbe, aj pri organizovan\u00ed PODVODU d\u00f4veruje viac prirodzen\u00fdm vz\u0165ahom ne\u017e pr\u00edsnym pravidl\u00e1m. Neorganizuj\u00fa open cally ani sa nesna\u017eia vytv\u00e1ra\u0165 uzavret\u00fa sc\u00e9nu. \u013dud\u00ed si vyberaj\u00fa intuit\u00edvne, pod\u013ea toho, \u010do ich dlhodobo presvied\u010da kvalitou pr\u00e1ce aj osobn\u00fdm pr\u00edstupom. D\u00f4le\u017eit\u00e1 je komunita, nie exkluzivita. Karol\u00edna otvorene hovor\u00ed, \u017ee ich zauj\u00edma nielen v\u00fdsledok, ale aj \u010dlovek, ktor\u00fd za n\u00edm stoj\u00ed. Aj preto PODVOD nep\u00f4sob\u00ed ako klasick\u00e1 m\u00f3dna prehliadka. Je sk\u00f4r miestom stretnut\u00ed, kde sa streetwear prirodzene prep\u00e1ja s hudbou, performanciou \u010di vizu\u00e1lnym umen\u00edm a kde jednotliv\u00e9 komunity a sc\u00e9ny nevystupuj\u00fa ako uzavret\u00e9 svety, ale ako prirodzen\u00ed partneri v rozhovore.<\/p>\n\n\n\n

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T\u00e1to d\u00f4vera v lok\u00e1lnu sc\u00e9nu \u00fazko s\u00favis\u00ed aj s jej vz\u0165ahom k Bratislave. Napriek tomu, \u017ee jej viacer\u00ed odpor\u00fa\u010dali pokra\u010dova\u0165 v \u0161t\u00fadiu v Prahe, kde by pod\u013ea nich na\u0161la otvorenej\u0161ie prostredie pre svoje t\u00e9my, rozhodla sa zosta\u0165. Nie preto, \u017ee by nevidela limity dom\u00e1cej sc\u00e9ny, ale preto, \u017ee ich chce spoluvytv\u00e1ra\u0165 a pos\u00fava\u0165. \u201eM\u00e1m stra\u0161ne rada Bratislavu. Som tak\u00e1 tro\u0161ku n\u00e1rodniarka. Mrz\u00ed ma, \u017ee v\u0161etci t\u00ed \u0161ikovn\u00ed \u013eudia odch\u00e1dzaj\u00fa do Prahy.\u201c<\/em> Ver\u00ed, \u017ee mesto m\u00e1 v\u0161etky predpoklady na vznik kvalitnej nez\u00e1vislej kult\u00fary a \u017ee pr\u00e1ve mlad\u00ed autori m\u00f4\u017eu vytvori\u0165 prostredie, v ktorom nebude potrebn\u00e9 neust\u00e1le odch\u00e1dza\u0165 za lep\u0161\u00edmi podmienkami do zahrani\u010dia. V jej slov\u00e1ch pritom nec\u00edti\u0165 naivn\u00fd optimizmus, ale sk\u00f4r presved\u010denie \u010dloveka, ktor\u00fd vie, \u017ee kult\u00fara vznik\u00e1 predov\u0161etk\u00fdm aktivitou \u013eud\u00ed, nie ve\u013ekos\u0165ou mesta. Mo\u017eno pr\u00e1ve preto sa Karol\u00edna ani do bud\u00facnosti nechce uzavrie\u0165 do jedn\u00e9ho m\u00e9dia. Popri ma\u013ebe ju st\u00e1le pri\u0165ahuje dokument\u00e1rny film, ktor\u00e9mu sa chcela p\u00f4vodne venova\u0165 u\u017e pred n\u00e1stupom na V\u0160VU. Dnes prizn\u00e1va, \u017ee na\u0148 e\u0161te potrebuje nazbiera\u0165 viac sk\u00fasenost\u00ed. \u201eM\u00e1m toho e\u0161te stra\u0161ne m\u00e1lo od\u017eit\u00e9 na to, aby som sa tomu mohla venova\u0165.\u201c<\/em> Vid\u00ed sa sk\u00f4r o desa\u0165 \u010di p\u00e4tn\u00e1s\u0165 rokov, ke\u010f bude ma\u0165 za sebou viac pr\u00edbehov aj \u017eivotn\u00fdch sk\u00fasenost\u00ed. Dovtedy chce pokra\u010dova\u0165 v ma\u013ebe, experimentova\u0165 s videom, objektom \u010di priestorov\u00fdmi realiz\u00e1ciami a necha\u0165 svoju tvorbu prirodzene vyv\u00edja\u0165. Ani pripravovan\u00fa diplomov\u00fa pr\u00e1cu zatia\u013e nevn\u00edma ako uzavret\u00fd koncept. Potrebuje si najsk\u00f4r dopria\u0165 odstup, pozorova\u0165 okolie a op\u00e4\u0165 nazbiera\u0165 nov\u00e9 podnety. Pr\u00e1ve schopnos\u0165 neust\u00e1le absorbova\u0165 svet okolo seba je toti\u017e jedn\u00fdm z motorov jej tvorby.<\/p>\n\n\n\n

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Pri poh\u013eade na Karol\u00ednine obrazy mo\u017eno \u013eahko pod\u013eahn\u00fa\u0165 dojmu, \u017ee s\u00fa predov\u0161etk\u00fdm o motocrossov\u00fdch motork\u00e1ch, chr\u00f3mov\u00fdch farb\u00e1ch, internete \u010di alternat\u00edvach sc\u00e9nach. V skuto\u010dnosti s\u00fa v\u0161ak predov\u0161etk\u00fdm o gener\u00e1cii, ktor\u00e1 vyr\u00e1stla v neust\u00e1lom toku obrazov, inform\u00e1ci\u00ed a protichodn\u00fdch hodn\u00f4t. Karol\u00edna ich nes\u00fadi ani nevysvet\u013euje. Sk\u00f4r ich sklad\u00e1 ved\u013ea seba tak, ako ich sama za\u017e\u00edva \u2013 s humorom, ir\u00f3niou, nadh\u013eadom aj citlivos\u0165ou. Jej obrazy preto nep\u00f4sobia ako uzavret\u00e9 v\u00fdpovede, ale ako otvoren\u00e9 vizu\u00e1lne mapy s\u00fa\u010dasnosti, v ktor\u00fdch sa ved\u013ea seba prirodzene stret\u00e1vaj\u00fa internetov\u00e9 m\u00e9my, kres\u0165ansk\u00e9 symboly, rapov\u00e9 texty, chr\u00f3mov\u00e9 spreje aj ka\u017edodenn\u00e9 sk\u00fasenosti mlad\u00e9ho \u010dloveka. A pr\u00e1ve v tom spo\u010d\u00edva ich sila. Nie s\u00fa pokusom vysvetli\u0165 dne\u0161n\u00fd svet. S\u00fa jeho autentickou s\u00fa\u010das\u0165ou.<\/p>\n\n\n\n

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Karol\u00edna Moln\u00e1rov\u00e1<\/strong> aka lunalovesick<\/strong> je vizu\u00e1lna umelky\u0148a, maliarka a organiz\u00e1torka komunitn\u00e9ho projektu PODVOD. \u0160tuduje magistersk\u00fd stupe\u0148 ma\u013eby na Vysokej \u0161kole v\u00fdtvarn\u00fdch umen\u00ed v Bratislave v Ateli\u00e9ri 3EAM. Vo svojej tvorbe prep\u00e1ja internetov\u00e9 subkult\u00fary, rap, motocross, graffiti, pouli\u010dn\u00fd slang a digit\u00e1lnu kult\u00faru do osobit\u00e9ho maliarskeho jazyka, ktor\u00fd s humorom aj ir\u00f3niou komentuje s\u00fa\u010dasn\u00fa spolo\u010dnos\u0165. Popri ma\u013ebe sa venuje textiln\u00fdm experimentom, filmu a budovaniu komunity mlad\u00fdch autorov na slovenskej nez\u00e1vislej sc\u00e9ne.<\/p>\n\n\n\n

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<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

Je dos\u0165 mo\u017en\u00e9, \u017ee si niekto z gener\u00e1cie Z pri \u010d\u00edtan\u00ed tohto profilu (ak v\u00f4bec tento dlh\u00fd text do\u010d\u00edta a\u017e dokonca) povie: \u201eTo je mil\u00e9, skoro to pochopil.\u201c A \u00faprimne? Asi \u00e1no. Pok\u00fa\u0161a\u0165 sa toti\u017e slovami vysvetli\u0165 svet Karol\u00edny Moln\u00e1rovej aka lunalovesick je trochu ako sna\u017ei\u0165 sa op\u00edsa\u0165 meme \u010dloveku, ktor\u00fd ho nikdy nevidel. Alebo […]<\/p>\n","protected":false},"author":3,"featured_media":10669,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[33,30,31],"tags":[7,34,550,21,24,621,634,109],"class_list":["post-10645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carousel","category-cerstve-ovocie","category-novinky","tag-cerstve-ovocie_fm","tag-efemko","tag-graffiti","tag-malba","tag-moda","tag-rap","tag-subkultury","tag-vytvarne-umenie"],"yoast_head":"\nNie je to chaos. Len u\u017e nie ste cie\u013eov\u00e1 skupina. - \u010cerstv\u00e9 Ovocie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cerstveovocie.sk\/nie-je-to-chaos-len-uz-nie-ste-cielova-skupina\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nie je to chaos. Len u\u017e nie ste cie\u013eov\u00e1 skupina. - \u010cerstv\u00e9 Ovocie\" \/>\n<meta property=\"og:description\" content=\"Je dos\u0165 mo\u017en\u00e9, \u017ee si niekto z gener\u00e1cie Z pri \u010d\u00edtan\u00ed tohto profilu (ak v\u00f4bec tento dlh\u00fd text do\u010d\u00edta a\u017e dokonca) povie: \u201eTo je mil\u00e9, skoro to pochopil.\u201c A \u00faprimne? Asi \u00e1no. Pok\u00fa\u0161a\u0165 sa toti\u017e slovami vysvetli\u0165 svet Karol\u00edny Moln\u00e1rovej aka lunalovesick je trochu ako sna\u017ei\u0165 sa op\u00edsa\u0165 meme \u010dloveku, ktor\u00fd ho nikdy nevidel. 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