{"id":10593,"date":"2026-07-19T23:24:09","date_gmt":"2026-07-19T21:24:09","guid":{"rendered":"https:\/\/www.cerstveovocie.sk\/?p=10593"},"modified":"2026-07-19T23:35:57","modified_gmt":"2026-07-19T21:35:57","slug":"odev-ako-priestor-pre-vlastny-pribeh","status":"publish","type":"post","link":"https:\/\/d.r1.wbsprt.com\/cerstveovocie.sk\/odev-ako-priestor-pre-vlastny-pribeh\/","title":{"rendered":"Odev ako priestor pre vlastn\u00fd pr\u00edbeh"},"content":{"rendered":"\n

Pred nieko\u013ek\u00fdmi rokmi by Alanis ani len nenapadlo, \u017ee raz zalo\u017e\u00ed vlastn\u00fa m\u00f3dnu zna\u010dku. Dnes pod menom\u00a0LAKS<\/strong><\/a>\u00a0vytv\u00e1ra autorsk\u00e9 upcyklovan\u00e9 kolekcie, spolupracuje s hudobn\u00edkmi, festivalmi aj mlad\u00fdmi tvorcami a postupne si buduje vlastn\u00fd rukopis. Za jej tvorbou v\u0161ak nestoj\u00ed len remeslo \u010di z\u00e1ujem o udr\u017eate\u013en\u00fa m\u00f3du. Je predov\u0161etk\u00fdm v\u00fdsledkom osobnej cesty medzi Ekv\u00e1dorom a Slovenskom, medzi o\u010dak\u00e1vaniami okolia a vlastnou identitou. Ako sa z diev\u010da\u0165a, ktor\u00e9 dlh\u00e9 roky pochybovalo o svojom talente, stala n\u00e1vrh\u00e1rka, pre ktor\u00fa je ka\u017ed\u00fd odev sp\u00f4sobom rozpr\u00e1vania vlastn\u00e9ho pr\u00edbehu?<\/p>\n\n\n\n

Ke\u010f dnes\u00a0Alanis Koln\u00edk<\/strong><\/a>\u00a0hovor\u00ed o svojej zna\u010dke\u00a0LAKS<\/strong><\/a>, p\u00f4sob\u00ed, akoby mala svoju cestu od za\u010diatku jasne napl\u00e1novan\u00fa. Pravda je v\u0161ak \u00faplne opa\u010dn\u00e1.\u00a0\u201eE\u0161te mo\u017eno pred tromi rokmi by som netu\u0161ila, \u017ee budem \u0161i\u0165, \u017ee budem ma\u0165 zna\u010dku a organizova\u0165 eventy,\u201c<\/em>\u00a0prizn\u00e1va. Hoci ju m\u00f3da pri\u0165ahovala odmali\u010dka a v\u017edy chcela \u201edobre vyzera\u0165 a dobre sa oblieka\u0165\u201c, nikdy si nemyslela, \u017ee sa raz stane jej povolan\u00edm. Sk\u00f4r ne\u017e pr\u00edbeh m\u00f3dnej n\u00e1vrh\u00e1rky je toti\u017e ten jej pr\u00edbehom h\u013eadania vlastnej identity, odvahy veri\u0165 si a postupn\u00e9ho objavovania toho, \u010do jej je prirodzen\u00e9. Ve\u013ek\u00fa \u010das\u0165 detstva pre\u017eila v Ekv\u00e1dore, odkia\u013e poch\u00e1dza jej mama. Na Slovensko pri\u0161la ako \u0161trn\u00e1s\u0165ro\u010dn\u00e1 bez rodi\u010dov, b\u00fdva\u0165 k starej mame. Zmena kontinentu, jazyka aj kult\u00fary bola obrovsk\u00e1.\u00a0\u201eNevedela som \u00faplne po slovensky. Pri\u0161la som do \u00faplne inej mentality \u013eud\u00ed, bez rodi\u010dov, k starej babke, ktor\u00e1 bola ve\u013emi pr\u00edsna. Bola sloven\u010din\u00e1rka, tak\u017ee pod\u013ea m\u0148a aj preto dnes viem po slovensky tak dobre.\u201c<\/em>\u00a0Adapt\u00e1cia v\u0161ak nebola jednoduch\u00e1. Ch\u00fdbala jej mama, medzi rovesn\u00edkmi sa nec\u00edtila doma a sama hovor\u00ed, \u017ee mala pocit, akoby nikam nepatrila. Na \u010das sa preto vr\u00e1tila sp\u00e4\u0165 do Ekv\u00e1doru, no a\u017e s odstupom rokov pochopila, pre\u010do jej otec tak ve\u013emi t\u00fa\u017eil, aby vyrastala pr\u00e1ve v Eur\u00f3pe. Dnes toto rozhodnutie ozna\u010duje za jedno z najd\u00f4le\u017eitej\u0161\u00edch vo svojom \u017eivote, hoci bolo bolestiv\u00e9.<\/p>\n\n\n\n

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Ak by sa na jej \u017eivot niekto pozrel v tom obdob\u00ed, len m\u00e1lokto by tipoval, \u017ee raz zalo\u017e\u00ed vlastn\u00fa m\u00f3dnu zna\u010dku. Na Slovensku nast\u00fapila na gymn\u00e1zium, preto\u017ee in\u00fa mo\u017enos\u0165 vtedy prakticky nemala, a po maturite pokra\u010dovala na prekladate\u013estve a tlmo\u010dn\u00edctve so zameran\u00edm na sloven\u010dinu, angli\u010dtinu a \u0161paniel\u010dinu. \u0160kolu \u00faspe\u0161ne dokon\u010dila, no \u010doraz viac c\u00edtila, \u017ee sa v nej nena\u0161la.\u00a0\u201eStra\u0161ne ma t\u00e1 \u0161kola nebavila, stra\u0161ne som tam nechcela by\u0165, ale nevedela som, \u010do in\u00e9 by som robila.\u201c<\/em>\u00a0Sp\u00e4tne si uvedomuje, \u017ee cel\u00e9 roky v sebe potl\u00e1\u010dala svoju tvoriv\u00fa str\u00e1nku. Ako die\u0165a rada kreslila, no neust\u00e1le sa porovn\u00e1vala so star\u0161ou sestrou, ktor\u00e1 bola v\u00fdnimo\u010dne talentovan\u00e1 a nesk\u00f4r sa stala grafickou dizajn\u00e9rkou.\u00a0\u201ePodvedome som mala pocit, \u017ee ona je t\u00e1 \u0161ikovn\u00e1 a ja nie.\u201c<\/em>\u00a0Kreslenie preto opustila, venovala sa spevu, tancu \u010di taekwondo a a\u017e ove\u013ea nesk\u00f4r pochopila, \u017ee probl\u00e9m nikdy nebol v nedostatku talentu, ale v nedostatku sebavedomia. Pr\u00e1ve to sa stane jednou z hlavn\u00fdch t\u00e9m jej \u010fal\u0161ieho \u017eivota aj tvorby. Dnes otvorene hovor\u00ed o tom, \u017ee sa u\u010d\u00ed presta\u0165 porovn\u00e1va\u0165 s ostatn\u00fdmi, pracova\u0165 s vlastn\u00fdmi pochybnos\u0165ami a d\u00f4verova\u0165 tomu, \u010do c\u00edti. Zauj\u00edmav\u00e9 pritom je, \u017ee cesta k m\u00f3dnemu dizajnu neviedla cez vysn\u00edvan\u00fa umeleck\u00fa \u0161kolu ani cez detsk\u00fd sen sta\u0165 sa n\u00e1vrh\u00e1rkou. Za\u010dala ove\u013ea nen\u00e1padnej\u0161ie \u2013 oby\u010dajnou zvedavos\u0165ou, chu\u0165ou nau\u010di\u0165 sa nie\u010do nov\u00e9 a t\u00fa\u017ebou vytvori\u0165 si oble\u010denie presne pod\u013ea vlastn\u00fdch predst\u00e1v. A pr\u00e1ve tam sa za\u010d\u00edna rodi\u0165 pr\u00edbeh\u00a0LAKS<\/strong><\/a>.<\/p>\n\n\n\n

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Prv\u00fd impulz pri\u0161iel op\u00e4\u0165 v Ekv\u00e1dore. Po\u010das n\u00e1v\u0161tevy rodiny mala zrazu ve\u013ea vo\u013en\u00e9ho \u010dasu a rozhodla sa nau\u010di\u0165 h\u00e1\u010dkova\u0165. \u201ePovedala som si, \u017ee po\u010fme sk\u00fasi\u0165 nie\u010do nov\u00e9. Za\u010dala som h\u00e1\u010dkova\u0165 a stra\u0161ne ma to za\u010dalo bavi\u0165. P\u00e1\u010dilo sa to aj \u013eu\u010fom, len to bolo neuverite\u013ene \u010dasovo n\u00e1ro\u010dn\u00e9.\u201c<\/em>Hoci jej ru\u010dne h\u00e1\u010dkovan\u00e9 k\u00fasky nach\u00e1dzali svojich obdivovate\u013eov, ve\u013emi r\u00fdchlo si uvedomila limity tejto techniky. \u201e\u010clovek by mi re\u00e1lne nezaplatil za to, ko\u013eko t\u00e1 pr\u00e1ca stoj\u00ed.\u201c<\/em> H\u00e1\u010dkovanie preto na \u010das odlo\u017eila, no pr\u00e1ve vtedy vznikol n\u00e1zov LAKS aj prv\u00e9 kont\u00fary estetiky, ktor\u00fa dnes zna\u010dka nesie. Organick\u00e9 tvary, prirodzen\u00e1 nedokonalos\u0165, funk\u010dn\u00e9 detaily \u010di charakteristick\u00e9 karab\u00edny sa v jej tvorbe objavili sk\u00f4r, ne\u017e v\u00f4bec za\u010dala \u0161i\u0165. O nieko\u013eko mesiacov nesk\u00f4r pri\u0161la \u010fal\u0161ia cesta do Ekv\u00e1doru a \u010fal\u0161ia ot\u00e1zka, \u010do nov\u00e9 sa m\u00f4\u017ee nau\u010di\u0165. Tentoraz padla vo\u013eba na \u0161itie. \u201eStra\u0161ne dlho som chcela \u0161i\u0165. Hlavne preto, \u017ee som si chcela vedie\u0165 urobi\u0165 veci pod\u013ea vlastn\u00fdch predst\u00e1v. Ve\u013eakr\u00e1t ich nikde nen\u00e1jde\u0161 alebo s\u00fa stra\u0161ne drah\u00e9.\u201c <\/em>Absolvovala kr\u00e1tky z\u00e1kladn\u00fd kurz, vr\u00e1tila sa na Slovensko, k\u00fapila si svoj prv\u00fd \u0161ijac\u00ed stroj z bazo\u0161u za p\u00e4\u0165desiat eur a za\u010dala experimentova\u0165. Dnes sa na svoje prv\u00e9 v\u00fdrobky pozer\u00e1 s \u00fasmevom. \u201eKe\u010f sa na ne pozriem sp\u00e4tne, bola to ve\u013ek\u00e1 improviz\u00e1cia. Technicky som toho ve\u013ea nevedela a \u00faprimne, e\u0161te st\u00e1le je stra\u0161ne ve\u013ea vec\u00ed, ktor\u00e9 sa chcem nau\u010di\u0165.\u201c<\/em> Pr\u00e1ve t\u00e1to otvorenos\u0165 vo\u010di vlastn\u00fdm nedostatkom je pre Alanis typick\u00e1. Nesna\u017e\u00ed sa vytv\u00e1ra\u0165 obraz \u010dloveka, ktor\u00fd v\u0161etko ovl\u00e1da. Naopak, neust\u00e1le zd\u00f4raz\u0148uje, \u017ee jej tvorba je proces u\u010denia sa.<\/p>\n\n\n\n

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\u010c\u00edm viac \u0161ila, t\u00fdm viac za\u010dala objavova\u0165 aj \u0161ir\u0161\u00ed kontext m\u00f3dneho priemyslu. Pri pr\u00edprave portf\u00f3lia na umeleck\u00e9 \u0161koly sa prv\u00fdkr\u00e1t intenz\u00edvnej\u0161ie stretla s t\u00e9mami udr\u017eate\u013enosti, textiln\u00e9ho odpadu \u010di fungovania fast fashion.\u00a0\u201eZa\u010dala som zis\u0165ova\u0165, ako to cel\u00e9 funguje, odkia\u013e oble\u010denie poch\u00e1dza. Predt\u00fdm som to v\u00f4bec nerie\u0161ila, ale dnes to rie\u0161im ve\u013emi intenz\u00edvne.\u201c<\/em>\u00a0Upcycling sa preto pre \u0148u nestal m\u00f3dnym trendom ani marketingovou n\u00e1lepkou. Bol prirodzen\u00fdm pokra\u010dovan\u00edm sp\u00f4sobu, ak\u00fdm nad materi\u00e1lom prem\u00fd\u0161\u013eala od za\u010diatku. Namiesto nov\u00fdch l\u00e1tok za\u010dala siaha\u0165 po star\u00fdch ko\u0161eliach, textilnom odpade \u010di oble\u010den\u00ed zo second handov a h\u013eada\u0165 v nich nov\u00fd potenci\u00e1l. Ka\u017ed\u00fd kus pre \u0148u predstavuje materi\u00e1l s vlastnou minulos\u0165ou, ktor\u00e9mu mo\u017eno da\u0165 \u010fal\u0161\u00ed \u017eivot. Spo\u010diatku svoje v\u00fdrobky ani nepl\u00e1novala pred\u00e1va\u0165. Objavovali sa len na jej osobnom Instagrame a vznikali predov\u0161etk\u00fdm pre rados\u0165 alebo ako s\u00fa\u010das\u0165 portf\u00f3lia. Zlom nastal a\u017e vo chv\u00edli, ke\u010f sa za\u010dali oz\u00fdva\u0165 kamar\u00e1ti.\u00a0\u201eP\u00edsali mi, \u017ee je to fakt pekn\u00e9 a \u017ee by tak\u00e9 chceli. \u00daplne prv\u00e9 veci maj\u00fa dodnes oni.\u201c<\/em>\u00a0Postupne si uvedomila, \u017ee ju nel\u00e1ka iba vyr\u00e1ba\u0165 oble\u010denie pre seba.\u00a0\u201eStra\u0161ne by som chcela, aby \u013eudia nosili nie\u010do, \u010do som vytvorila ja. M\u00e1m obrovsk\u00fa rados\u0165, ke\u010f niekoho pote\u0161\u00edm.\u201c\u00a0<\/em>Ani dnes pritom netvor\u00ed pod\u013ea trendov alebo o\u010dak\u00e1van\u00ed trhu.\u00a0\u201eV\u0161etko, \u010do rob\u00edm, s\u00fa veci, ktor\u00e9 by som sama nosila. Nerob\u00edm ich len preto, aby sa p\u00e1\u010dili \u013eu\u010fom. Chcem, aby v nich bolo nie\u010do zo m\u0148a. Aby mali moju identitu.\u201c<\/em>\u00a0Pr\u00e1ve v tomto obdob\u00ed sa z kon\u00ed\u010dka definit\u00edvne st\u00e1va zna\u010dka\u00a0LAKS<\/strong><\/a>\u00a0\u2013 projekt postaven\u00fd na remesle, osobnom rukopise a presved\u010den\u00ed, \u017ee aj z materi\u00e1lov, ktor\u00e9 u\u017e niekto odp\u00edsal, m\u00f4\u017ee vznikn\u00fa\u0165 nie\u010do hodnotn\u00e9.<\/p>\n\n\n\n

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foto @jackobo_filipko<\/a><\/em><\/figcaption><\/figure>\n\n\n\n
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foto @jackobo_filipko<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Ke\u010f Alanis za\u010dala \u0161i\u0165, ve\u013emi r\u00fdchlo pochopila, \u017ee remeslo je len jedna \u010das\u0165 celej sklada\u010dky. T\u00fa druh\u00fa objavila vo chv\u00edli, ke\u010f sa rozhodla sk\u00fasi\u0165 prij\u00edmacie sk\u00fa\u0161ky na umeleck\u00e9 \u0161koly. A\u017e vtedy zistila, \u017ee m\u00f3dny dizajn nie je len o tom vedie\u0165 u\u0161i\u0165 pekn\u00fd kus oble\u010denia. \u201eZa\u010dala som si zis\u0165ova\u0165, \u010do v\u0161etko vlastne potrebujem vedie\u0165. Zrazu som pochopila, \u017ee nejde iba o vytvorenie produktu, ale o to, ak\u00fd je za n\u00edm pr\u00edbeh, ak\u00fd koncept do\u0148 d\u00e1va\u0161 a \u010do zo seba do tej pr\u00e1ce vklad\u00e1\u0161.\u201c<\/em> Dovtedy kresleniu nevenovala takmer \u017eiadnu pozornos\u0165, no zrazu potrebovala portf\u00f3lio, m\u00f3dne ilustr\u00e1cie, technick\u00e9 n\u00e1kresy, moodboardy \u010di dom\u00e1ce zadania pre jednotliv\u00e9 \u0161koly. \u201eOtvorila som si po\u017eiadavky a skoro som odpadla. Nemala som prakticky ni\u010d.\u201c<\/em> Nasledovali mesiace intenz\u00edvnej pr\u00e1ce. Za\u010dala chodi\u0165 na kurzy kreslenia, \u0161tudovala dejiny umenia, pripravovala portf\u00f3lio a sk\u00fa\u0161ala dohna\u0165 roky, po\u010das ktor\u00fdch si nahov\u00e1rala, \u017ee kresli\u0165 jednoducho nevie. Prv\u00fd pokus o prijatie na pra\u017esk\u00fa UMPRUM sa s\u00edce skon\u010dil tesne pod \u010diarou, no sp\u00e4\u0165 sa na\u0148 pozer\u00e1 ako na jeden z najd\u00f4le\u017eitej\u0161\u00edch momentov svojej cesty. U\u017e samotn\u00e9 pozvanie do druh\u00e9ho kola jej toti\u017e prv\u00fdkr\u00e1t uk\u00e1zalo, \u017ee mo\u017eno nie je tak\u00e1 neschopn\u00e1, ako si cel\u00e9 roky myslela. \u201eStra\u0161ne mi to zdvihlo sebavedomie. Asi to nie je a\u017e tak\u00e9 hrozn\u00e9, ke\u010f ma tak\u00e1 \u0161kola pozvala \u010falej.\u201c<\/em> O to viac si v\u0161ak uvedomila, ako ve\u013emi ju dovtedy brzdil strach z porovn\u00e1vania. \u201eV\u0161etci okolo m\u0148a boli z umeleck\u00fdch \u0161k\u00f4l. Ja som mala pocit, \u017ee neviem kresli\u0165, neviem toto, neviem tamto. To moje sebavedomie bolo stra\u0161ne c\u00edti\u0165 aj na pohovoroch.\u201c<\/em><\/p>\n\n\n\n

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Merch pre Grape festival 2026 | foto @shootmeariver<\/a><\/em><\/figcaption><\/figure>\n\n\n\n
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V\u00fdroba ply\u0161akov na promo spot pre Grape festival 2026<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Namiesto toho, aby ne\u00faspech vn\u00edmala ako d\u00f4vod vzda\u0165 sa, rozhodol ju posun\u00fa\u0165 \u010falej. Nast\u00fapila na\u00a0\u0160kolu dizajnu<\/a>, kde pod\u013ea vlastn\u00fdch slov prv\u00fdkr\u00e1t za\u017eila prostredie, v ktorom sa c\u00edtila prirodzene.\u00a0\u201e\u00da\u017easn\u00e1 \u0161kola. V\u00f4bec som ne\u010dakala, \u017ee mi d\u00e1 tak ve\u013ea.\u201c<\/em>\u00a0Pr\u00e1ve tam sa za\u010d\u00edna formova\u0165 jej autorsk\u00fd jazyk. Zadania u\u017e neboli o tom u\u0161i\u0165 technicky spr\u00e1vnu suk\u0148u \u010di bl\u00fazku, ale n\u00e1js\u0165 vlastn\u00fa t\u00e9mu. Prv\u00fd semester pracovala s mot\u00edvom hran\u00edc, druh\u00fd s t\u00e9mou Pam\u00e4\u0165 srdca. Obe zadania sa pre \u0148u ve\u013emi r\u00fdchlo zmenili na osobn\u00fa v\u00fdpove\u010f.\u00a0\u201eZa\u010dala som ove\u013ea viac rozm\u00fd\u0161\u013ea\u0165 nad sebou. Pre\u010do som tak\u00e1, ak\u00e1 som. Pre\u010do potrebujem valid\u00e1ciu od \u013eud\u00ed. Odkia\u013e poch\u00e1dzaj\u00fa moje pochybnosti.\u201c\u00a0<\/em>Odpovede neh\u013eadala len vo svojej s\u00fa\u010dasnosti, ale aj v detstve, rodinn\u00fdch vz\u0165ahoch \u010di \u017eivote medzi Ekv\u00e1dorom a Slovenskom. V\u00fdsledkom sa stala kolekcia s n\u00e1zvom\u00a0Lo que llevo conmigo<\/strong>\u00a0(What we carry within us \/ \u010co si so sebou nesieme). Nie je to len odevn\u00e1 kolekcia, ale osobn\u00e1 \u00favaha o tom, ako si ka\u017ed\u00fd \u010dlovek nesie sk\u00fasenosti, traumy, spomienky aj vzorce spr\u00e1vania, ktor\u00e9 \u010dasto ani nevn\u00edma.\u00a0\u201eRie\u0161ila som, \u010do v\u0161etko si nesieme pod povrchom. Veci, ktor\u00e9 si nevedome nesieme z minulosti a ktor\u00e9 sa za\u010dn\u00fa objavova\u0165 a\u017e po \u010dase.\u201c<\/em>\u00a0Ve\u013ekou in\u0161pir\u00e1ciou sa pritom op\u00e4\u0165 stal Ekv\u00e1dor \u2013 jeho n\u00e1bo\u017eensk\u00e9 prostredie, rodinn\u00e9 ritu\u00e1ly aj farebnos\u0165 ka\u017edodenn\u00e9ho \u017eivota. Navonok \u017eiv\u00e9 farby kontrastuj\u00fa s neutr\u00e1lnymi odevmi a vn\u00fatornou introspekciou celej kolekcie.\u00a0\u201eChcela som da\u0165 do fyzickej podoby svoje vn\u00fatro.\u201c<\/em>\u00a0Pr\u00e1ve tu sa najv\u00fdraznej\u0161ie ukazuje rozdiel medzi Alanis ako autorkou a zna\u010dkou LAKS. Sama hovor\u00ed, \u017ee ich dnes vedome odde\u013euje. LAKS je priestor pre nosite\u013en\u00e9 kolekcie, z\u00e1kazkov\u00e9 projekty a spolupr\u00e1ce. Jej \u0161kolsk\u00e1 a vo\u013en\u00e1 tvorba je naopak miestom, kde m\u00f4\u017ee bez kompromisov sk\u00fama\u0165 vlastn\u00fa identitu, em\u00f3cie a t\u00e9my, ktor\u00e9 sa mo\u017eno nikdy nestan\u00fa komer\u010dn\u00fdmi produktmi, no tvoria z\u00e1klad v\u0161etk\u00e9ho, \u010do nesk\u00f4r vznik\u00e1 aj pod zna\u010dkou\u00a0LAKS<\/strong><\/a>.<\/p>\n\n\n\n

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Lo que llevo conmigo (\u010co si zo sebou nesieme) | koncoro\u010dn\u00e1 pr\u00e1ca | foto @kenf.create<\/a><\/em><\/figcaption><\/figure>\n\n\n\n
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Lo que llevo conmigo (\u010co si zo sebou nesieme) | koncoro\u010dn\u00e1 pr\u00e1ca | foto @kenf.create<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Hoci zna\u010dka\u00a0LAKS<\/strong><\/a>\u00a0vznikla len ned\u00e1vno, Alanis u\u017e dnes patr\u00ed medzi mlad\u00fdch autorov, ktor\u00fdch tvorba prirodzene presahuje samotn\u00fa m\u00f3du. Jej oble\u010denie sa objavilo na \u010dlenoch skupiny\u00a0Billy Barman<\/a>, pripravila limitovan\u00fa upcyklovan\u00fa kolekciu pre festival\u00a0Grape<\/a>, navrhovala festivalov\u00e9 doplnky in\u0161pirovan\u00e9 jeho vizu\u00e1lnou identitou a popritom spoluzalo\u017eila komunitn\u00fa platformu\u00a0M2M (Made to Matter)<\/strong><\/a>, ktor\u00e1 vytv\u00e1ra priestor pre za\u010d\u00ednaj\u00facich lok\u00e1lnych tvorcov. Zauj\u00edmav\u00e9 pritom je, \u017ee ani jednu z t\u00fdchto pr\u00edle\u017eitost\u00ed nevn\u00edma ako potvrdenie vlastnej d\u00f4le\u017eitosti. Ove\u013ea viac ju te\u0161\u00ed d\u00f4vera, ktor\u00fa pri spolupr\u00e1cach dost\u00e1va.\u00a0\u201eNajkraj\u0161ie na tom bolo, \u017ee som mohla pr\u00eds\u0165 s vlastn\u00fdmi n\u00e1vrhmi a oni ich len schv\u00e1lili. Nebolo to o tom, \u017ee mus\u00ed\u0161 spravi\u0165 toto alebo tamto.\u201c<\/em>\u00a0Pr\u00e1ve sloboda tvorby je pre \u0148u jednou z najv\u00e4\u010d\u0161\u00edch hodn\u00f4t. Rovnako prirodzene vzniklo aj\u00a0M2M<\/strong>. My\u0161lienka sa zrodila po prvom dizajn markete v Prahe, kde si uvedomila, ak\u00e9 d\u00f4le\u017eit\u00e9 je vytv\u00e1ra\u0165 priestor pre mlad\u00fdch autorov. Zo spont\u00e1nneho n\u00e1padu sa postupne stal kolekt\u00edv organizuj\u00faci komunitn\u00e9 predajn\u00e9 podujatia a prep\u00e1jaj\u00faci lok\u00e1lnych tvorcov.\u00a0\u201eSna\u017e\u00edme sa vytvori\u0165 komunitu mlad\u00fdch kreat\u00edvnych \u013eud\u00ed a da\u0165 im pr\u00edle\u017eitos\u0165 uk\u00e1za\u0165 svoju tvorbu.\u201c<\/em>\u00a0Nie je n\u00e1hoda, \u017ee popri budovan\u00ed vlastnej zna\u010dky venuje to\u013eko energie aj ostatn\u00fdm. Rovnako ako jej na za\u010diatku pomohli povzbudenie kamar\u00e1tov \u010di podpora bl\u00edzkych, dnes chce podobn\u00fa pr\u00edle\u017eitos\u0165 vytv\u00e1ra\u0165 \u010fal\u0161\u00edm \u013eu\u010fom.<\/p>\n\n\n\n

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Upcyklovan\u00e1 kolekcia pre kapelu Billy Barman na Grape festival 2025<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Aj napriek rast\u00facemu po\u010dtu spolupr\u00e1c zost\u00e1va\u00a0LAKS<\/strong><\/a>\u00a0zna\u010dkou, ktor\u00e1 stoj\u00ed na remesle, osobnom kontakte a ru\u010dnej pr\u00e1ci. Alanis st\u00e1le \u0161ije sama, experimentuje s nov\u00fdmi technikami, kresl\u00ed vlastn\u00e9 v\u00fd\u0161ivky, pracuje so star\u00fdmi ko\u0161e\u013eami, secondhandov\u00fdm oble\u010den\u00edm, textiln\u00fdm odpadom \u010di festivalov\u00fdmi stanmi, z ktor\u00fdch vznikaj\u00fa nov\u00e9 ta\u0161ky. Ka\u017ed\u00fd projekt z\u00e1rove\u0148 vn\u00edma ako mo\u017enos\u0165 nau\u010di\u0165 sa nie\u010do nov\u00e9. Pr\u00e1ve spolupr\u00e1ca s Grape ju priviedla napr\u00edklad k intenz\u00edvnej\u0161ej pr\u00e1ci so strojovou v\u00fd\u0161ivkou \u010di odv\u00e1\u017enej\u0161ou farebnos\u0165ou, ktor\u00fa dnes postupne pren\u00e1\u0161a aj do vlastnej tvorby.\u00a0\u201eVy\u0161la som z komfortnej z\u00f3ny a zistila som, \u017ee aj farebnej\u0161ie, divokej\u0161ie veci s\u00fa super.\u201c<\/em>\u00a0Mo\u017eno pr\u00e1ve schopnos\u0165 neust\u00e1le za\u010d\u00edna\u0165 odznova je t\u00fdm, \u010do Alanis vystihuje najlep\u0161ie. Nieko\u013ekokr\u00e1t zmenila krajinu, \u0161tudijn\u00fd odbor aj predstavu o vlastnej bud\u00facnosti. Neuspela na vysn\u00edvanej \u0161kole, no sk\u00fasila to znova. Neust\u00e1le hovor\u00ed o veciach, ktor\u00e9 sa e\u0161te len chce nau\u010di\u0165, akoby mala pocit, \u017ee je st\u00e1le len na za\u010diatku. A mo\u017eno pr\u00e1ve preto jej tvorba p\u00f4sob\u00ed tak prirodzene. Nie je v\u00fdsledkom dokonale premyslen\u00e9ho podnikate\u013esk\u00e9ho pl\u00e1nu, ale \u00faprimnej potreby tvori\u0165, objavova\u0165 a h\u013eada\u0165 vlastn\u00fd hlas.\u00a0\u201eV\u0161etko, \u010do rob\u00edm, mus\u00ed ma\u0165 nie\u010do zo m\u0148a.\u201c<\/em>\u00a0V pr\u00edpade\u00a0LAKS<\/strong><\/a>\u00a0to nie je len slogan. Je to filozofia zna\u010dky aj jej autorky, ktor\u00e1 ka\u017ed\u00fdm nov\u00fdm odevom, projektom \u010di spolupr\u00e1cou pokra\u010duje v h\u013eadan\u00ed odpovede na ot\u00e1zku, k\u00fdm vlastne je.<\/p>\n\n\n\n

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foto @shootmeariver<\/a><\/em><\/figcaption><\/figure>\n\n\n\n
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Lo que llevo conmigo (\u010co si zo sebou nesieme) | koncoro\u010dn\u00e1 pr\u00e1ca | foto @kenf.create<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Alanis Koln\u00edk<\/strong> je m\u00f3dna n\u00e1vrh\u00e1rka a zakladate\u013eka zna\u010dky LAKS, ktor\u00e1 sa venuje autorskej tvorbe postavenej na upcyclingu, remesle a osobnom pr\u00edstupe k odevu. Vo svojej pr\u00e1ci premie\u0148a textiln\u00fd odpad, secondhandov\u00e9 oble\u010denie \u010di vyraden\u00e9 materi\u00e1ly na nov\u00e9 nosite\u013en\u00e9 k\u00fasky s vlastn\u00fdm pr\u00edbehom. Popri zna\u010dke LAKS \u0161tuduje m\u00f3dny dizajn na V\u0160VU, rozv\u00edja konceptu\u00e1lnu autorsk\u00fa tvorbu a je spoluzakladate\u013ekou komunitnej platformy M2M (Made to Matter), prep\u00e1jaj\u00facej mlad\u00fdch lok\u00e1lnych tvorcov. Jej rukopis stoj\u00ed na prep\u00e1jan\u00ed osobn\u00fdch pr\u00edbehov, udr\u017eate\u013enosti a presved\u010den\u00ed, \u017ee aj materi\u00e1ly s minulos\u0165ou m\u00f4\u017eu dosta\u0165 nov\u00fd \u017eivot.<\/p>\n\n\n\n

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INSTAGRAM<\/a><\/div>\n<\/div>\n\n\n\n
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Pred nieko\u013ek\u00fdmi rokmi by Alanis ani len nenapadlo, \u017ee raz zalo\u017e\u00ed vlastn\u00fa m\u00f3dnu zna\u010dku. Dnes pod menom\u00a0LAKS\u00a0vytv\u00e1ra autorsk\u00e9 upcyklovan\u00e9 kolekcie, spolupracuje s hudobn\u00edkmi, festivalmi aj mlad\u00fdmi tvorcami a postupne si buduje vlastn\u00fd rukopis. Za jej tvorbou v\u0161ak nestoj\u00ed len remeslo \u010di z\u00e1ujem o udr\u017eate\u013en\u00fa m\u00f3du. Je predov\u0161etk\u00fdm v\u00fdsledkom osobnej cesty medzi Ekv\u00e1dorom a Slovenskom, medzi […]<\/p>\n","protected":false},"author":3,"featured_media":10608,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[33,30,31],"tags":[7,5,34,574,24,117],"class_list":["post-10593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carousel","category-cerstve-ovocie","category-novinky","tag-cerstve-ovocie_fm","tag-dizajn","tag-efemko","tag-merch","tag-moda","tag-modna-navrharka"],"yoast_head":"\nOdev ako priestor pre vlastn\u00fd pr\u00edbeh - \u010cerstv\u00e9 Ovocie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cerstveovocie.sk\/odev-ako-priestor-pre-vlastny-pribeh\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Odev ako priestor pre vlastn\u00fd pr\u00edbeh - \u010cerstv\u00e9 Ovocie\" \/>\n<meta property=\"og:description\" content=\"Pred nieko\u013ek\u00fdmi rokmi by Alanis ani len nenapadlo, \u017ee raz zalo\u017e\u00ed vlastn\u00fa m\u00f3dnu zna\u010dku. Dnes pod menom\u00a0LAKS\u00a0vytv\u00e1ra autorsk\u00e9 upcyklovan\u00e9 kolekcie, spolupracuje s hudobn\u00edkmi, festivalmi aj mlad\u00fdmi tvorcami a postupne si buduje vlastn\u00fd rukopis. Za jej tvorbou v\u0161ak nestoj\u00ed len remeslo \u010di z\u00e1ujem o udr\u017eate\u013en\u00fa m\u00f3du. 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