{"id":10458,"date":"2026-06-28T20:20:57","date_gmt":"2026-06-28T18:20:57","guid":{"rendered":"https:\/\/www.cerstveovocie.sk\/?p=10458"},"modified":"2026-06-28T20:20:58","modified_gmt":"2026-06-28T18:20:58","slug":"najuprimnejsi-obraz-vznika-z-nedokonalosti","status":"publish","type":"post","link":"https:\/\/d.r1.wbsprt.com\/cerstveovocie.sk\/najuprimnejsi-obraz-vznika-z-nedokonalosti\/","title":{"rendered":"Naj\u00faprimnej\u0161\u00ed obraz vznik\u00e1 z\u00a0nedokonalosti"},"content":{"rendered":"\n

Adam kresl\u00ed, ma\u013euje a tetuje, no v\u0161etky tieto m\u00e9di\u00e1 u\u0148ho vyrastaj\u00fa z jedn\u00e9ho spolo\u010dn\u00e9ho z\u00e1kladu \u2013 z kresby. T\u00e1 sa pre\u0148ho stala jazykom, denn\u00edkom aj sp\u00f4sobom, ako sprac\u00fava\u0165 ka\u017edodennos\u0165, vn\u00fatorn\u00e9 nap\u00e4tia \u010di neistotu zo sveta okolo seba. Jeho rozpit\u00e1 l\u00ednia, surovos\u0165 a prijatie n\u00e1hody sa objavuj\u00fa na papieri, pl\u00e1tne aj \u013eudskej ko\u017ei. V rozhovore hovor\u00ed o detstve formovanom star\u0161ou sestrou, o ceste na V\u0160VU, pand\u00e9mii ako zlomovom obdob\u00ed, tetovan\u00ed ako prirodzenom pokra\u010dovan\u00ed kresby aj o tom, pre\u010do naj\u00faprimnej\u0161\u00ed obraz nemus\u00ed vznikn\u00fa\u0165 z dokonalej kontroly, ale pr\u00e1ve z ochoty necha\u0165 veci trochu sa rozlia\u0165.<\/p>\n\n\n\n

Adam Priecel patr\u00ed k autorom, ktor\u00ed sa len ve\u013emi neradi nech\u00e1vaj\u00fa za\u0161katu\u013ekova\u0165 do jednej discipl\u00edny. Hoci vy\u0161tudoval ma\u013ebu, venuje sa aj tetovaniu a vo\u013enej tvorbe, s\u00e1m m\u00e1 v\u0161ak v tom jasno. \u201eAsi tak\u00e1 najz\u00e1kladnej\u0161ia vec u m\u0148a je kresba. Z tej kresby vlastne vych\u00e1dzam a bu\u010f to ide \u010falej do tetovania alebo do ma\u013eby alebo sa to ve\u013eakr\u00e1t prel\u00edna a kombinuje,\u201c<\/em> hovor\u00ed. Pr\u00e1ve kresba sa pre\u0148ho stala prirodzen\u00fdm jazykom, ku ktor\u00e9mu sa neust\u00e1le vracia a z ktor\u00e9ho vyrastaj\u00fa v\u0161etky ostatn\u00e9 m\u00e9di\u00e1, s ktor\u00fdmi dnes pracuje. Jeho cesta k umeniu za\u010dala doma pri star\u0161ej sestre. T\u00e1 \u0161tudovala najsk\u00f4r na \u0160kole umeleck\u00e9ho priemyslu na Tokaj\u00edckej ulici v Bratislave a nesk\u00f4r pokra\u010dovala na Vysokej \u0161kole v\u00fdtvarn\u00fdch umen\u00ed. Ako mlad\u0161\u00ed brat prirodzene nas\u00e1val jej svet \u2013 od obliekania cez skejtov\u00fa kult\u00faru a\u017e po n\u00e1v\u0161tevy \u0161kolsk\u00fdch ateli\u00e9rov, kam ho \u010dasto br\u00e1vala a kde jej pom\u00e1hal. \u201eHrozne ma bavili skejtov\u00e1 kult\u00fara. Ona v tom u\u017e bola predo mnou, tak mi otv\u00e1rala br\u00e1nu do tohoto sveta. Ke\u010f som potom videl maliarske veci na V\u0160VU, bol som \u00f4smak alebo deviatak a pri\u0161lo mi to ako \u00fapln\u00fd street art, len sofistikovanej\u0161\u00ed. Vtedy som si povedal, \u017ee toto by som ur\u010dite chcel robi\u0165.\u201c<\/em> Kreslenie ho sprev\u00e1dzalo u\u017e od detstva. Spom\u00edna si najm\u00e4 na nekone\u010dn\u00e9 prekres\u013eovanie mot\u00edvov, ktor\u00e9 ho fascinovali a na rados\u0165 z oby\u010dajn\u00e9ho papiera a ceruzky. Aj preto si na strednej \u0161kole vybral odbor propaga\u010dn\u00e9 v\u00fdtvarn\u00edctvo, ktor\u00fd mu poskytol \u0161irok\u00fd remeseln\u00fd z\u00e1klad. Hoci si vysk\u00fa\u0161al r\u00f4zne techniky, najbli\u017e\u0161ie mu v\u017edy zost\u00e1vala anal\u00f3gov\u00e1 pr\u00e1ca. \u201eM\u0148a v\u017edy bavila t\u00e1 anal\u00f3gov\u00e1 forma, \u017ee si chyt\u00ed\u0161 papier a kresl\u00ed\u0161,\u201c<\/em> opisuje jednoducho.  <\/p>\n\n\n\n

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Po maturite v\u0161ak jeho cesta nebola jednozna\u010dn\u00e1. Na V\u0160VU sa nedostal hne\u010f a prij\u00edmacie sk\u00fa\u0161ky musel absolvova\u0165 viackr\u00e1t. Sp\u00e4tne prizn\u00e1va, \u017ee spo\u010diatku podcenil v\u00fdznam vlastn\u00e9ho portf\u00f3lia a spoliehal sa najm\u00e4 na \u0161kolsk\u00e9 pr\u00e1ce. A\u017e ke\u010f pochopil, \u017ee rozhoduj\u00fa osobn\u00e9 t\u00e9my a autorsk\u00fd rukopis, za\u010dal systematicky pracova\u0165 na vlastn\u00fdch obrazoch. Rok str\u00e1vil ma\u013eovan\u00edm v ateli\u00e9ri svojej sestry, kde vzniklo nov\u00e9 portf\u00f3lio, s ktor\u00fdm sa napokon na \u0161kolu \u00faspe\u0161ne dostal. \u201ePochopil som, \u017ee cel\u00e9 to stoj\u00ed na t\u00fdch svojich vlastn\u00fdch veciach a t\u00e9mach,\u201c<\/em> spom\u00edna. Aj fakt, \u017ee ho prij\u00edmacia komisia po predch\u00e1dzaj\u00facich pokusoch u\u017e poznala a videla jeho odhodlanie, pod\u013ea neho zohral svoju \u00falohu. E\u0161te pred n\u00e1stupom na vysok\u00fa \u0161kolu sa v\u0161ak objavila \u010fal\u0161ia d\u00f4le\u017eit\u00e1 kapitola, ktor\u00e1 dnes v\u00fdrazne formuje jeho tvorbu \u2013 tetovanie. Po\u010das obdobia medzi \u0161kolami si uvedomil, \u017ee potrebuje robi\u0165 nie\u010do kreat\u00edvne a za\u010dal sa u\u010di\u0165 pracova\u0165 s tetovac\u00edm stroj\u010dekom. Ve\u013ek\u00e9 \u0161\u0165astie mal na kamar\u00e1tov, ktor\u00ed mu dovolili sk\u00fa\u0161a\u0165 prv\u00e9 n\u00e1vrhy na vlastnej ko\u017ei. \u201eV\u0161etci sme chceli ma\u0165 kerky a nikto sme nemali peniaze, tak\u017ee som mal hrozn\u00e9 \u0161\u0165astie, \u017ee som sa na nich mohol u\u010di\u0165,\u201c<\/em> spom\u00edna s \u00fasmevom. Netu\u0161il pritom, \u017ee pr\u00e1ve toto m\u00e9dium sa nesk\u00f4r stane rovnocenn\u00fdm partnerom jeho kresieb a ma\u013eby a z\u00e1sadne ovplyvn\u00ed podobu jeho autorsk\u00e9ho rukopisu.  <\/p>\n\n\n\n

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Na Vysokej \u0161kole v\u00fdtvarn\u00fdch umen\u00ed Adam \u0161tudoval ma\u013ebu v ateli\u00e9ri\u00a03EAM<\/a>\u00a0pod veden\u00edm\u00a0Rastislava Sedla\u010d\u00edka<\/a>\u00a0a\u00a0Mateja Fabiana<\/a>. Hoci ho prostredie \u0161koly nap\u013a\u0148alo a mal pocit, \u017ee z neho dok\u00e1\u017ee vy\u0165a\u017ei\u0165 maximum, \u0161t\u00fadium v\u00fdrazne pozna\u010dila pand\u00e9mia aj n\u00e1sledn\u00e1 zdravotn\u00e1 prest\u00e1vka po oper\u00e1cii. Paradoxne pr\u00e1ve obdobie, ke\u010f sa svet na \u010das zastavil, pova\u017euje dnes za najd\u00f4le\u017eitej\u0161\u00ed moment svojej tvorby. Dovtedy pod\u013ea vlastn\u00fdch slov sk\u00f4r h\u013eadal, \u010do vlastne chce robi\u0165 a ak\u00e9 t\u00e9my ho zauj\u00edmaj\u00fa. Po\u010das lockdownov v\u0161ak zostal s\u00e1m so sebou a za\u010dal si vies\u0165 denn\u00edk, ktor\u00fd sa postupne premenil na nie\u010do ove\u013ea podstatnej\u0161ie.\u00a0\u201eZa\u010dal som rozm\u00fd\u0161\u013ea\u0165 nad t\u00fdm, \u010do by som robil a pre\u010do by som to robil. Chcel som si kresli\u0165 denn\u00edk, ale z\u00e1rove\u0148 som chcel, aby forma zodpovedala tomu, \u010do vlastne kresl\u00edm,\u201c<\/em>\u00a0spom\u00edna. Pr\u00e1ve vtedy vznikol sp\u00f4sob pr\u00e1ce, ktor\u00fd je dnes pre Adama typick\u00fd. Do procesu za\u010dal cielene vp\u00fa\u0161\u0165a\u0165 n\u00e1hodu a vedome si kl\u00e1s\u0165 prek\u00e1\u017eky, aby kresbu nemal \u00faplne pod kontrolou. Namiesto such\u00e9ho papiera pracoval s mokr\u00fdm podkladom, na ktorom sa tu\u0161 spr\u00e1val nepredv\u00eddate\u013ene, rozlieval sa a vytv\u00e1ral vlastn\u00e9 cesty. To, \u010do by mnoh\u00ed pova\u017eovali za chybu, sa pre\u0148ho stalo tvoriv\u00fdm partnerom.\u00a0\u201eHrozne ma bav\u00ed t\u00e1 n\u00e1hoda v tom. M\u00f4\u017ee\u0161 za\u010da\u0165 nie\u010do kresli\u0165 a ono \u0165a to dovedie niekam \u00faplne inam. Alebo chce\u0161 vytvori\u0165 jednu vec a m\u00e9dium ti ten pl\u00e1n pokaz\u00ed. Pracova\u0165 s touto n\u00e1hodou ma hrozne bavilo,\u201c<\/em>\u00a0vysvet\u013euje. Pr\u00e1ve v tomto obdob\u00ed sa z\u00e1rove\u0148 spojili v\u0161etky dovtedaj\u0161ie sk\u00fasenosti \u2013 kresba, tetovanie aj maliarske uva\u017eovanie. Kresby za\u010dal spont\u00e1nne zverej\u0148ova\u0165 na internete a prekvapilo ho, ke\u010f sa mu \u013eudia za\u010dali oz\u00fdva\u0165 s prosbou, \u010di by si ich mohli necha\u0165 vytetova\u0165. Spo\u010diatku v\u00e1hal, preto\u017ee i\u0161lo o ve\u013emi osobn\u00e9 z\u00e1znamy vlastn\u00e9ho pre\u017e\u00edvania. Napokon si v\u0161ak uvedomil, \u017ee t\u00e9my, ktor\u00e9 sprac\u00fava, nie s\u00fa iba jeho vlastn\u00e9.\u00a0\u201eTo s\u00fa predsa moje osobn\u00e9 veci. Potom som si povedal, \u017ee je to t\u00e9ma, ktor\u00e1 zasahuje n\u00e1s v\u0161etk\u00fdch. A to, \u017ee sa s t\u00fdm niekto stoto\u017en\u00ed, je len dobre pre m\u0148a.\u201c<\/em>\u00a0Pod\u013ea neho je d\u00f4le\u017eit\u00e1 aj jednoduchos\u0165 vizu\u00e1lneho jazyka, ktor\u00fd div\u00e1kovi nech\u00e1va priestor na vlastn\u00fa interpret\u00e1ciu.\u00a0\u201ePou\u017e\u00edvam \u010do najjednoduch\u0161\u00ed jazyk. Aj preto sa s t\u00fdm \u013eudia vedia stoto\u017eni\u0165 a pre\u010d\u00edta\u0165 si to po svojom.\u201c<\/em>\u00a0Zauj\u00edmav\u00e9 pritom je, \u017ee charakteristick\u00e1 rozpit\u00e1 l\u00ednia, ktorou s\u00fa jeho kresby dnes \u013eahko rozpoznate\u013en\u00e9, vznikla pr\u00e1ve z prijatia nedokonalosti. V prostred\u00ed tetovania sa rozpitos\u0165 tradi\u010dne pova\u017euje za technick\u00fa chybu, Adam sa ju v\u0161ak rozhodol obr\u00e1ti\u0165 vo svoj prospech a n\u00e1js\u0165 sp\u00f4sob, ako ju vedome prenies\u0165 aj na ko\u017eu.\u00a0\u201eV\u017edy ma bavilo by\u0165 trochu surov\u00fd. Povedal som si, \u017ee sk\u00fasim technicky spravi\u0165 to, aby t\u00e1 chyba vlastne nebola chybou, ale aby to vyzeralo ako t\u00e1 kresba,\u201c<\/em>\u00a0opisuje. Po nieko\u013ek\u00fdch pokusoch zistil, \u017ee pr\u00e1ve tento pr\u00edstup prirodzene vytv\u00e1ra jeho vlastn\u00fd autorsk\u00fd rukopis, ktor\u00fd dnes prep\u00e1ja papier, pl\u00e1tno aj \u013eudsk\u00e9 telo.\u00a0\u00a0<\/p>\n\n\n\n

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Hoci Adam vy\u0161tudoval ma\u013ebu, dodnes o sebe hovor\u00ed predov\u0161etk\u00fdm ako o kresliarovi. Ma\u013eba je pre\u0148ho priestorom experimentu a h\u013eadania, zatia\u013e \u010do kresba predstavuje jazyk, v ktorom prem\u00fd\u0161\u013ea najprirodzenej\u0161ie. Aj po\u010das \u0161t\u00fadia preto \u010dasto vzdoroval o\u010dak\u00e1vaniam maliarskeho ateli\u00e9ru a sk\u00fa\u0161al kresli\u0165 priamo na pl\u00e1tno. Postupne v\u0161ak pochopil, \u017ee obe m\u00e9di\u00e1 pon\u00fakaj\u00fa odli\u0161n\u00e9 mo\u017enosti. \u201eMa\u013eba ti vie pon\u00faknu\u0165 \u00faplne in\u00fd reperto\u00e1r mo\u017enost\u00ed. Vie\u0161 si ju vystava\u0165 na vrstvy a pl\u00e1ny, zatia\u013e \u010do pri kresbe sa to sna\u017e\u00edm rie\u0161i\u0165 \u010do najjednoduch\u0161ie,\u201c<\/em> vysvet\u013euje. Ot\u00e1zka, ako prenies\u0165 energiu kresby do ma\u013eby bez toho, aby stratila svoju spont\u00e1nnos\u0165, sa napokon stala t\u00e9mou jeho diplomovej pr\u00e1ce s n\u00e1zvom Transfer<\/strong>. Sk\u00famal v nej presne to, \u010do je dnes pre jeho tvorbu pr\u00edzna\u010dn\u00e9 \u2013 vz\u0165ah medzi kresbou na papieri, kresbou na \u013eudskej ko\u017ei a kresbou na maliarskom pl\u00e1tne. \u201eTen boj tam budem asi st\u00e1le. Sna\u017e\u00edm sa prenies\u0165 t\u00fa kresbu na pl\u00e1tno a niekedy sa mi to v\u00f4bec nedar\u00ed,\u201c<\/em> prizn\u00e1va otvorene. Pr\u00e1ve kresba sa pre\u0148ho medzi\u010dasom stala osobn\u00fdm sp\u00f4sobom uva\u017eovania o svete. N\u00e1pady neprich\u00e1dzaj\u00fa ako hotov\u00e9 koncepty, ale pomaly sa v \u0148om us\u00e1dzaj\u00fa po\u010das ka\u017edodenn\u00e9ho \u017eivota, a\u017e napokon dozrej\u00fa do jednoduchej vizu\u00e1lnej skratky. \u201eKresba sa mi stala jazykom. Viem si \u0148ou zobrazi\u0165 veci, ktor\u00e9 sa mi dej\u00fa. Po\u010das ur\u010dit\u00e9ho obdobia sa mi mot\u00edvy nazbieravaj\u00fa, ke\u010f si ich neviem rovno nakresli\u0165, zap\u00ed\u0161em si ich a potom sa k nim vr\u00e1tim.\u201c<\/em> Jeho proces je pritom intuit\u00edvny \u2013 rozlo\u017e\u00ed si po zemi desiatky papierov a pracuje na viacer\u00fdch kresb\u00e1ch naraz, pri\u010dom jednotliv\u00e9 mot\u00edvy vznikaj\u00fa akoby popri sebe. Aj preto \u010dasto netvor\u00ed uzavret\u00e9 s\u00e9rie, ale sk\u00f4r vo\u013ene roztr\u00fasen\u00e9 obrazy, ktor\u00e9 spolu komunikuj\u00fa a\u017e sp\u00e4tne. \u201eSk\u00f4r ma bav\u00ed vym\u00fd\u0161\u013ea\u0165 si tie mot\u00edvy. S\u00fa \u00faplne r\u00f4zne a pr\u00e1ve to ma na tom bav\u00ed asi najviac.\u201c <\/em><\/p>\n\n\n\n

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Pr\u00e1ve tento sp\u00f4sob uva\u017eovania si postupne za\u010dal nach\u00e1dza\u0165 miesto aj v galerijnom prostred\u00ed. Adamove kresby sa predstavili napr\u00edklad na kolekt\u00edvnej v\u00fdstave tEAMbuilding<\/strong>, ktor\u00e1 mapovala tvorbu \u0161tudentov a absolventov ateli\u00e9ru 3EAM na Vysokej \u0161kole v\u00fdtvarn\u00fdch umen\u00ed. E\u0161te v\u00fdraznej\u0161ie jeho autorsk\u00fd pr\u00edstup rezonoval na v\u00fdstave Zranite\u013en\u00e9 \u010diary<\/strong> v Pova\u017eskej gal\u00e9rii umenia v \u017diline, venovanej kresbe ako m\u00e9diu osobnej v\u00fdpovede. Kur\u00e1torsk\u00fd text v\u00fdstavy pritom presne pomen\u00fava to, \u010do Adam po\u010das rozhovoru opisuje vlastn\u00fdmi slovami \u2013 kresbu ako denn\u00edk pre\u017eit\u00fdch sk\u00fasenost\u00ed, vn\u00fatorn\u00fdch nap\u00e4t\u00ed a \u017eivotn\u00fdch medzn\u00edkov. Jeho pr\u00e1ce tu neboli prezentovan\u00e9 len ako estetick\u00e9 objekty, ale ako vizu\u00e1lne z\u00e1znamy em\u00f3ci\u00ed a procesov, ktor\u00e9 sa odohr\u00e1vaj\u00fa pod povrchom ka\u017edodennosti. To, \u010do vznikalo spo\u010diatku ako ve\u013emi osobn\u00e1 potreba zaznamen\u00e1va\u0165 vlastn\u00e9 pre\u017e\u00edvanie, sa tak prirodzene otvorilo aj div\u00e1kovi, ktor\u00fd v t\u00fdchto obrazoch dok\u00e1\u017ee rozpozna\u0165 vlastn\u00e9 sk\u00fasenosti. Zdroje in\u0161pir\u00e1cie Adam neh\u013ead\u00e1 vo ve\u013ek\u00fdch historick\u00fdch t\u00e9mach ani v komplikovan\u00fdch symbolick\u00fdch syst\u00e9moch. Rovnako prirodzene ho ovplyv\u0148uje ka\u017edodennos\u0165, internetov\u00e1 kult\u00fara \u010di vizu\u00e1lny jazyk meme obr\u00e1zkov, ktor\u00e9 ozna\u010duje za jednu zo svojich najv\u00e4\u010d\u0161\u00edch in\u0161pir\u00e1ci\u00ed. Z\u00e1rove\u0148 dok\u00e1\u017ee zdanlivo ban\u00e1lne pozorovanie premeni\u0165 na siln\u00fa metaforu. Po\u010das pand\u00e9mie napr\u00edklad objavil na z\u00e1hrade bre\u010dtan, ktor\u00fd sa dokonale prisp\u00f4sobil zvlnen\u00e9mu plechu pod n\u00edm, \u010do vn\u00edmal ako obraz vlastn\u00e9ho \u017eivota v obdob\u00ed neust\u00e1leho prisp\u00f4sobovania sa okolnostiam. Nesk\u00f4r sa touto my\u0161lienkou zaoberal aj vo svojej tvorbe a rastliny z\u00e1merne \u201evtesn\u00e1val\u201c do pevne ur\u010den\u00fdch form\u00e1tov. Podobne vznikaj\u00fa aj \u010fal\u0161ie mot\u00edvy \u2013 od zdvojen\u00e9ho slnka in\u0161pirovan\u00e9ho sci-fi rom\u00e1nom Temn\u00fd les a\u017e po s\u00e9riu \u010darodejn\u00edkov a magick\u00fdch post\u00e1v, ktor\u00fa od\u0161tartovala jedin\u00e1 veta n\u00e1jden\u00e1 \u201erandom\u201c na internete: \u201eOnly hope we have left is magic.\u201c<\/em> V jeho podan\u00ed sa tak oby\u010dajn\u00e1 pozn\u00e1mka \u010di n\u00e1hodn\u00fd obraz st\u00e1vaj\u00fa impulzom pre dlhodob\u00e9 prem\u00fd\u0161\u013eanie o osobn\u00fdch aj spolo\u010densk\u00fdch t\u00e9mach. <\/p>\n\n\n\n

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Dnes tr\u00e1vi Adam ve\u013ek\u00fa \u010das\u0165 svojho \u010dasu pr\u00e1ve tetovan\u00edm. Nie v\u0161ak preto, \u017ee by sa vzdialil od vo\u013enej tvorby, ale preto, \u017ee obe discipl\u00edny vn\u00edma ako prirodzen\u00e9 pokra\u010dovanie tej istej cesty. V bratislavskom kolekt\u00edve\u00a0Onak\u00f4 Tattoo<\/a><\/strong>\u00a0p\u00f4sob\u00ed u\u017e nieko\u013eko rokov a oce\u0148uje najm\u00e4 komunitu \u013eud\u00ed, ktor\u00ed sa navz\u00e1jom pos\u00favaj\u00fa bez zbyto\u010dnej rivality.\u00a0\u201eVidie\u0165 \u013eud\u00ed, ktor\u00ed rie\u0161ia to ist\u00e9 alebo nie\u010do podobn\u00e9 ako ty, je hrozne fajn. Vie\u0161 sa od nich ve\u013ea nau\u010di\u0165 a pr\u00e1ve toto \u0165a v tom tetovan\u00ed pos\u00fava,\u201c<\/em>\u00a0hovor\u00ed. D\u00f4le\u017eit\u00e1 je pre\u0148ho aj atmosf\u00e9ra samotn\u00e9ho \u0161t\u00fadia, ktor\u00e9 sa sna\u017e\u00ed budova\u0165 ako bezpe\u010dn\u00fd priestor bez zbyto\u010dn\u00fdch bari\u00e9r medzi tat\u00e9rom a klientom.\u00a0\u201eSna\u017e\u00edm sa \u013eu\u010fom poveda\u0165, \u017ee sme na jednej vlne a nech mi pokojne hovoria, ako sa c\u00edtia. Ve\u013eakr\u00e1t sa uis\u0165ujem, \u010di s\u00fa v pohode, lebo aj ja som kedysi m\u00e1val re\u0161pekt a viem, ak\u00fd to je pocit.\u201c<\/em>\u00a0Pr\u00e1ve v\u010faka tetovaniu sa dost\u00e1va aj do nov\u00fdch miest a komun\u00edt, ktor\u00e9 ho neprest\u00e1vaj\u00fa in\u0161pirova\u0165. Za jednu z najd\u00f4le\u017eitej\u0161\u00edch sk\u00fasenost\u00ed pova\u017euje pobyt v Berl\u00edne, kde prv\u00fdkr\u00e1t tetoval v \u0161t\u00fadiu funguj\u00facom v\u00fdlu\u010dne na princ\u00edpe hos\u0165uj\u00facich umelcov. Mo\u017enos\u0165 pracova\u0165 bok po boku s autormi, ktor\u00fdch dovtedy poznal len z internetu, mu priniesla nov\u00fa d\u00e1vku sebavedomia aj pocit, \u017ee jeho vlastn\u00fd vizu\u00e1lny jazyk obstoj\u00ed aj za hranicami Slovenska.\u00a0\u201eKe\u010f som zvl\u00e1dol toto, povedal som si, \u017ee asi to bude v pohode aj na in\u00fdch miestach. Bola to pre m\u0148a tak\u00e1 vstupn\u00e1 br\u00e1na do tohto sveta,\u201c<\/em>\u00a0spom\u00edna. Z\u00e1rove\u0148 ho te\u0161\u00ed, \u017ee jeho klientelu netvoria iba \u013eudia z umeleckej sc\u00e9ny, ale ve\u013emi rozmanit\u00e1 skupina osobnost\u00ed a profesi\u00ed. Vn\u00edma to ako potvrdenie, \u017ee jeho kresby dok\u00e1\u017eu komunikova\u0165 naprie\u010d r\u00f4znymi prostrediami.\u00a0\u201eTo mi d\u00e1va sign\u00e1l, \u017ee moja tvorba je nejak\u00fdm sp\u00f4sobom \u010ditate\u013en\u00e1 pre r\u00f4zne vrstvy.\u201c<\/em><\/p>\n\n\n\n

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Adamov tat\u00e9rsky rukopis vyrast\u00e1 predov\u0161etk\u00fdm z kresby, ktor\u00fa nevn\u00edma ako pr\u00edpravn\u00fa f\u00e1zu, ale ako svoj prirodzen\u00fd jazyk. Nie je tat\u00e9rom, ktor\u00fd kresl\u00ed, ale kresliarom, ktor\u00fd pren\u00e1\u0161a svoje kresby na \u013eudsk\u00e9 telo. Jeho tvorbu charakterizuje expres\u00edvna, \u017eiv\u00e1 a miestami z\u00e1merne rozpit\u00e1 l\u00ednia, ktor\u00e1 nar\u00fa\u0161a predstavu technickej dokonalosti a premie\u0148a zdanliv\u00fa chybu na autentick\u00fd autorsk\u00fd rukopis. Mot\u00edvy s\u00fa jednoduch\u00e9, no v\u00fdznamovo otvoren\u00e9 \u2013 vych\u00e1dzaj\u00fa z osobn\u00fdch sk\u00fasenost\u00ed, ka\u017edodenn\u00fdch pozorovan\u00ed \u010di vn\u00fatorn\u00e9ho pre\u017e\u00edvania, pri\u010dom div\u00e1kovi aj nosite\u013eovi tetovania ponech\u00e1vaj\u00fa priestor na vlastn\u00fa interpret\u00e1ciu. Aj preto jeho tetovania nep\u00f4sobia ako dekor\u00e1cia, ale ako pokra\u010dovanie vo\u013enej kresby \u2013 nes\u00fa v sebe rovnak\u00fa spont\u00e1nnos\u0165, citlivos\u0165 a schopnos\u0165 zachyti\u0165 em\u00f3ciu, ak\u00fa mo\u017eno n\u00e1js\u0165 v jeho kresb\u00e1ch \u010di ma\u013eb\u00e1ch. Popri zahrani\u010dn\u00fdch tetovac\u00edch rezidenci\u00e1ch sa \u010doraz v\u00fdraznej\u0161ie profiluje aj na v\u00fdtvarnej sc\u00e9ne. Od \u0161tudentsk\u00fdch prezent\u00e1ci\u00ed, akou bola kolekt\u00edvna v\u00fdstava tEAMbuilding<\/strong>, sa jeho tvorba posunula k samostatnej\u0161\u00edm galerijn\u00fdm projektom, medzi ktor\u00fdmi v\u00fdrazne rezonovala pr\u00e1ve v\u00fdstava Zranite\u013en\u00e9 \u010diary<\/strong>. T\u00e1 potvrdila, \u017ee Adamova kresba u\u017e d\u00e1vno nie je iba pr\u00edpravou pre ma\u013ebu alebo tetovanie, ale plnohodnotn\u00fdm autorsk\u00fdm m\u00e9diom, ktor\u00e9 dok\u00e1\u017ee nies\u0165 osobn\u00fa v\u00fdpove\u010f aj komunikova\u0165 so \u0161ir\u0161\u00edm publikom. Nie n\u00e1hodou bola jeho in\u0161tal\u00e1cia predstaven\u00e1 ako s\u00e9ria denn\u00edkov\u00fdch z\u00e1znamov zachyt\u00e1vaj\u00facich kr\u00edzy, zranite\u013enos\u0165, ale aj proces ich postupn\u00e9ho spracovania \u2013 t\u00e9my, ktor\u00e9 sa ako \u010derven\u00e1 ni\u0165 vin\u00fa celou jeho tvorbou.<\/p>\n\n\n\n

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Mo\u017eno pr\u00e1ve preto Adam ani dnes nehovor\u00ed o ve\u013ek\u00fdch pl\u00e1noch \u010di ambici\u00f3znych kari\u00e9rnych m\u00e9tach. Po rokoch intenz\u00edvneho \u0161t\u00fadia a h\u013eadania vlastn\u00e9ho rukopisu sa nau\u010dil nevytv\u00e1ra\u0165 na seba zbyto\u010dn\u00fd tlak a ponecha\u0165 priestor prirodzen\u00e9mu v\u00fdvoju. \u201eHrozne ner\u00e1d m\u00e1m od seba nejak\u00e9 o\u010dak\u00e1vania. Potreboval som sa po \u0161kole zbavi\u0165 toho, aby som sa do vec\u00ed forsoval a aby ma to cel\u00e9 nezo\u017eralo,\u201c<\/em> prizn\u00e1va. Vie, \u017ee sa chce op\u00e4\u0165 intenz\u00edvnej\u0161ie vr\u00e1ti\u0165 k ma\u013ebe, no nech\u00e1va tomu vo\u013en\u00fd priebeh. D\u00f4le\u017eitej\u0161ie ne\u017e presn\u00fd pl\u00e1n je pre\u0148ho zosta\u0165 otvoren\u00fd procesu, n\u00e1hode a vlastn\u00e9mu pre\u017e\u00edvaniu \u2013 presne t\u00fdm princ\u00edpom, na ktor\u00fdch stoj\u00ed aj jeho tvorba. Kresba sa mu medzi\u010dasom stala jazykom, cez ktor\u00fd prem\u00fd\u0161\u013ea o svete, zaznamen\u00e1va ka\u017edodennos\u0165 aj sprac\u00fava osobn\u00e9 sk\u00fasenosti. A \u010di u\u017e sa objav\u00ed na papieri, pl\u00e1tne alebo na \u013eudskej ko\u017ei, st\u00e1le nesie t\u00fa ist\u00fa stopu autora, ktor\u00fd na\u0161iel silu pr\u00e1ve v prijat\u00ed neistoty, nedokonalosti a spont\u00e1nnosti. <\/p>\n\n\n\n

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Z v\u00fdstavy Zranite\u013en\u00e9 \u010diary | foto Pova\u017esk\u00e1 gal\u00e9ria umenia v \u017diline<\/a><\/em><\/figcaption><\/figure>\n\n\n\n
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Z v\u00fdstavy Zranite\u013en\u00e9 \u010diary | foto Pova\u017esk\u00e1 gal\u00e9ria umenia v \u017diline<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Adam Priecel<\/strong> je vizu\u00e1lny umelec, kresliar, maliar a tat\u00e9r \u017eij\u00faci a tvoriaci v Bratislave. Vy\u0161tudoval ma\u013ebu na Vysokej \u0161kole v\u00fdtvarn\u00fdch umen\u00ed v Bratislave v ateli\u00e9ri 3EAM pod veden\u00edm Rastislava Sedla\u010d\u00edka a Mateja Fabiana. Vo svojej tvorbe vych\u00e1dza najm\u00e4 z kresby, ktor\u00fa pren\u00e1\u0161a do ma\u013eby, tetovania aj galerijn\u00fdch in\u0161tal\u00e1ci\u00ed. Jeho rukopis charakterizuje expres\u00edvna, \u010dasto rozpit\u00e1 l\u00ednia, pr\u00e1ca s n\u00e1hodou, osobnou sk\u00fasenos\u0165ou a ka\u017edodenn\u00fdm pre\u017e\u00edvan\u00edm. Je \u010dlenom bratislavsk\u00e9ho kolekt\u00edvu Onak\u00f4 Tattoo. Jeho pr\u00e1ce boli prezentovan\u00e9 napr\u00edklad na v\u00fdstav\u00e1ch tEAMbuilding, Zranite\u013en\u00e9 \u010diary a na vlastnej v\u00fdstave k diplomovej pr\u00e1ci s n\u00e1zvom Transfer.<\/p>\n\n\n\n

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Adam kresl\u00ed, ma\u013euje a tetuje, no v\u0161etky tieto m\u00e9di\u00e1 u\u0148ho vyrastaj\u00fa z jedn\u00e9ho spolo\u010dn\u00e9ho z\u00e1kladu \u2013 z kresby. T\u00e1 sa pre\u0148ho stala jazykom, denn\u00edkom aj sp\u00f4sobom, ako sprac\u00fava\u0165 ka\u017edodennos\u0165, vn\u00fatorn\u00e9 nap\u00e4tia \u010di neistotu zo sveta okolo seba. Jeho rozpit\u00e1 l\u00ednia, surovos\u0165 a prijatie n\u00e1hody sa objavuj\u00fa na papieri, pl\u00e1tne aj \u013eudskej ko\u017ei. V rozhovore hovor\u00ed […]<\/p>\n","protected":false},"author":3,"featured_media":10473,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[33,30,31],"tags":[7,34,64,21,103,109],"class_list":["post-10458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carousel","category-cerstve-ovocie","category-novinky","tag-cerstve-ovocie_fm","tag-efemko","tag-kresba","tag-malba","tag-tetovanie","tag-vytvarne-umenie"],"yoast_head":"\nNaj\u00faprimnej\u0161\u00ed obraz vznik\u00e1 z\u00a0nedokonalosti - \u010cerstv\u00e9 Ovocie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cerstveovocie.sk\/najuprimnejsi-obraz-vznika-z-nedokonalosti\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Naj\u00faprimnej\u0161\u00ed obraz vznik\u00e1 z\u00a0nedokonalosti - \u010cerstv\u00e9 Ovocie\" \/>\n<meta property=\"og:description\" content=\"Adam kresl\u00ed, ma\u013euje a tetuje, no v\u0161etky tieto m\u00e9di\u00e1 u\u0148ho vyrastaj\u00fa z jedn\u00e9ho spolo\u010dn\u00e9ho z\u00e1kladu \u2013 z kresby. 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