{"id":10279,"date":"2026-06-05T15:46:06","date_gmt":"2026-06-05T13:46:06","guid":{"rendered":"https:\/\/www.cerstveovocie.sk\/?p=10279"},"modified":"2026-06-05T15:46:07","modified_gmt":"2026-06-05T13:46:07","slug":"ako-sa-z-hubarcenia-a-fascinacie-krystalmi-stal-autorsky-vesmir","status":"publish","type":"post","link":"https:\/\/d.r1.wbsprt.com\/cerstveovocie.sk\/ako-sa-z-hubarcenia-a-fascinacie-krystalmi-stal-autorsky-vesmir\/","title":{"rendered":"Ako sa z hub\u00e1r\u010denia a\u00a0fascin\u00e1cie kry\u0161t\u00e1lmi stal autorsk\u00fd vesm\u00edr"},"content":{"rendered":"\n

Od diev\u010da\u0165a, ktor\u00e9 namiesto n\u00e1lepiek zbieralo kry\u0161t\u00e1ly, a\u017e po \u0161perk\u00e1rku, ktorej pr\u00e1ce dnes nach\u00e1dzaj\u00fa svojich majite\u013eov po celom svete. Martina patr\u00ed k autork\u00e1m, ktor\u00e9 si svoj rukopis nevybudovali nasledovan\u00edm trendov, ale trpezliv\u00fdm h\u013eadan\u00edm vlastn\u00e9ho pr\u00edbehu. Po\u010das \u0161t\u00fadia na lond\u00fdnskej Central Saint Martins objavila v spomienkach na detstvo a slovensk\u00e9 hub\u00e1r\u010denie t\u00e9mu, ktor\u00e1 sa stala z\u00e1kladom jej autorsk\u00e9ho sveta. Dnes vytv\u00e1ra \u0161perky balansuj\u00face na pomedz\u00ed remesla, pr\u00edrodovedy, osobnej mytol\u00f3gie a talizmanov, ktor\u00e9 nes\u00fa v sebe pr\u00edbehy h\u00fab, drah\u00fdch kame\u0148ov aj \u013eud\u00ed, ktor\u00ed ich nosia. Ako sa z detskej fascin\u00e1cie kry\u0161t\u00e1lmi stal medzin\u00e1rodne \u00faspe\u0161n\u00fd \u0161perk\u00e1rsky brand a pre\u010do sa pod povrchom jej tvorby skr\u00fdva ove\u013ea viac ne\u017e len huby?<\/p>\n\n\n\n

Ke\u010f dnes Martina Kocianov\u00e1 rozpr\u00e1va o \u0161perku, p\u00f4sob\u00ed to, akoby svoju cestu na\u0161la ve\u013emi skoro. Nie v\u0161ak preto, \u017ee by vyrastala v umeleckej rodine alebo od detstva nav\u0161tevovala \u0161perk\u00e1rske dielne. Pr\u00e1ve naopak. Poch\u00e1dza z prostredia, kde bolo umenie sk\u00f4r vzdialenou predstavou ne\u017e prirodzenou profesiou. Napriek tomu sa u\u017e ako mal\u00e9 diev\u010da nevedela ubr\u00e1ni\u0165 fascin\u00e1cii predmetmi, ktor\u00e9 v\u00e4\u010d\u0161ina jej rovesn\u00edkov prehliadala. \u201eOstatn\u00e9 diev\u010dat\u00e1 zbierali n\u00e1lepky, tak ja som zbierala kry\u0161t\u00e1le,\u201c<\/em> spom\u00edna. Kame\u0148om, miner\u00e1lom a drobn\u00fdm pr\u00edrodn\u00fdm pokladom pripisovala zvl\u00e1\u0161tnu hodnotu d\u00e1vno predt\u00fdm, ako sa nau\u010dila pracova\u0165 s kovom alebo drahokamami. Prv\u00e9 \u0161perky za\u010dala vyr\u00e1ba\u0165 pribli\u017ene v jeden\u00e1stich rokoch. Zlomov\u00fdm momentom bolo stretnutie s mladou \u017eenou z jej dediny, ktor\u00e1 si otvorila mal\u00fd obchod\u00edk s ru\u010dne vyr\u00e1ban\u00fdmi \u0161perkami. Martina k nej chodila tak \u010dasto, a\u017e si majite\u013eka za\u010dala v\u0161\u00edma\u0165, \u017ee sa sna\u017e\u00ed pr\u00eds\u0165 na v\u0161etky jej v\u00fdrobn\u00e9 postupy. \u201eOna mi nechcela prezradi\u0165 v\u0161etko, lebo u\u017e videla, \u017ee tam moc \u010dasto chod\u00edm a opakujem sa po nej,\u201c<\/em> smeje sa dnes. Pr\u00e1ve vtedy v\u0161ak prv\u00fdkr\u00e1t pochopila, \u017ee \u0161perk nemus\u00ed by\u0165 len predmetom, ale aj sp\u00f4sobom \u017eivota. Za\u010dala experimentova\u0165 s kor\u00e1lkami, FIMO hmotou a jednoduch\u00fdmi technikami, svoje v\u00fdrobky pred\u00e1vala cez Facebook a postupne si vytv\u00e1rala vlastn\u00fd mal\u00fd svet, ktor\u00fd fungoval popri \u0161kole ako prv\u00e1 brig\u00e1da.<\/p>\n\n\n\n

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Forest studio, courtesy of Wicklow. Photo by @uttariyo<\/em><\/figcaption><\/figure>\n\n\n\n
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Photo by\u00a0@shubhamjigsaw<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Hoci ju rodina viedla sk\u00f4r ku klasickej predstave vzdelania a bud\u00faceho povolania, Martina sa svojho smerovania nevzdala. Presved\u010dila rodi\u010dov, aby ju pustili na stredn\u00fa umeleck\u00fa \u0161kolu \u2013\u00a0\u0160kola umeleck\u00e9ho priemyslu Josefa Vydru<\/a>, kde \u0161tudovala\u00a0textiln\u00fd dizajn<\/a>. \u0160perk zost\u00e1val st\u00e1le niekde na okraji, no z\u00e1rove\u0148 bol pr\u00edtomn\u00fd vo v\u0161etkom, \u010do robila.\u00a0\u201eJa som nevedela, \u017ee \u010di je to norm\u00e1lna pr\u00e1ca,\u201c<\/em>\u00a0prizn\u00e1va. Dlh\u00fd \u010das toti\u017e netu\u0161ila, \u017ee by sa \u0161perk\u00e1rstvom dalo re\u00e1lne \u017eivi\u0165. Napriek tomu si postupne budovala portf\u00f3lio, za\u010dala pracova\u0165 so striebrom a \u010doraz viac \u010dasu venovala pr\u00e1ve tejto discipl\u00edne. V momente, ke\u010f zistila, \u017ee existuj\u00fa \u0161koly zameran\u00e9 v\u00fdhradne na \u0161perk, mala jasno.\u00a0\u201eHne\u010f ako som sa dozvedela, \u017ee z toho by sa dalo teoreticky u\u017eivi\u0165, tak som to i\u0161la aj prim\u00e1rne \u0161tudova\u0165.\u201c<\/em>\u00a0Rozhodnutie od\u00eds\u0165 do Lond\u00fdna nebolo n\u00e1hodn\u00e9. Viedla ju k nemu kombin\u00e1cia amb\u00edcie, vzdoru aj t\u00fa\u017eby nie\u010do dok\u00e1za\u0165 sama sebe. K\u00fdm slovensk\u00e9 umeleck\u00e9 \u0161koly boli postaven\u00e9 na tradi\u010dn\u00fdch prij\u00edma\u010dk\u00e1ch a figur\u00e1lnom kreslen\u00ed, ju l\u00e1kal syst\u00e9m, ktor\u00fd v\u00e4\u010d\u0161\u00ed d\u00f4raz kl\u00e1dol na portf\u00f3lio a osobn\u00fd autorsk\u00fd prejav. E\u0161te d\u00f4le\u017eitej\u0161\u00ed bol v\u0161ak in\u00fd moment.\u00a0\u201eT\u00fdm, \u017ee moji rodi\u010dia ma tak stra\u0161ne nepodporovali v tom remesle, tak som si povedala: ja p\u00f4jdem na najlep\u0161iu \u0161kolu na svete.\u201c<\/em>\u00a0Tou \u0161kolou bola lond\u00fdnska\u00a0Central Saint Martins<\/a>, jedna z najprest\u00ed\u017enej\u0161\u00edch umeleck\u00fdch in\u0161tit\u00faci\u00ed na svete, z ktorej vy\u0161li men\u00e1 ako Alexander McQueen, Stella McCartney \u010di John Galliano. Martina sa na \u0148u dostala bez absolvovania pr\u00edpravn\u00e9ho ro\u010dn\u00edka, ktor\u00fd je pre v\u00e4\u010d\u0161inu uch\u00e1dza\u010dov prakticky povinn\u00fd. Sama to pripisuje najm\u00e4 rokom pr\u00edpravy a siln\u00e9mu portf\u00f3liu, na ktorom pracovala e\u0161te po\u010das strednej \u0161koly. Ke\u010f do Lond\u00fdna napokon nast\u00fapila, zistila, \u017ee talent je len za\u010diatok. Ocitla sa medzi \u0161tudentmi z cel\u00e9ho sveta, ktor\u00ed patrili k absol\u00fatnej \u0161pi\u010dke svojich kraj\u00edn. Prv\u00e9 mesiace boli n\u00e1ro\u010dn\u00e9 a \u010dasto mala pocit, \u017ee za ostatn\u00fdmi zaost\u00e1va. Z\u00e1rove\u0148 si v\u0161ak niesla nie\u010do, \u010do ju od mnoh\u00fdch spolu\u017eiakov odli\u0161ovalo. Discipl\u00ednu a odolnos\u0165, ktor\u00fa z\u00edskala po\u010das \u0161t\u00fadia na slovenskej \u201e\u0161upke\u201c.\u00a0\u201eNau\u010dilo ma to, \u017ee si nem\u00f4\u017eem bra\u0165 veci osobne. \u017de \u013eudia bud\u00fa st\u00e1le kritizova\u0165 a ty mus\u00ed\u0161 pokra\u010dova\u0165 \u010falej.\u201c<\/em>\u00a0Pr\u00e1ve t\u00e1to kombin\u00e1cia tvrdohlavosti, pracovnej discipl\u00edny a detskej fascin\u00e1cie svetom kame\u0148ov sa nesk\u00f4r uk\u00e1zala ako jeden z najd\u00f4le\u017eitej\u0161\u00edch z\u00e1kladov jej bud\u00facej tvorby.<\/p>\n\n\n\n

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Pr\u00e1ve po\u010das \u0161t\u00fadia na Central Saint Martins sa za\u010dalo nie\u010do, \u010do je pre mnoh\u00fdch autorov naj\u0165a\u017e\u0161ou \u010das\u0165ou celej tvorivej cesty. Nie nau\u010di\u0165 sa remeslo, technol\u00f3giu alebo dizajn\u00e9rske postupy, ale n\u00e1js\u0165 vlastn\u00fd hlas. \u0160kola s\u00edce patrila medzi najprest\u00ed\u017enej\u0161ie na svete, no pod\u013ea Martiny ju nedefinovala technickou dokonalos\u0165ou. Ove\u013ea viac ju formovalo neust\u00e1le h\u013eadanie toho, \u010do \u010dloveka rob\u00ed jedine\u010dn\u00fdm. \u201eT\u00e1 \u0161kola bola hlavne o cibren\u00ed toho vkusu, cibren\u00ed toho jazyka. O dos\u0165 viac ako o technick\u00fdch zdatnostiach,\u201c<\/em> vysvet\u013euje. V prostred\u00ed, kde sa stret\u00e1vali \u0161tudenti z \u00c1zie, Afriky, Ameriky \u010di Eur\u00f3py, sa neust\u00e1le hovorilo o identite, pr\u00edbehu a kult\u00farnom z\u00e1zem\u00ed. A pr\u00e1ve tam si za\u010dala uvedomova\u0165, \u017ee jej najv\u00e4\u010d\u0161ou v\u00fdhodou nemus\u00ed by\u0165 to, \u010do si doteraz myslela. Spo\u010diatku mala pocit, \u017ee za mnoh\u00fdmi spolu\u017eiakmi zaost\u00e1va. \u201eV\u0161etci mali tak\u00fa siln\u00fa kult\u00faru za nimi. A ja som to naozaj nemala,\u201c<\/em> spom\u00edna. K\u00fdm ostatn\u00ed prin\u00e1\u0161ali do svojich projektov v\u00fdrazn\u00e9 kult\u00farne symboly a trad\u00edcie, ona mala pocit, \u017ee Slovensko nepon\u00faka ni\u010d podobne rozpoznate\u013en\u00e9. Dnes prizn\u00e1va, \u017ee to bol sk\u00f4r pocit \u010dloveka, ktor\u00fd odi\u0161iel z domova a zrazu sa na vlastn\u00fa krajinu pozeral z dia\u013eky. Za\u010dala sa preto vraca\u0165 sp\u00e4\u0165 do svojich spomienok, detstva a vec\u00ed, ktor\u00e9 ju formovali d\u00e1vno predt\u00fdm, ako sa rozhodla \u0161tudova\u0165 \u0161perk. H\u013eadala nie\u010do, \u010do by bolo autentick\u00e9, osobn\u00e9 a z\u00e1rove\u0148 dostato\u010dne univerz\u00e1lne na to, aby tomu rozumeli aj \u013eudia na druhom konci sveta.<\/p>\n\n\n\n

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Photo by\u00a0@uttariyo<\/a>\u00a0for\u00a0@vogueczechoslovakia<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Odpove\u010f na\u0161la prekvapivo bl\u00edzko. V lesoch, do ktor\u00fdch chodievala od detstva. V hub\u00e1r\u010den\u00ed, ktor\u00e9 bolo pre \u0148u takou prirodzenou s\u00fa\u010das\u0165ou \u017eivota, \u017ee si jeho v\u00fdnimo\u010dnos\u0165 dlh\u00e9 roky v\u00f4bec neuvedomovala. \u201ePotom mi to pri\u0161lo. To hub\u00e1r\u010denie. Vtedy som si uvedomila, \u017ee je tam nie\u010do siln\u00e9. Nie\u010do, \u010do m\u00f4\u017eem vlastni\u0165. \u017de ten pr\u00edbeh m\u00e1m za\u017eit\u00fd.<\/em>\u201c To, \u010do dovtedy vn\u00edmala len ako oby\u010dajn\u00fa rodinn\u00fa aktivitu, sa zrazu uk\u00e1zalo ako kult\u00farna sk\u00fasenos\u0165, ktor\u00fa zdie\u013eaj\u00fa mili\u00f3ny \u013eud\u00ed v strednej a v\u00fdchodnej Eur\u00f3pe, no z\u00e1rove\u0148 p\u00f4sob\u00ed exoticky a fascinuj\u00faco pre mnoh\u00fdch \u013eud\u00ed v zahrani\u010d\u00ed. Huby sa stali sp\u00f4sobom, ako rozpr\u00e1va\u0165 o Slovensku bez folkl\u00f3rnych kli\u0161\u00e9, krojov \u010di \u013eudov\u00fdch ornamentov. Pr\u00e1ve v druhom ro\u010dn\u00edku \u0161koly vznikol projekt, ktor\u00fd dnes pova\u017euje za moment, ke\u010f prv\u00fdkr\u00e1t objavila svoj vlastn\u00fd autorsk\u00fd jazyk. Postupne si uvedomila, \u017ee cesta k nemu nevedie cez napodob\u0148ovanie trendov ani cez snahu zapadn\u00fa\u0165 do predst\u00e1v o tom, ako by mal s\u00fa\u010dasn\u00fd \u0161perk vyzera\u0165. \u201eJe to kombin\u00e1cia toho, \u010do teba rob\u00ed ako \u010dloveka. Ide\u0161 do svojich spomienok a n\u00e1jde\u0161 symbol, ktor\u00fd je \u0161pecifick\u00fd pre teba. Potom ho prenesie\u0161 do nie\u010doho, v \u010dom sa dok\u00e1\u017eu vidie\u0165 aj \u010fal\u0161\u00ed \u013eudia.\u201c<\/em> V jej pr\u00edpade sa t\u00fdm symbolom stali pr\u00e1ve huby. Nie ako dekorat\u00edvny mot\u00edv, ale ako nosite\u013e pr\u00edbehov, spomienok a em\u00f3ci\u00ed. Zrazu ne\u0161lo len o tvar muchotr\u00e1vky alebo dub\u00e1ka. Huby sa stali sp\u00f4sobom rozpr\u00e1vania o detstve, pr\u00edrode, m\u00e1gii, prepojenosti a vz\u0165ahu \u010dloveka k svetu okolo seba.<\/p>\n\n\n\n

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The Trip<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*The Trip<\/strong>\u00a0(2022) \u2013 v\u00fdskumn\u00e1 str\u00e1nka zo skic\u00e1ra Martiny Kocianovej k jej z\u00e1vere\u010dnej bakal\u00e1rskej kolekcii na Central Saint Martins. Projekt sk\u00famal jednotliv\u00e9 etapy \u013eudsk\u00e9ho \u017eivota prostredn\u00edctvom symboliky h\u00fab, ktor\u00e9 sa nesk\u00f4r stali \u00fastredn\u00fdm mot\u00edvom jej tvorby. Pr\u00e1ve pri pr\u00e1ci na kolekcii\u00a0The Trip\u00a0Martina objavila vlastn\u00fd vizu\u00e1lny jazyk, v ktorom prep\u00e1ja osobn\u00e9 spomienky, pr\u00edrodu, mytol\u00f3giu a \u0161perk\u00e1rske remeslo.<\/p>\n\n\n\n

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The Trip<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Zauj\u00edmav\u00e9 je, \u017ee v \u010dase, ke\u010f sa Martina tejto t\u00e9me za\u010dala venova\u0165, e\u0161te nebola s\u00fa\u010das\u0165ou \u0161ir\u0161ieho vizu\u00e1lneho trendu. Dnes sa mot\u00edvy h\u00fab objavuj\u00fa v m\u00f3de, dizajne aj popul\u00e1rnej kult\u00fare pomerne \u010dasto, no pred nieko\u013ek\u00fdmi rokmi to tak nebolo. \u201eMala som pocit, \u017ee hr\u00edby s\u00fa stra\u0161ne nedocenen\u00e1 \u017eiv\u00e1 bytos\u0165 v lese. Aj ako symbol v dizajne. Dnes ich vid\u00edme v\u0161ade, ale pred piatimi \u010di \u0161iestimi rokmi to e\u0161te nebolo tak\u00e9.\u201c<\/em> Pr\u00e1ve v tom videla pr\u00edle\u017eitos\u0165. Objavila t\u00e9mu, ktor\u00e1 bola z\u00e1rove\u0148 osobn\u00e1, vizu\u00e1lne bohat\u00e1 aj v\u00fdznamovo nevy\u010derpate\u013en\u00e1. A \u010d\u00edm hlb\u0161ie sa do nej pon\u00e1rala, t\u00fdm viac nach\u00e1dzala \u010fal\u0161ie vrstvy. Huby prestali by\u0165 len s\u00fa\u010das\u0165ou jej detsk\u00fdch spomienok a stali sa nekone\u010dn\u00fdm v\u00fdskumom, ktor\u00fd pokra\u010duje dodnes. Od bakal\u00e1rskej kolekcie, v ktorej sa objavili prv\u00e9 hubov\u00e9 mot\u00edvy, sa preto u\u017e od tejto t\u00e9my nikdy \u00faplne nevzdialila. Namiesto toho ju postupne rozv\u00edjala, prehlbovala a h\u013eadala nov\u00e9 sp\u00f4soby, ako ju prenies\u0165 do \u0161perku. Sama hovor\u00ed, \u017ee v hub\u00e1ch na\u0161la nie\u010do, \u010do mnoh\u00ed autori h\u013eadaj\u00fa cel\u00fd \u017eivot \u2013 vlastn\u00fd svet. \u201eJa som u\u017e potom nechcela presta\u0165. Vedela som, \u017ee toto je m\u00f4j jazyk.\u201c<\/em> A pr\u00e1ve z tohto objavu sa nesk\u00f4r zrodili hubov\u00e9 talizmany, myc\u00e9liov\u00e9 objekty, magick\u00e9 kry\u0161t\u00e1ly aj cel\u00fd vizu\u00e1lny vesm\u00edr, ktor\u00fd dnes nesie meno Martina Kocianov\u00e1.<\/p>\n\n\n\n

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The Trip<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Ke\u010f Martina hovor\u00ed o hub\u00e1ch, v skuto\u010dnosti nehovor\u00ed len o hub\u00e1ch. Hovor\u00ed o spomienkach, energii, symboloch, pr\u00edrode a o potrebe nach\u00e1dza\u0165 v ka\u017edodennom svete nie\u010do magick\u00e9. Pr\u00e1ve preto sa jej tvorba nikdy nezastavila pri jednoduchom pren\u00e1\u0161an\u00ed tvarov h\u00fab do \u0161perku. Postupne sa z nich stali talizmany, mal\u00e9 osobn\u00e9 objekty, ktor\u00e9 si \u013eudia nevyberaj\u00fa len preto, \u017ee sa im p\u00e1\u010dia, ale preto, \u017ee v nich nach\u00e1dzaj\u00fa vlastn\u00fd pr\u00edbeh. \u201ePre m\u0148a je to symbol toho, \u017ee ver\u00ed\u0161 v \u010daro. Tak\u00fd talizman. Nie\u010do ako \u0161tvorl\u00edstok,\u201c<\/em>\u00a0vysvet\u013euje. To, \u010do pre niekoho predstavuje spomienku na detstvo v lese, m\u00f4\u017ee by\u0165 pre in\u00e9ho symbol spirituality, psychadelick\u00fdch sk\u00fasenost\u00ed, spojenia s pr\u00edrodou alebo jednoducho pocit, \u017ee svet okolo n\u00e1s obsahuje viac vrstiev, ne\u017e sme schopn\u00ed na prv\u00fd poh\u013ead vidie\u0165. Pr\u00e1ve t\u00e1to mnohovrstevnatos\u0165 je d\u00f4vodom, pre\u010do sa k t\u00e9me h\u00fab st\u00e1le vracia. Nezauj\u00edma ju len ich tvar, ale aj ich funkcia, vlastnosti a miesto v pr\u00edrodn\u00fdch ekosyst\u00e9moch. Fascinuje ju myc\u00e9lium, nevidite\u013en\u00e1 sie\u0165 prepojen\u00ed pod zemou, fascinuj\u00fa ju konkr\u00e9tne druhy a ich biologick\u00e9 \u010di symbolick\u00e9 vlastnosti. Ke\u010f vytv\u00e1ra nov\u00fd \u0161perk, \u010dasto neza\u010d\u00edna kresbou, ale pozorovan\u00edm. Sta\u010d\u00ed jedin\u00e1 huba, ktor\u00fa objav\u00ed po\u010das prech\u00e1dzky, a dok\u00e1\u017ee o nej prem\u00fd\u0161\u013ea\u0165 cel\u00e9 t\u00fd\u017edne. Niekedy sa jej forma objav\u00ed v \u0161perku doslovne, inokedy len nepriamo.\u00a0\u201eM\u00f4\u017ee to by\u0165 tvar, m\u00f4\u017ee to by\u0165 myc\u00e9lium, m\u00f4\u017ee to by\u0165 vlastnos\u0165 tej huby. Napr\u00edklad\u00a0<\/em>levia hriva<\/em><\/a>\u00a0je spojen\u00e1 s mozgom a koncentr\u00e1ciou, tak mo\u017eno vytvor\u00edm talizman, ktor\u00fd bude hovori\u0165 pr\u00e1ve o tom.\u201c<\/em><\/p>\n\n\n\n

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Lion\u2019s Mane (levia hriva)*<\/em><\/figcaption><\/figure>\n\n\n\n
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Lion\u2019s Mane (levia hriva)*<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*Lion\u2019s Mane (Cancer)<\/strong>\u00a0\u2013 pr\u00edvesok z kolekcie\u00a0Astroshrooms<\/em>, v ktorej Martina Kocianov\u00e1 prep\u00e1ja symboliku znamen\u00ed zverokruhu s charakterom jednotliv\u00fdch druhov h\u00fab. Znamenie Raka tu reprezentuje koralovec je\u017eovit\u00fd (Lion\u2019s Mane), huba sp\u00e1jan\u00e1 s vn\u00fatorn\u00fdm svetom, citlivos\u0165ou a introspekciou. \u0160perk je ru\u010dne vyrezan\u00fd z mesa\u010dn\u00e9ho kame\u0148a (rainbow moonstone), osaden\u00fd barmsk\u00fdm rub\u00ednom a zasaden\u00fd do 14-kar\u00e1tov\u00e9ho zlata. Irizuj\u00faci povrch kame\u0148a odkazuje na premenlivos\u0165 mesa\u010dn\u00fdch cyklov, zatia\u013e \u010do \u017eiariv\u00e9 jadro symbolizuje emocion\u00e1lnu h\u013abku a ochrann\u00fa povahu znamenia Raka.<\/p>\n\n\n\n

T\u00e1to fascin\u00e1cia ju prirodzene priviedla aj ku kry\u0161t\u00e1lom a drah\u00fdm kame\u0148om. Vlastne sa tak symbolicky vr\u00e1tila k tomu diev\u010da\u0165u, ktor\u00e9 kedysi namiesto n\u00e1lepiek zbieralo miner\u00e1ly. Dnes v\u0161ak s nimi pracuje \u00faplne in\u00fdm sp\u00f4sobom. Nielen ako dizajn\u00e9rka, ale aj ako remeseln\u00ed\u010dka, ktor\u00e1 ich sama br\u00fasi, grav\u00edruje a os\u00e1dza do \u0161perkov. Pr\u00e1ve remeslo sa stalo druh\u00fdm pilierom jej tvorby. Po\u010das \u0161t\u00fadia absolvovala st\u00e1\u017e u\u00a0renomovan\u00e9ho britsk\u00e9ho grav\u00e9ra<\/a>, ktor\u00fd sa stal jej mentorom a uk\u00e1zal jej, \u017ee existuje aj in\u00e1 cesta ne\u017e navrhova\u0165 pre ve\u013ek\u00e9 m\u00f3dne domy.\u00a0\u201eOn mi uk\u00e1zal, \u017ee sa d\u00e1 \u017eivi\u0165 remeslom. \u017de m\u00f4\u017ee\u0161 ma\u0165 mal\u00e9 \u0161t\u00fadio, robi\u0165 veci vlastn\u00fdmi rukami a fungova\u0165 s\u00e1m za seba.\u201c<\/em>\u00a0Tento moment bol mo\u017eno rovnako d\u00f4le\u017eit\u00fd ako objavenie hub\u00e1rskej t\u00e9my. Zrazu pochopila, \u017ee jej bud\u00facnos\u0165 nemus\u00ed spo\u010d\u00edva\u0165 v korpor\u00e1tnej kari\u00e9re dizajn\u00e9rky, ale v budovan\u00ed vlastn\u00e9ho sveta. Nasledovali \u010fal\u0161ie sk\u00fasenosti, ktor\u00e9 ju v tomto presved\u010den\u00ed utvrdili. Nau\u010dila sa br\u00fasi\u0165 drah\u00e9 kamene, absolvovala \u0161tipendijn\u00fd pobyt v Japonsku zameran\u00fd na tradi\u010dn\u00e9 remeseln\u00e9 techniky a postupne si vybudovala vz\u0165ah ku gem carvingu, teda ru\u010dn\u00e9mu vyrez\u00e1vaniu a modelovaniu drahokamov. Nie je to pr\u00e1ca, ktor\u00fa by v\u00e4\u010d\u0161ina \u013eud\u00ed ozna\u010dila za romantick\u00fa.\u00a0\u201eT\u00e1 ma\u0161ina hrozne hu\u010d\u00ed, v\u0161ade je prach, si st\u00e1le v jednej poz\u00edcii a mus\u00ed\u0161 ma\u0165 ve\u013ea trpezlivosti,\u201c<\/em>\u00a0opisuje s \u00fasmevom. Pr\u00e1ve v tom v\u0161ak na\u0161la zvl\u00e1\u0161tny druh pokoja. K\u00fdm in\u00fdch by nekone\u010dn\u00e9 hodiny pri br\u00faske vy\u010derp\u00e1vali, ju podobn\u00e9 \u010dinnosti vtiahnu do takmer meditat\u00edvneho stavu.<\/p>\n\n\n\n

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Travelling through Space*<\/em><\/figcaption><\/figure>\n\n\n\n
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Travelling through Space*<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*Travelling through Space<\/strong>\u00a0je experiment\u00e1lny pr\u00edvesok, ktor\u00fd vznikol ako materi\u00e1lov\u00e1 \u0161t\u00fadia pre pripravovan\u00fd projekt Martiny Kocianovej. Autorka v \u0148om sk\u00fama mo\u017enosti vrstvenia grav\u00edrovan\u00e9ho kri\u0161t\u00e1\u013eu nad rytinou v kove, \u010d\u00edm vytv\u00e1ra il\u00faziu priestoru a pohybu. Mot\u00edv vt\u00e1ka vych\u00e1dza z jej dlhodob\u00e9ho z\u00e1ujmu o grav\u00edrovanie drah\u00fdch kame\u0148ov a z\u00e1rove\u0148 odkazuje na mentorstvo britsk\u00e9ho grav\u00e9ra @castrosmith<\/a>, od ktor\u00e9ho sa nau\u010dila mnoh\u00e9 zo svojich remeseln\u00fdch techn\u00edk. Objekt vznikol spont\u00e1nne ako vo\u013en\u00fd experiment, no nazna\u010duje smer, ktor\u00fdm sa jej tvorba m\u00f4\u017ee v bud\u00facnosti \u010falej rozv\u00edja\u0165.<\/p>\n\n\n\n

S kry\u0161t\u00e1lmi pracuje nielen pre ich vizu\u00e1lnu kr\u00e1su, ale aj pre v\u00fdznamy, ktor\u00e9 im \u013eudia pripisuj\u00fa. Sama otvorene prizn\u00e1va, \u017ee ver\u00ed v energiu predmetov a pr\u00edbehov, ktor\u00e9 si s nimi nesieme. Nie dogmaticky ani ezotericky, sk\u00f4r intuit\u00edvne. \u201eVer\u00edm v to, \u017ee ke\u010f nie\u010do nos\u00ed\u0161 a ver\u00ed\u0161 tomu, tak ti to m\u00f4\u017ee vyvola\u0165 ur\u010dit\u00fd pocit. A potom sa to mo\u017eno naozaj stane.\u201c<\/em> Pr\u00e1ve preto sa jej klienti \u010dasto nezauj\u00edmaj\u00fa len o tvar \u0161perku, ale aj o konkr\u00e9tny kame\u0148. Niekto chce miner\u00e1l spojen\u00fd so svoj\u00edm znamen\u00edm, in\u00fd si vyberie kame\u0148, ktor\u00fd nosil od detstva alebo mu pripom\u00edna konkr\u00e9tnu \u017eivotn\u00fa udalos\u0165. \u0160perk sa tak st\u00e1va osobn\u00fdm objektom s vlastn\u00fdm pr\u00edbehom, nie\u010d\u00edm na pomedz\u00ed dizajnu, talizmanu a pam\u00e4\u0165ov\u00e9ho predmetu. Asi najv\u00fdraznej\u0161ie sa v\u0161etky tieto vrstvy stret\u00e1vaj\u00fa v jej najnov\u0161\u00edch kolekci\u00e1ch. Napr\u00edklad v s\u00e9rii Astroshrooms<\/strong>* prep\u00e1ja jednotliv\u00e9 znamenia zverokruhu s konkr\u00e9tnymi druhmi h\u00fab a drahokamov. Ide o projekt, v ktorom sa stret\u00e1va v\u00fdskum, remeslo, symbolika aj hravos\u0165. Ka\u017ed\u00fd \u0161perk vznik\u00e1 ako mal\u00fd mikrosvet pozost\u00e1vaj\u00faci z viacer\u00fdch vrstiev v\u00fdznamu. A pr\u00e1ve v tom sa ukazuje podstata jej tvorby. Martina toti\u017e nevytv\u00e1ra len dekorat\u00edvne predmety. Vytv\u00e1ra objekty, ktor\u00e9 maj\u00fa \u013eu\u010fom pripom\u00edna\u0165 ich vlastn\u00e9 pr\u00edbehy, vz\u0165ahy a spomienky. \u201eKe\u010f \u010dlovek nos\u00ed m\u00f4j \u0161perk a nie\u010do mu pripom\u00edna, alebo pre neho nie\u010do znamen\u00e1, tak to je pre m\u0148a najv\u00e4\u010d\u0161\u00ed \u00faspech.\u201c<\/em> Mo\u017eno pr\u00e1ve preto jej huby nep\u00f4sobia ako m\u00f3dny trend. Sk\u00f4r ako mal\u00e9 osobn\u00e9 talizmany pre gener\u00e1ciu, ktor\u00e1 sa aj uprostred digit\u00e1lneho sveta st\u00e1le sna\u017e\u00ed n\u00e1js\u0165 trochu \u010dara.<\/p>\n\n\n\n

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Behind the Astroshrooms<\/em><\/figcaption><\/figure>\n\n\n\n
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Behind the Astroshrooms<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*Kolekcia Astroshrooms prep\u00e1ja tri oblasti, ktor\u00e9 s\u00fa pre Martinu Kocianov\u00fa dlhodobo charakteristick\u00e9 \u2013 fascin\u00e1ciu hubami, ru\u010dn\u00e9 br\u00fasenie drah\u00fdch kame\u0148ov a z\u00e1ujem o symbolick\u00fd svet astrol\u00f3gie. V\u00fdsledkom je s\u00e9ria dvan\u00e1stich pr\u00edveskov, v ktor\u00fdch ka\u017ed\u00e9 znamenie zverokruhu z\u00edskava svoju vlastn\u00fa hubu, drahokam a jedine\u010dn\u00fd vizu\u00e1lny pr\u00edbeh. Kolekcia vych\u00e1dza z poetickej rozmanitosti h\u00fab a ich tvarov, ktor\u00e9 Martina pren\u00e1\u0161a do organick\u00fdch \u0161perkov vytvoren\u00fdch zo 14-kar\u00e1tov\u00e9ho zlata. Ka\u017ed\u00fd pr\u00edvesok je osaden\u00fd starostlivo vybran\u00fdm ru\u010dne br\u00fasen\u00fdm kame\u0148om, ktor\u00e9ho farba, \u0161trukt\u00fara a charakter spoluur\u010duj\u00fa v\u00fdsledn\u00fa podobu \u0161perku. Rovnako d\u00f4le\u017eit\u00fd je v\u0161ak aj v\u00fdznam jednotliv\u00fdch kame\u0148ov a ich prepojenie s konkr\u00e9tnymi znameniami zverokruhu. Pri tvorbe kolekcie autorka \u010derpala zo svojho dlhodob\u00e9ho v\u00fdskumu h\u00fab, ich vlastnost\u00ed a symboliky, ale aj z tradi\u010dn\u00fdch v\u00fdznamov astrologick\u00fdch znamen\u00ed a narodeninov\u00fdch kame\u0148ov. Ka\u017ed\u00fd \u0161perk preto funguje ako mal\u00fd talizman, v ktorom sa stret\u00e1va charakter konkr\u00e9tneho znamenia s vlastnos\u0165ami vybranej huby. Huby tu neplnia len dekorat\u00edvnu funkciu, ale st\u00e1vaj\u00fa sa nosite\u013emi v\u00fdznamov a metafor, ktor\u00e9 roz\u0161iruj\u00fa zau\u017e\u00edvan\u00e9 predstavy o jednotliv\u00fdch astrologick\u00fdch archetypoch. Astroshrooms poz\u00fdva svojich nosite\u013eov pozera\u0165 sa na astrol\u00f3giu cez optiku pr\u00edrody. Namiesto tradi\u010dn\u00fdch astrologick\u00fdch symbolov vyu\u017e\u00edva jazyk h\u00fab, miner\u00e1lov a organick\u00fdch foriem, aby odhalila paralely medzi \u013eudskou povahou a pr\u00edrodn\u00fdmi procesmi. Kolekcia tak vytv\u00e1ra jemn\u00e9 prepojenie medzi \u010dlovekom a pr\u00edrodou a pripom\u00edna, \u017ee mnoh\u00e9 vzorce, ktor\u00e9 h\u013ead\u00e1me vo hviezdach, mo\u017eno n\u00e1js\u0165 aj pod nohami v lese.<\/p>\n\n\n\n

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ASTROSHROOM: LIBRA<\/em>*<\/figcaption><\/figure>\n\n\n\n
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ASTROSHROOM: LIBRA<\/em>*<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

*Pink Oyster (Libra)<\/strong>\u00a0\u2013 pr\u00edvesok z kolekcie\u00a0Astroshrooms<\/em>, v ktorom Martina Kocianov\u00e1 prep\u00e1ja znamenie V\u00e1h s hlivou ru\u017eovou (Pink Oyster). T\u00e1 sa st\u00e1va symbolom p\u00f4vabu, zmyselnosti a prirodzenej pr\u00ed\u0165a\u017elivosti, ktor\u00e9 s\u00fa tradi\u010dne sp\u00e1jan\u00e9 s t\u00fdmto astrologick\u00fdm archetypom. \u0160perk je ru\u010dne vyrezan\u00fd z ru\u017eov\u00e9ho op\u00e1lu, osaden\u00fd indigolitov\u00fdm turmal\u00ednom a zasaden\u00fd do 14-kar\u00e1tov\u00e9ho zlata. Jemn\u00e9 farebn\u00e9 prechody a organick\u00e9 l\u00ednie vytv\u00e1raj\u00fa objekt balansuj\u00faci medzi eleganciou, hravos\u0165ou a osobn\u00fdm talizmanom<\/p>\n\n\n\n

Hoci dnes Martina pred\u00e1va svoje \u0161perky preva\u017ene do zahrani\u010dia, spolupracuje s prest\u00ed\u017enymi in\u0161tit\u00faciami a jej pr\u00e1ce sa objavuj\u00fa v\u00a0Dover Street Market<\/a>\u00a0\u010di v komunite okolo nad\u00e1cie Alexandra McQueena, \u00faspech pre \u0148u st\u00e1le neznamen\u00e1 po\u010det predan\u00fdch kusov ani ve\u013ekos\u0165 obratu. Ove\u013ea viac ju zauj\u00edma, \u010di sa jej podar\u00ed vytvori\u0165 nie\u010do, \u010do dok\u00e1\u017ee s \u010dlovekom vytvori\u0165 osobn\u00fd vz\u0165ah.\u00a0\u201eKe\u010f sa \u010dlovek vid\u00ed v tom mojom \u0161perku, to je pre m\u0148a najv\u00e4\u010d\u0161\u00ed \u00faspech. Ke\u010f mi povie, \u017ee mu to nie\u010do pripom\u00edna alebo \u017ee to pre neho ve\u013ea znamen\u00e1.\u201c<\/em>\u00a0Mo\u017eno aj preto jej tvorba nikdy nesmerovala k minimalizmu alebo univerz\u00e1lnym m\u00f3dnym doplnkom. Naopak, sna\u017e\u00ed sa vytv\u00e1ra\u0165 objekty, ktor\u00e9 maj\u00fa vlastn\u00fd charakter, vlastn\u00fa identitu a vlastn\u00fd pr\u00edbeh e\u0161te sk\u00f4r, ne\u017e si ich niekto nasad\u00ed. Ke\u010f opisuje svoj vizu\u00e1lny jazyk, \u010dasto pou\u017e\u00edva slovo \u201e\u017eiv\u00fd\u201c. Nechce, aby \u0161perk p\u00f4sobil ako dokonal\u00fd produkt navrhnut\u00fd pod\u013ea trendov. Chce, aby vyzeral ako objekt s du\u0161ou.\u00a0\u201eChcem, aby vyzeral ako \u017eiv\u00fd objekt s\u00e1m o sebe. Aby mal charakter. Aby sa pri \u0148om \u010dlovek zastavil a nepovedal len, \u017ee je pekn\u00fd. Sk\u00f4r aby sa sp\u00fdtal: \u010do to je, \u010do to znamen\u00e1?\u201c<\/em>\u00a0Pr\u00e1ve t\u00e1to potreba vytv\u00e1ra\u0165 veci, ktor\u00e9 komunikuj\u00fa a vyvol\u00e1vaj\u00fa ot\u00e1zky, ju prirodzene priviedla aj mimo tradi\u010dn\u00e9ho sveta \u0161perku. Postupne za\u010dala pren\u00e1\u0161a\u0165 svoj jazyk do v\u00e4\u010d\u0161\u00edch objektov a s\u00f4ch, kde sk\u00fama podobn\u00e9 t\u00e9my, len v inom meradle.<\/p>\n\n\n\n

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Photo by @jmteringa<\/a><\/em><\/figcaption><\/figure>\n\n\n\n
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Photo by @jmteringa<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

D\u00f4le\u017eit\u00fa \u00falohu tu op\u00e4\u0165 zohr\u00e1va myc\u00e9lium. Materi\u00e1l, ktor\u00fd ju fascinuje svojou \u017eivelnos\u0165ou, nepredv\u00eddate\u013enos\u0165ou a schopnos\u0165ou r\u00e1s\u0165 vlastn\u00fdm smerom. K\u00fdm pri \u0161perku dok\u00e1\u017ee kontrolova\u0165 takmer ka\u017ed\u00fd detail, pri pr\u00e1ci s myc\u00e9liom mus\u00ed \u010das\u0165 autorstva vedome odovzda\u0165 samotn\u00e9mu materi\u00e1lu. \u201eM\u0148a bav\u00ed na tom myc\u00e9liu t\u00e1 \u017eivos\u0165. To, \u017ee nie je \u00faplne predv\u00eddate\u013en\u00e9. \u017de ten materi\u00e1l je vlastne self-directed. Ja mu d\u00e1m nejak\u00fd impulz a on si potom sprav\u00ed nie\u010do svoje.\u201c<\/em> V jej soch\u00e1ch sa preto stret\u00e1va \u013eudsk\u00e1 intervencia s prirodzen\u00fdm rastom, kontrola s n\u00e1hodou a remeslo s biol\u00f3giou. \u010casto kombinuje organick\u00e9 \u0161trukt\u00fary myc\u00e9lia s br\u00fasen\u00fdmi kame\u0148mi, kovom alebo \u0161perk\u00e1rskymi prvkami, \u010d\u00edm vytv\u00e1ra objekty balansuj\u00face niekde medzi pr\u00edrodn\u00fdm organizmom, artefaktom a \u0161perkom zv\u00e4\u010d\u0161en\u00fdm do priestoru. Pr\u00e1ve ot\u00e1zka, kde sa kon\u010d\u00ed \u0161perk a za\u010d\u00edna umenie, patr\u00ed medzi t\u00e9my, ku ktor\u00fdm sa neust\u00e1le vracia. Dlhodobo ju zauj\u00edma, pre\u010do je \u0161perk v umeleckom svete \u010dasto vn\u00edman\u00fd len ako remeslo alebo \u00fa\u017eitkov\u00fd predmet, hoci dok\u00e1\u017ee nies\u0165 rovnako komplexn\u00e9 my\u0161lienky ako socha \u010di obraz. Preto rada pren\u00e1\u0161a princ\u00edpy \u0161perk\u00e1rskeho myslenia do gal\u00e9ri\u00ed a v\u00fdstavn\u00fdch priestorov. \u201eZauj\u00edma ma, ako existuje ten objekt s\u00e1m o sebe. Ke\u010f si ho d\u00e1\u0161 na telo, dostane nov\u00fd v\u00fdznam. Ale mal by fungova\u0165 aj bez \u010dloveka.\u201c<\/em> T\u00e1to predstava sa tiahne celou jej tvorbou \u2013 od drobn\u00fdch pr\u00edveskov a\u017e po ve\u013ek\u00e9 myc\u00e9liov\u00e9 objekty. Ka\u017ed\u00fd z nich m\u00e1 fungova\u0165 ako samostatn\u00e1 bytos\u0165, ktor\u00e1 si nesie vlastn\u00fd pr\u00edbeh a a\u017e n\u00e1sledne vstupuje do vz\u0165ahu s \u010dlovekom.<\/p>\n\n\n\n

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Mycelium Jewels | From solo show in\u00a0@lom.space<\/a>\u00a0part of\u00a0@myko.lom<\/a> | Site specific installation | Reishi Mycelium, Crystal, Aluminium\u00a0 | Grown with :\u00a0@drz_huby<\/a> | Photo by\u00a0@saint.marceline<\/a><\/em><\/figcaption><\/figure>\n\n\n\n
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Mycelium Jewels | From solo show in\u00a0@lom.space<\/a>\u00a0part of\u00a0@myko.lom<\/a> | Site specific installation | Reishi Mycelium, Crystal, Aluminium\u00a0 | Grown with :\u00a0@drz_huby<\/a> | Photo by\u00a0@saint.marceline<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Zauj\u00edmav\u00e9 pritom je, \u017ee napriek rast\u00facemu medzin\u00e1rodn\u00e9mu \u00faspechu si Martina st\u00e1le zachov\u00e1va sp\u00f4sob pr\u00e1ce, ktor\u00fd je bli\u017e\u0161\u00ed remeseln\u00edkovi ne\u017e m\u00f3dnej zna\u010dke. V\u00e4\u010d\u0161inu \u0161perkov vyr\u00e1ba na objedn\u00e1vku, \u010dasto ich dokon\u010duje vlastn\u00fdmi rukami a po\u010das roka sa pohybuje medzi r\u00f4znymi krajinami, ateli\u00e9rmi a diel\u0148ami. Vytvorila si sie\u0165 spolupracovn\u00edkov od Lond\u00fdna cez \u00cdrsko a\u017e po Indiu, no z\u00e1rove\u0148 si zaklad\u00e1 na tom, aby si zachovala slobodu a nez\u00e1vislos\u0165. \u201eNechcem by\u0165 priviazan\u00e1 k jedn\u00e9mu miestu. Ke\u010f je t\u00e1 pr\u00e1ca dos\u0165 \u0161peci\u00e1lna, \u013eudia \u0165a bud\u00fa sledova\u0165 odkia\u013eko\u013evek.\u201c<\/em> Pr\u00e1ve t\u00e1to kombin\u00e1cia mobility, remesla a osobn\u00e9ho pr\u00edstupu jej umo\u017enila budova\u0165 zna\u010dku, ktor\u00e1 dnes funguje \u010faleko za hranicami Slovenska. Napriek tomu nep\u00f4sob\u00ed ako autorka, ktor\u00e1 by sa hnala za rastom za ka\u017ed\u00fa cenu. Ove\u013ea viac ju zauj\u00edma prehlbovanie vlastn\u00e9ho sveta. Sama hovor\u00ed, \u017ee h\u00fab, myc\u00e9lia, li\u0161ajn\u00edkov, plesn\u00ed \u010di nevidite\u013en\u00fdch pr\u00edrodn\u00fdch procesov je e\u0161te nekone\u010dne ve\u013ea a st\u00e1le m\u00e1 pocit, \u017ee sa len dotkla povrchu. Jej dlhodob\u00fd cie\u013e preto nie je vytvori\u0165 ve\u013ek\u00fa \u0161perk\u00e1rsku zna\u010dku ani sa prisp\u00f4sobova\u0165 trhu. Sk\u00f4r naopak. \u201eJa nechcem, aby som sa prisp\u00f4sobovala \u013eu\u010fom. Chcem, aby \u013eudia pri\u0161li za mnou, ke\u010f bud\u00fa chcie\u0165 svoj hr\u00edbik.\u201c<\/em> V tejto vete sa mo\u017eno skr\u00fdva podstata celej jej tvorby. Nie je to pr\u00edbeh o \u0161perkoch, ktor\u00e9 sa sna\u017eia zap\u00e1\u010di\u0165. Je to pr\u00edbeh o autorke, ktor\u00e1 si na\u0161la vlastn\u00fd jazyk, d\u00f4veruje mu a trpezlivo okolo neho buduje svet, v ktorom maj\u00fa svoje miesto lesy, kry\u0161t\u00e1ly, myc\u00e9lium, spomienky na detstvo aj viera, \u017ee aj dospel\u00ed \u013eudia ob\u010das potrebuj\u00fa mal\u00fd talizman, ktor\u00fd im pripomenie, \u017ee na svete st\u00e1le existuje trochu m\u00e1gie.<\/p>\n\n\n\n

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Photo by @jmteringa<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Od hubov\u00e9ho tripu k vlastn\u00e9mu vesm\u00edru<\/strong><\/p>\n\n\n\n

Hoci s\u00fa dnes s menom Martiny Kocianovej naj\u010dastej\u0161ie sp\u00e1jan\u00e9 jej hubov\u00e9 talizmany, jej tvorba sa nevyv\u00edjala cez jednotliv\u00e9 uzavret\u00e9 kolekcie, ale sk\u00f4r ako postupn\u00e9 rozrastanie jedn\u00e9ho autorsk\u00e9ho sveta. Zlomov\u00fdm momentom bola u\u017e jej bakal\u00e1rska pr\u00e1ca na Central Saint Martins s n\u00e1zvom\u00a0The Trip<\/strong><\/a>, ktor\u00fa sama ozna\u010duje za projekt, ktor\u00fd definoval jej \u010fal\u0161iu cestu. Kolekcia bola metaforickou cestou \u017eivotom \u2013 od detstva cez dospievanie, prv\u00e9 l\u00e1sky a\u017e po smr\u0165 \u2013 pri\u010dom ka\u017ed\u00fa etapu reprezentoval in\u00fd druh huby a odli\u0161n\u00fd symbolick\u00fd v\u00fdznam. Pr\u00e1ve tu sa po prv\u00fdkr\u00e1t naplno objavili t\u00e9my, ku ktor\u00fdm sa vracia dodnes: huby, transform\u00e1cia, pr\u00edroda, spomienky a osobn\u00e1 mytol\u00f3gia. Na t\u00fato l\u00edniu n\u00e1sledne nadviazala s\u00e9ria hubov\u00fdch talizmanov, v\u010faka ktor\u00fdm si postupne vybudovala medzin\u00e1rodn\u00e9 publikum a z\u00edskala pozornos\u0165 in\u0161tit\u00faci\u00ed ako\u00a0Sarabande Foundation<\/a>\u00a0\u010di\u00a0Dover Street Market<\/a>. Huby sa v jej tvorbe postupne menili z konkr\u00e9tnych foriem na nosite\u013eov v\u00fdznamov a osobn\u00fdch pr\u00edbehov. Nesk\u00f4r za\u010dala svoj z\u00e1ujem roz\u0161irova\u0165 aj smerom k \u010fal\u0161\u00edm pr\u00edrodn\u00fdm organizmom a vz\u0165ahom v ekosyst\u00e9me, \u010do sa prejavilo napr\u00edklad v projekte\u00a0Fairy Pearls<\/strong>, kde pracovala s li\u0161ajn\u00edkmi, perlami, striebrom a hodv\u00e1bom a sk\u00famala vz\u00e1jomn\u00fa prepojenos\u0165 \u017eiv\u00fdch syst\u00e9mov. Podobne poetick\u00fd charakter mal aj pr\u00edvesok\u00a0Perfume Bottle Pendant<\/strong>, funguj\u00faci ako nosite\u013en\u00e1 schr\u00e1nka na parfum pripom\u00ednaj\u00faca rozpr\u00e1vkov\u00fd artefakt alebo magick\u00fd amulet. Paralelne sa za\u010dala \u010doraz intenz\u00edvnej\u0161ie venova\u0165 objektom a soch\u00e1m z myc\u00e9lia, kde ju fascinuje pr\u00e1ve nepredv\u00eddate\u013enos\u0165 \u017eiv\u00e9ho materi\u00e1lu a mo\u017enos\u0165 pren\u00e1\u0161a\u0165 jazyk \u0161perku do galerijn\u00e9ho priestoru. Doteraj\u0161\u00edm vyvrcholen\u00edm tejto cesty je kolekcia\u00a0Astroshrooms<\/strong>, v ktorej prep\u00e1ja svoju fascin\u00e1ciu hubami, drah\u00fdmi kame\u0148mi a astrol\u00f3giou. Dvan\u00e1s\u0165 znamen\u00ed zverokruhu tu z\u00edskava vlastn\u00fa hubu, vlastn\u00fd kame\u0148 a vlastn\u00fd pr\u00edbeh, \u010d\u00edm vznik\u00e1 komplexn\u00fd syst\u00e9m osobn\u00fdch talizmanov sp\u00e1jaj\u00facich pr\u00edrodu, symboliku a remeslo. Pri poh\u013eade na jej tvorbu je pritom zrejm\u00e9, \u017ee nejde o s\u00e9riu nes\u00favisiacich kolekci\u00ed, ale o dlhodob\u00fd v\u00fdskum jedn\u00e9ho sveta, ktor\u00fd sa neust\u00e1le rozrast\u00e1 o nov\u00e9 vrstvy, v\u00fdznamy a formy.<\/p>\n\n\n\n

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Photo by @uttariyo<\/a><\/em><\/figcaption><\/figure>\n\n\n\n
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Photo by @uttariyo<\/a><\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Martina Kocianov\u00e1<\/strong> je slovensk\u00e1 \u0161perk\u00e1rka, dizajn\u00e9rka a gem carver (pozn.: umeleck\u00fd br\u00fasi\u010d drah\u00fdch kame\u0148ov<\/em>) p\u00f4sobiaca medzi Slovenskom a Lond\u00fdnom. Vy\u0161tudovala Jewellery Design na Central Saint Martins v Lond\u00fdne a v Japonsku absolvovala \u0161tipendijn\u00fd pobyt zameran\u00fd na tradi\u010dn\u00e9 remeseln\u00e9 techniky. Vo svojej tvorbe prep\u00e1ja ru\u010dn\u00e9 spracovanie drah\u00fdch kame\u0148ov, grav\u00edrovanie, \u0161perk\u00e1rske remeslo a fascin\u00e1ciu pr\u00edrodou, najm\u00e4 svetom h\u00fab a myc\u00e9lia. Jej \u0161perky funguj\u00fa ako osobn\u00e9 talizmany, ktor\u00e9 sp\u00e1jaj\u00fa pr\u00edbehy, symboliku a remeseln\u00fa prec\u00edznos\u0165. Je laure\u00e1tkou viacer\u00fdch ocenen\u00ed vr\u00e1tane Young Designer of the Year a jej pr\u00e1ce boli prezentovan\u00e9 prostredn\u00edctvom Sarabande Foundation \u010di pred\u00e1van\u00e9 v Dover Street Market. \u017dije a tvor\u00ed medzi viacer\u00fdmi krajinami, pri\u010dom v\u00e4\u010d\u0161ina jej klientely poch\u00e1dza zo zahrani\u010dia.<\/p>\n\n\n\n

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\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

Od diev\u010da\u0165a, ktor\u00e9 namiesto n\u00e1lepiek zbieralo kry\u0161t\u00e1ly, a\u017e po \u0161perk\u00e1rku, ktorej pr\u00e1ce dnes nach\u00e1dzaj\u00fa svojich majite\u013eov po celom svete. Martina patr\u00ed k autork\u00e1m, ktor\u00e9 si svoj rukopis nevybudovali nasledovan\u00edm trendov, ale trpezliv\u00fdm h\u013eadan\u00edm vlastn\u00e9ho pr\u00edbehu. Po\u010das \u0161t\u00fadia na lond\u00fdnskej Central Saint Martins objavila v spomienkach na detstvo a slovensk\u00e9 hub\u00e1r\u010denie t\u00e9mu, ktor\u00e1 sa stala z\u00e1kladom […]<\/p>\n","protected":false},"author":3,"featured_media":10280,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[33,30,31],"tags":[7,5,34,331,631,24,630,142,25],"class_list":["post-10279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carousel","category-cerstve-ovocie","category-novinky","tag-cerstve-ovocie_fm","tag-dizajn","tag-efemko","tag-huby","tag-krystal","tag-moda","tag-mycelium","tag-objekt","tag-sperk"],"yoast_head":"\nAko sa z hub\u00e1r\u010denia a\u00a0fascin\u00e1cie kry\u0161t\u00e1lmi stal autorsk\u00fd vesm\u00edr - \u010cerstv\u00e9 Ovocie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cerstveovocie.sk\/ako-sa-z-hubarcenia-a-fascinacie-krystalmi-stal-autorsky-vesmir\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ako sa z hub\u00e1r\u010denia a\u00a0fascin\u00e1cie kry\u0161t\u00e1lmi stal autorsk\u00fd vesm\u00edr - \u010cerstv\u00e9 Ovocie\" \/>\n<meta property=\"og:description\" content=\"Od diev\u010da\u0165a, ktor\u00e9 namiesto n\u00e1lepiek zbieralo kry\u0161t\u00e1ly, a\u017e po \u0161perk\u00e1rku, ktorej pr\u00e1ce dnes nach\u00e1dzaj\u00fa svojich majite\u013eov po celom svete. 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