{"id":628,"date":"2025-02-12T16:44:05","date_gmt":"2025-02-12T15:44:05","guid":{"rendered":"https:\/\/www.acaza.sk\/?p=628"},"modified":"2025-05-22T10:21:27","modified_gmt":"2025-05-22T08:21:27","slug":"kafkov-labyrint","status":"publish","type":"post","link":"https:\/\/d.r1.wbsprt.com\/acaza.sk\/kafkov-labyrint\/","title":{"rendered":"Kafkov labyrint"},"content":{"rendered":"\n
V\u00fdstava v priestoroch \u017didovskej \u0161koly – Centra tolerancie<\/strong><\/h5>\n\n\n\n

V\u017edy je to zauj\u00edmav\u00fd z\u00e1\u017eitok opakovane \u010d\u00edta\u0165 diela ob\u013e\u00faben\u00fdch autorov v r\u00f4zne vzdialen\u00fdch \u010dasov\u00fdch \u00fasekoch naprie\u010d vlastn\u00fdm \u017eivotom a sledova\u0165, ako na v\u00e1s v\u017edy nanovo a in\u00e1\u010d zap\u00f4sobia, \u010do nov\u00e9 v nich po t\u00fdch pre\u017eit\u00fdch rokoch objav\u00edte a ako sa v t\u00fdch dielach sami zrkadl\u00edte. Ako v\u010faka nim vid\u00edte, kam ste sa duchovne a intelektu\u00e1lne posunuli.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Franz Kafka, jeden z najvplyvnej\u0161\u00edch spisovate\u013eov 20. storo\u010dia, sa presl\u00e1vil svojimi dielami, ktor\u00e9 sk\u00famaj\u00fa existenci\u00e1lne ot\u00e1zky, byrokratick\u00e9 m\u00fdty a z\u00fafal\u00e9 z\u00e1pasy jednotlivca s nezrozumite\u013en\u00fdm a cudz\u00edm svetom. Napriek tomu, \u017ee jeho tvorba po\u010das jeho \u017eivota nebola dostato\u010dne uzn\u00e1van\u00e1, v s\u00fa\u010dasnosti patr\u00ed medzi klenoty literat\u00fary a jeho diela sa pova\u017euj\u00fa za k\u013e\u00fa\u010dov\u00e9 v oblasti modernizmu a existencializmu.<\/p>\n\n\n\n

Sto rokov po<\/strong><\/p>\n\n\n\n

3. j\u00fana v roku 2024 sme si pripomenuli 100. v\u00fdro\u010die \u00famrtia Franza Kafku. Je zauj\u00edmav\u00e9 sledova\u0165, ako jeho diela neust\u00e1le ovplyv\u0148uj\u00fa literat\u00faru a filozofiu. A je fascinuj\u00face, ako jeho odkazy st\u00e1le rezonuj\u00fa nielen v akademick\u00fdch kruhoch, ale aj v popul\u00e1rnej kult\u00fare.<\/p>\n\n\n\n

Pre t\u00fdch, ktor\u00ed nemali \u010das alebo chu\u0165 pre\u010d\u00edta\u0165 si jeho knihy, som vymyslela sp\u00f4sob, ako ich zauja\u0165 a pom\u00f4c\u0165 im nahliadnu\u0165 do Kafkovho sveta trochu in\u00fdm, zauj\u00edmavej\u0161\u00edm sp\u00f4sobom. Vytvorila som interakt\u00edvnu prehliadku s n\u00e1zvom Labyrint, vo forme priestorovo \u0161pecifick\u00fdch in\u0161tal\u00e1ci\u00ed.<\/p>\n\n\n\n

T\u00e1to v\u00fdstava sa konala od 29. novembra do 19. decembra 2024 v \u017didovskej \u0161kole \u2013 Centre tolerancie pri synag\u00f3ge v Leviciach v r\u00e1mci podujatia Ve\u010dera s Kafkom. Je to novovzniknut\u00e9 kult\u00farne centrum, ktor\u00e9 vzniklo v rekon\u0161truovan\u00fdch priestoroch budovy starej \u0161koly. Cie\u013eom celej akcie bolo v prvom rade vzda\u0165 hold mysli, ktor\u00e1 ovplyvnila mno\u017estvo gener\u00e1ci\u00ed, a v druhom rade sa pok\u00fasi\u0165 vzdel\u00e1va\u0165 odli\u0161n\u00fdm sp\u00f4sobom.<\/p>\n\n\n\n

Hlavn\u00fdm d\u00f4vodom pre m\u0148a pri koncipovan\u00ed v\u00fdstavy bolo ucti\u0165 si Kafku, lep\u0161ie pochopi\u0165 jeho myslenie, a potom t\u00fato sk\u00fasenos\u0165 sprostredkova\u0165 ostatn\u00fdm, aby sa aj oni mohli hlb\u0161ie zamyslie\u0165 nad t\u00e9mami, ktor\u00fdmi sa zaoberal.
D\u00f4le\u017eit\u00e9 bolo dosiahnu\u0165 z\u00e1ujem o Kafkov svet hlavne zo strany mlad\u00fdch \u013eud\u00ed. Najm\u00e4 v dne\u0161nej dobe, ktor\u00e1 priniesla nov\u00e9 technol\u00f3gie a nov\u00fd \u017eivotn\u00fd \u0161t\u00fdl, v\u010faka ktor\u00fdm u\u017e menej z nich \u010d\u00edta knihy. Ak sa zamysl\u00edme nad t\u00fdm, \u017ee v dne\u0161nej dobe priemern\u00fd \u010dlovek v str\u00e1vi cel\u00fd de\u0148 \u010d\u00edtan\u00edm spr\u00e1v, online statusov, \u010dl\u00e1nkov, e-mailov, n\u00e1vodov a podobne, uvedom\u00edme si, \u017ee toto u\u017e nie je klasick\u00e9 beletristick\u00e9 \u010d\u00edtanie, ktor\u00e9 \u010dloveku prin\u00e1\u0161a pote\u0161enie z umeleck\u00e9ho z\u00e1\u017eitku. Typ \u010d\u00edtania, ktor\u00fd predstavuje vstreb\u00e1vanie autentick\u00e9ho umeleck\u00e9ho prejavu, sa pomaly vytr\u00e1ca zo zvykov dne\u0161n\u00fdch \u013eud\u00ed. Nov\u00e1 gener\u00e1cia si u\u017e zvykla na nov\u00e9 formy vzdel\u00e1vania, v ktor\u00fdch klasick\u00e9 \u010d\u00edtanie prest\u00e1va by\u0165 hlavn\u00fdm prostriedkom z\u00edskavania vedomost\u00ed alebo pre\u017e\u00edvania umeleck\u00e9ho diela. \u013dudia dnes reaguj\u00fa na r\u00f4zne druhy podnetov, ktor\u00e9 vyvol\u00e1vaj\u00fa len kr\u00e1tkodob\u00e9 em\u00f3cie a je \u010doraz \u0165a\u017e\u0161ie udr\u017ea\u0165 si ich pozornos\u0165 a odovzda\u0165 im posolstvo, ktor\u00e9 by v nich zanechalo hlb\u0161iu stopu. In\u0161pirovan\u00e1 r\u00f4znorod\u00fdmi formami prezent\u00e1cie, ktor\u00e9 rada objavujem prostredn\u00edctvom n\u00e1v\u0161tev mnoh\u00fdch m\u00faze\u00ed a gal\u00e9ri\u00ed v zahrani\u010d\u00ed aj na Slovensku, som vytvorila tento Kafkovsk\u00fd z\u00e1\u017eitok.<\/p>\n\n\n\n

V nasleduj\u00facich odsekoch sa pok\u00fasim pribl\u00ed\u017ei\u0165 niektor\u00e9 z expon\u00e1tov po\u010dn\u00fac titulnou in\u0161tal\u00e1ciou. Ku ka\u017ed\u00e9mu expon\u00e1tu sa v\u0165ahuje Kafkov cit\u00e1t.<\/p>\n\n\n\n

 Labyrint<\/strong><\/p>\n\n\n\n

\u201eTento vchod bol ur\u010den\u00fd len pre teba, teraz ho zavriem\u201c F.K.<\/em><\/p>\n\n\n\n

Kafkovsk\u00e9 situ\u00e1cie sa vyzna\u010duj\u00fa nepreh\u013eadnos\u0165ou a absurdnos\u0165ou, kde snahy o pochopenie alebo zlep\u0161enie situ\u00e1cie kon\u010dia v slep\u00fdch uli\u010dk\u00e1ch. Preto som vybrala podzemn\u00e9 priestory budovy kult\u00farneho centra. Tu najviac vynik\u00e1 pojem „kafkovsk\u00e1“ realita \u2013 stav, v ktorom sa jednotlivci ocitaj\u00fa v nezmyselnom svete, z ktor\u00e9ho neexistuje racion\u00e1lny sp\u00f4sob \u00faniku. Nest\u00e1la dimenzia priestoru, bludisko nezrozumite\u013en\u00fdch rozmerov, kde si nie ste ist\u00fd, \u010do sa s vami stane. Tak ako v niektor\u00fdch \u017eivotn\u00fdch situ\u00e1ci\u00e1ch, v ktor\u00fdch sa niekedy zd\u00e1, \u017ee sa ocit\u00e1te v hybridn\u00fdch svetoch pln\u00fdch paradoxov a iracion\u00e1lnosti.<\/p>\n\n\n\n

Z\u00e1kladn\u00fdm mot\u00edvom v\u00fdstavy s\u00fa dvere, ktor\u00e9 sl\u00fa\u017eia ako symbol sp\u00e1jaj\u00faci osudy Kafkov\u00fdch post\u00e1v. Pracuje tu s absurdnou logikou mocensk\u00fdch \u0161trukt\u00far, ktor\u00e9 s\u00fa jednou z hlavn\u00fdch t\u00e9m jeho diel. Tento mot\u00edv tie\u017e hovor\u00ed o nepreh\u013eadnosti \u017eivota \u010dloveka, ktor\u00fd bojuje o svoje miesto v nepriate\u013eskej spolo\u010dnosti a nezrozumite\u013en\u00fdch syst\u00e9moch jej usporiadania.<\/p>\n\n\n\n

P\u00edsmeno K, vt\u00e1\u010dia klietka a \u010dak\u00e1re\u0148<\/strong><\/p>\n\n\n\n

\u201e<\/em><\/strong>Bu\u010f je svet mali\u010dk\u00fd alebo by sme mali by\u0165 my obrovsk\u00ed.\u201c F.K.<\/em><\/p>\n\n\n\n

Obrovsk\u00e9 p\u00edsmeno K<\/strong>, nama\u013eovan\u00e9 \u010diernym atramentom na baliacom papieri, visiace nad hlavami n\u00e1v\u0161tevn\u00edkov vyjadruje obdiv ku g\u00e9niovi. Svoj\u00edm rozmerom, ktor\u00fd je pribli\u017ene tak\u00fd ako v\u00fd\u0161ka priemern\u00e9ho \u010dloveka nazna\u010duje, \u017ee ide o autora ve\u013ek\u00e9ho form\u00e1tu, ktor\u00fd v\u010faka svoj\u00edm postav\u00e1m vo svete presl\u00e1vil nielen meno Kafka, ale aj samotn\u00e9 p\u00edsmeno K. Materi\u00e1l jednoduch\u00e9ho hned\u00e9ho papiera symbolizuje jeho skromnos\u0165 a ru\u010dn\u00e1 atramentov\u00e1 ma\u013eba intimitu, snahu o pribl\u00ed\u017eenie sa.<\/p>\n\n\n\n

\u201eSom klietka h\u013eadaj\u00faca vt\u00e1ka.\u201c K.F.<\/em><\/p>\n\n\n\n

Interakt\u00edvna in\u0161tal\u00e1cia, vt\u00e1\u010dia klietka<\/strong> bez dna visiaca zo stropu, je pripraven\u00e1 na to aby ste do nej mohli \u201evst\u00fapi\u0165 svojou hlavou\u201c a bu\u010f si s priate\u013emi urobi\u0165 len d\u00e1ku bizarn\u00fa fotografiu, alebo s\u00e1m pre seba prec\u00edti\u0165 tento zvl\u00e1\u0161tny pocit uv\u00e4znenia a poprem\u00fd\u0161\u013ea\u0165 nad jej odkazom.<\/p>\n\n\n\n

Je mo\u017en\u00e9, \u017ee tak\u00fdto pocit z\u00edskal Kafka ako nemeck\u00fd \u017eid \u017eij\u00faci v pra\u017eskej nemecky hovoriacej komunite, kde sa – ako s\u00e1m o sebe nap\u00edsal – c\u00edtil cudzincom vo vlastnom meste, ako men\u0161ina uprostred men\u0161iny.<\/p>\n\n\n\n

\u201eMali ste tu by\u0165 u\u017e o jednej hodine\u201c  F.K.<\/em><\/p>\n\n\n\n

Pred vstupom do priestorov podzemn\u00e9ho labyrintu je pripraven\u00e1 absurdn\u00e1 \u010dak\u00e1re\u0148<\/strong> \u2013 in\u0161tal\u00e1cia vyskladan\u00e1 z fragmentov stoli\u010diek, na ktor\u00fdch je nemo\u017en\u00e9 sedie\u0165. M\u00e1 evokova\u0165 nelogick\u00fd pocit zo situ\u00e1cie, v ktorej ste n\u00faten\u00ed \u010daka\u0165 na mieste, kde prevl\u00e1da absencia pohodlia… a zdrav\u00e9ho rozumu.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Gal\u00e9ria a de\u0161trukcia<\/strong><\/p>\n\n\n\n

\u201e<\/em><\/strong>\u010c\u00edm viac sa d\u00edvam, t\u00fdm menej rozpozn\u00e1vam.\u201c F.K.<\/em><\/p>\n\n\n\n

Tak, ako Franz nechcel aby svet po jeho smrti \u010d\u00edtal jeho tvorbu, ani t\u00e1to gal\u00e9ria nem\u00e1 amb\u00edcie by\u0165 viden\u00e1. Je to v\u00fdstava temnoty, pocitu, ktor\u00fd z jeho diela prenik\u00e1 do na\u0161ich du\u0161\u00ed a my\u0161lienok. T\u00e1to miestnos\u0165 bola prezentovan\u00e1 v tme, osvetlen\u00e1 len mal\u00fdm slab\u00fdm lamp\u00e1\u0161ikom, aby n\u00e1v\u0161tevn\u00edk hlb\u0161ie prec\u00edtil esenciu skuto\u010dnej temnoty a strachu. V Kafkov\u00fdch dielach sa okrem neistoty \u010dasto vyskytuje podobn\u00fd pocit, preto by sme tento priestor mohli nazva\u0165 aj portr\u00e9tom strachu<\/strong>. Toho zvl\u00e1\u0161tneho pocitu nie\u010doho temn\u00e9ho, \u010do nevid\u00edme, ale tu\u0161\u00edme, \u017ee to cel\u00e9 vych\u00e1dza z n\u00e1\u0161ho nepreb\u00e1dan\u00e9ho vn\u00fatra.<\/p>\n\n\n\n

\u201eKona\u0165 z\u00e1porn\u00e9 je na\u0161\u00edm \u00fadelom, kladn\u00e9 je n\u00e1m u\u017e dan\u00e9.\u201c F.K.<\/em><\/p>\n\n\n\n

V miestnosti \u010diernej gal\u00e9rie sa nach\u00e1dza e\u0161te jedno nen\u00e1padn\u00e9 dielo, k\u00f4pka listov v ob\u00e1lkach naukladan\u00fdch na ro\u0161te, zjavne pripraven\u00fdch na sp\u00e1lenie. S vetou \u201eSp\u00e1lili by ste dielo g\u00e9nia, keby v\u00e1s o to s\u00e1m po\u017eiadal?\u201c pod\u00e1vam n\u00e1v\u0161tevn\u00edkom z\u00e1palky<\/strong>. T\u00fdm zm\u00e4tenej\u0161\u00edm nesk\u00f4r vysvet\u013eujem okolnosti Kafkov\u00fdch posledn\u00fdch dn\u00ed. Vtedy po\u017eiadal svojich najbli\u017e\u0161\u00edch, Dorotu Diamantov\u00fa a Maxa Broda o to, aby zni\u010dili v\u0161etky jeho texty. Neochota necha\u0165 vlastn\u00e9 dielo \u017ei\u0165 mimo v\u00e1s hlboko s\u00favis\u00ed s tmou, ktor\u00e1 v tejto miestnosti p\u00f4sob\u00ed na v\u0161etk\u00fdch ako prostriedok na vyjadrenie tak\u00e9hoto \u0165a\u017eiv\u00e9ho stavu mysle.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

KafkaTok<\/strong><\/p>\n\n\n\n

\u201eP\u00edsanie je \u00fapln\u00e1 samota, zostup do chladnej priepasti seba sam\u00e9ho.\u201c F.K.<\/em><\/p>\n\n\n\n

N\u00e1zov tejto in\u0161tal\u00e1cie odkazuje nie len na kontroverzn\u00fa soci\u00e1lnu sie\u0165 TikTok, ale predov\u0161etk\u00fdm na neschopnos\u0165 komunikova\u0165 v dobe, kedy je spojenie medzi \u013eu\u010fmi napriek vyspelej technike nevysvetlite\u013ene komplikovan\u00e9.<\/p>\n\n\n\n

Dva p\u00edsacie stroje postaven\u00e9 oproti sebe, dva stroje, ak\u00e9 nikto z n\u00e1s u\u017e nepou\u017e\u00edva, dva r\u00f4zne rozmery papiera A3 a A4, s\u00fa s\u00edce spojen\u00e9 rolkou papiera ale rozdielne form\u00e1ty strojov nedovo\u013euj\u00fa vz\u00e1jomn\u00e9mu prepojeniu, je tu nemo\u017en\u00e9 nadviaza\u0165 kontakt.<\/p>\n\n\n\n

\u013dudia s\u00fa dnes online takmer non-stop, maj\u00fa pr\u00edstup k rozsiahlym mo\u017enostiam komunik\u00e1cie a napriek tomu sa v tomto svete c\u00edtia osamel\u00ed a straten\u00ed.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Prehliadky pre \u0161tudentov stredn\u00fdch \u0161k\u00f4l boli najd\u00f4le\u017eitej\u0161ie
<\/strong>
V\u00fdstava v priestoroch \u017didovskej \u0161koly bola jedine\u010dnou pr\u00edle\u017eitos\u0165ou spracova\u0165 \u017eivot a dielo Franza Kafku netradi\u010dn\u00fdm umeleck\u00fdm sp\u00f4sobom a \u0161\u00edri\u0165 jeho odkaz.
Za najd\u00f4le\u017eitej\u0161\u00ed faktor pova\u017eujem komentovan\u00e9 prehliadky pre \u0161tudentov stredn\u00fdch \u0161k\u00f4l. Niektor\u00ed z nich prejavili opatrn\u00fd z\u00e1ujem, in\u00ed sa nechali strhn\u00fa\u0165, dokonca vystra\u0161i\u0165, ale najd\u00f4le\u017eitej\u0161ie bolo, \u017ee na v\u0161etk\u00fdch to urobilo ak\u00fdsi dojem a ak sa n\u00e1jde len zop\u00e1r z nich, ktor\u00ed v\u010faka tomuto z\u00e1\u017eitku siahnu po knihe od Kafku, tak to cel\u00e9 jednozna\u010dne malo zmysel.<\/p>\n\n\n\n

Video z v\u00fdstavy: https:\/\/www.facebook.com\/1552312117\/videos\/1621547981809469\/<\/a><\/p>\n\n\n\n

Tento \u010dl\u00e1nok vy\u0161iel 31.janu\u00e1ra 2025 na rumunskej str\u00e1nke o literat\u00fare a prekladoch „Revista de Traduceri Literare“: https:www.fitralit.ro\/31-01-2025-alica-zahorska-kafkas-labyrinth-a-visual-art-exhibition\/<\/a><\/p>\n\n\n\n

\u010eakujem M\u00e1rii M\u00e9sz\u00e1ro\u0161ovej, riadite\u013eke MSKS Levice za pr\u00edle\u017eitos\u0165 vytvori\u0165 t\u00fato v\u00fdstavu, \u010falej za spolupr\u00e1cu \u010fakujem Sl\u00e1vke Prevendar\u010d\u00edkovej, Dorote Chlpa\u010dovej, Divadlu J\u00e1na Pal\u00e1rika v Trnave, o.z. Tri bodky na ceste a nakoniec Petrovi Sragherovi za pr\u00edle\u017eitos\u0165 uverejni\u0165 \u010dl\u00e1nok na Revista de Traduceri Literare https:\/\/www.fitralit.ro\/ .<\/p>\n","protected":false},"excerpt":{"rendered":"

V\u00fdstava v priestoroch \u017didovskej \u0161koly – Centra tolerancie V\u017edy je to zauj\u00edmav\u00fd z\u00e1\u017eitok opakovane \u010d\u00edta\u0165 diela ob\u013e\u00faben\u00fdch autorov v r\u00f4zne vzdialen\u00fdch \u010dasov\u00fdch \u00fasekoch naprie\u010d vlastn\u00fdm \u017eivotom a sledova\u0165, ako na v\u00e1s v\u017edy nanovo a in\u00e1\u010d zap\u00f4sobia, \u010do nov\u00e9 v nich po t\u00fdch pre\u017eit\u00fdch rokoch objav\u00edte a ako sa v t\u00fdch dielach sami zrkadl\u00edte. Ako v\u010faka … Pokra\u010dova\u0165 v \u010d\u00edtan\u00ed „Kafkov labyrint“<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-628","post","type-post","status-publish","format-standard","hentry","category-nezaradene"],"yoast_head":"\nKafkov labyrint - ALICA Z\u00c1HORSK\u00c1<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.acaza.sk\/kafkov-labyrint\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kafkov labyrint - ALICA Z\u00c1HORSK\u00c1\" \/>\n<meta property=\"og:description\" content=\"V\u00fdstava v priestoroch \u017didovskej \u0161koly – Centra tolerancie V\u017edy je to zauj\u00edmav\u00fd z\u00e1\u017eitok opakovane \u010d\u00edta\u0165 diela ob\u013e\u00faben\u00fdch autorov v r\u00f4zne vzdialen\u00fdch \u010dasov\u00fdch \u00fasekoch naprie\u010d vlastn\u00fdm \u017eivotom a sledova\u0165, ako na v\u00e1s v\u017edy nanovo a in\u00e1\u010d zap\u00f4sobia, \u010do nov\u00e9 v nich po t\u00fdch pre\u017eit\u00fdch rokoch objav\u00edte a ako sa v t\u00fdch dielach sami zrkadl\u00edte. 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